ONEUS and ONEWE in the same week?? It almost feels like we’re getting closer to a reunion of both groups, where ONEWE supply a killer track as ONEUS bust out striking choreography. It’s happened before, but I need it to happen for a promoted comeback. Until then, ONEWE are back with special single Roommate (룸메이트). … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though I’m not yet sure how … Continue reading
It’s been a dispiriting run of boy group tracks this year. Musical diversity has taken a backseat to cut-and-paste sameness. Same beats. Same attitude. Same bluster. It’s becoming a real challenge to write about these songs in new ways. There’s nothing to analyze or wonder about, and the songs are so stitched together by corporate … Continue reading
Though GFriend may be no more, its members have kept busy in 2022. VIVIZ are wading their way through season two of Queendom and Yuju debuted as a soloist. Next up is Yerin, who has signed with Sublime Artist Agency and is out with her first mini album. Debut solo single Aria isn’t worlds away … Continue reading
AB6IX’s recent comebacks have been all over the place, swerving from noisy beat drops to light funk to stately synth-pop. It’s a far cry from their debut year, which presented a sleek, stylish dance sound that seemed to be their calling card. Savior switches things up again, bringing in new producers and a new, darker … Continue reading
No, this isn’t a version of ATEEZ’s Rocky performed in their boxers. This is a re-recorded Japanese take on the track that serves as the group’s latest J-pop single. As such, most of this review is simply a cut-and-paste of my “buried treasure” write-up from last year. However, I’m bumping up the bias rating just … Continue reading
As an enthusiastic watcher of PSY and JYP’s build-a-boyband series LOUD, I’ve been waiting for its two groups to debut. I’m more excited for what JYP’s group will bring, but PSY’s rearrangements and concepts were incredibly creative. Some of my favorite LOUD contestants ended up becoming part of his team. As P Nation’s first idol … Continue reading
ONEUS went from strength to strength in 2021, but this streak kicked off inauspiciously with the blustery No Diggity. That song grew on me, but still feels like an overly generic use of the group’s skills. New single Bring It On (덤벼) comes across as No Diggity’s older brother, dipping its toes in a ton … Continue reading
Since 2017, Girls’ Generation’s Hyoyeon has established a successful career as a dance artist, exploring various avenues of EDM across a series of singles. For me, her output has been hit-or-miss, with highlights like Punk Right Now and Badster far eclipsing the likes of Second and Dessert. But even if I don’t connect with all … Continue reading
Astro were one of my first musical obsessions after creating this blog. Their debut year delivered pop classic after pop classic, only to culminate in the brilliantly bright, brilliantly melodic Dream Part One album in 2017. Can you believe there was a time when both they and GFriend were reliably releasing Iggy/Youngbae-produced bangers? I miss … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! EPISODE ONE RECAP // EPISODE TWO RECAP // EPISODE THREE RECAP // EPISODE FOUR RECAP // EPISODE FIVE RECAP// EPISODE SIX RECAP We’re at the point in any Queendom/Kingdom series where I check the episode running length before watching and audibly cheer if it’s … Continue reading
Sometimes a song arrangement can make all the difference. Back in January, Darari was released on Treasure’s newest mini album. It was a fine – but forgettable – mid-tempo, casting a subdued groove that spotlighted the guys’ vocals. Now, a remixed rock version has been released as follow-up promotion. Suddenly, the song has my complete … Continue reading
I’ve listed my “top tens” for many artists, but it’s time to rummage through entire discographies and rank every single from worst to best. This feature will primarily tackle groups who have disbanded or gone on indefinite hiatus. It’s a way for me to re-evaluate my initial thoughts on their singles run. Don’t be surprised … Continue reading
I can’t believe it’s been over a year since Jeong Sewoon’s last comeback! He’s been a reliable purveyor of gentle – often upbeat – pop music since his 2017 debut. He’s also the latest in a long string of Starship Entertainment acts to promote this year. Seriously, that agency has their act together. In the … Continue reading
After a less-than-stellar debut, rookies Ciipher rebounded big time with last year’s excellent Blind. That song’s composition had member participation, which seems indispensable for this group. Judging from the highlight medley of their newest album, the strongest-sounding songs are the ones where the guys themselves are most involved. Self-composition isn’t a skill to be taken … Continue reading
I want to be very clear with you, Woollim Entertainment. When I mentally scream into the void about wanting another Golden Child comeback, this is not what I mean. If you’re going to give us another Rata-Tat-Tat, you might as well just keep it. I do not recognize Golcha in this song. None of their … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TXT have already broken sales records … Continue reading
Back when TXT debuted with the excellent Crown, it seemed they had years of bright, bubbly pop ahead of then. Instead, the group quickly veered into more combative territory. Their first comeback enhanced the rock angst and – apart from one disco-infused “minisode” in 2020 – they’ve stayed pretty faithful to that template. This paid … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wouldn’t call Woodz’s new album … Continue reading
The Bias List // K-Pop Reviews & Discussion 