As with too many of their new-gen peers’ discographies, it’s hard to predict how a new RIIZE single might sound. In the past, there have been K-pop groups I knew I could count on to deliver the goods each and every time, and this was usually because they worked with a tight team of producers … Continue reading
Dropping one letter (and parentheses) from your group name shouldn’t be too big of a deal, but since rebranding as i-dle, the former (G)I-DLE has seen their chart powers diminish. It’s too early to tell if last year’s results were a fluke or not, but it makes their upcoming album feel like an important fork … Continue reading
Long ago, the K-pop elders foretold a prophecy: “Behold! Regardless of their sound or image, every fifth generation boy group shall get their swag on for one tuneless, out-of-character chant-fest.” As an amendment to their proclamation, the wise elders added: “Fear not, lovers of bright, melodic concepts. This hip-hoppery shall only be a pre-release.” RIIZE, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m not sure you can call … Continue reading
The idea of a super group in K-pop is very exciting. Anyone remember SuperM? As far as I know, this trio of HYBE acts don’t plan to promote together past this one-off single, but the combination of LE SSERAFIM, ILLIT and Katseye has the potential to maximize a joint slay to the nth degree. However, … Continue reading
Girl group Navillera debuted early this year with the rough-around-the-edges No Limit that built itself upon way too many current K-pop tropes. With follow-up Friday Night, they’ve returned with a bad song dressed up in an upbeat, summery style I tend to enjoy. This results in a very weird listen. First off, it’s been awhile … Continue reading
I last wrote about GOT7’s Jay B in late 2024. He was fresh off military service and releasing his first full album. Since then, he’s been touring and signed with new agency 528Hz. Today’s Layback offers a new sound for his title tracks, though this style of R&B has found a place on his and … Continue reading
It’s been four years since GFriend’s Yerin debuted as a soloist. Since then, she’s delivered exactly one comeback per year, so we might expect Shooting Star (조각별) to be her sole musical statement of 2026. With large gaps between albums, we might also expect her to make bigger musical statements. Alas, Shooting Star is pleasant … Continue reading
EPEX’s discography has been a real mixed bag so far. They’ve released a few solid tracks (2024 was a solid year for them), but more often their music has either been too generic or actively off-putting. New single Echo fits squarely within the first category. It’s a song that could have come from just about … Continue reading
izna have delivered a fractured discography so far, with some songs hitting harder than others. However, the highlight medley for their newest mini-album hinted at a synth-heavy sound that feels consistent among its tracks. This is a stellar identity for the group to pursue and results in their strongest title track yet. Metronome is pure, … Continue reading
Despite really enjoying BOYNEXTDOOR, their past few comebacks haven’t done much for me. Then, I thought it might all be over with the blustering hip-hop pre-release ddok ddok ddok. However, that song ended up growing on me in a way a track like Hollywood Action never did, and I’m not quite sure why. Regardless, this … Continue reading
Rather than promote a follow-up track from their recent album, BABYMONSTER have taken the rare approach of releasing a new song just a month after their comeback. This reminds me of the old days of album repackages, which I miss very much. They made comebacks feel more like eras and stretched out the excitement. Unfortunately, … Continue reading
1. Atmos // 2. Hours // 3. Possibility // 4. Anti Believer // 5. Still Raining // 6. Thousand Miles Away THOUSAND MILES AWAY These days, I do a double take any time I see a K-pop song longer than four minutes. That shouldn’t be a rarity, but it’s so much more likely to find … Continue reading
1. Atmos // 2. Hours // 3. Possibility // 4. Anti Believer // 5. Still Raining // 6. Thousand Miles Away STILL RAINING We’ve now reached the portion of the album where things slow down. SHINee are on my very short list of K-pop groups with great ballads, so a slower song is nothing to … Continue reading
1. Atmos // 2. Hours // 3. Possibility // 4. Anti Believer // 5. Still Raining // 6. Thousand Miles Away ANTI BELIEVER ATMOS‘s first four tracks form an all killer, no filler suite of stylish dance music. Like the album’s teasers promised, it’s a whistlestop tour of genres SHINee have mastered. However, each song … Continue reading
Some groups function solely as a collective while others feel more like a series of successful soloists making music together. After years of promoting their individual work, Mamamoo have transformed into the latter — a supergroup of sorts. It’s been almost four years since we’ve seen them come together for new music, making 4 Flowers … Continue reading
1. Atmos // 2. Hours // 3. Possibility // 4. Anti Believer // 5. Still Raining // 6. Thousand Miles Away POSSIBILITY A song like Possibility, with its uplifting lyrics, could easily come across as cheesy. Yet something about SHINee’s layered vocal adds gravitas that makes the song feel much more transcendent. It’s not my … Continue reading
1. Atmos // 2. Hours // 3. Possibility // 4. Anti Believer // 5. Still Raining // 6. Thousand Miles Away HOURS This mini album was billed as a showcase of SHINee’s signature charm, which is really a gift for fans. If an act has mastered a sound or genre, there’s no reason not to … Continue reading
With each release, I’m more convinced that VVS is some kind of psyop meant to test the limits of fans’ blind idolatry and the industry’s willingness to appropriate hip-hop culture. How else do you describe BOTTLE$? The moment its “chorus” first dropped, all I could do was laugh. A song like this is difficult to … Continue reading
Remember that brief moment when N.Flying were a chart-topping, A-list band? It seems almost like a fever dream now, but the guys have hung around and continued to release music that plays to their strengths. I still prefer the goofier concepts of their debut era, but new single In Between Seasons (환절기 (換節期)) is a … Continue reading
The Bias List // K-Pop Reviews & Discussion 