As we’ve seen over the past few months, making it to a ten-year anniversary is no small feat when it comes to k-pop. FTIsland join a select few that have outlasted the threat of disbandment and roster changes and failing agencies. For that alone, they deserve immense respect. Even more kudos should be given for … Continue reading
FNC Entertainment has been working overtime, debuting HONEYST just seven months after launching SF9. Both groups were featured in the agency’s Dance Or Band series, which — despite its competitive nature — felt more like an advertisement for everyone involved than an actual rivalry. And though SF9 were chosen to debut first, the acoustic-leaning HONEYST … Continue reading
Breakout rookies SF9 are wasting no time establishing themselves, releasing a new mini album just two months after the last one. Thus far, the group has adopted an aggressive hip-hop style with mixed results, but for Easy Love (쉽다) they’ve switched it up quite a bit. This is SF9 as melodic as we’ve ever heard … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2017 Overall Thoughts Oh, March. It’s such a long month, yet gives us so little when it … Continue reading
It’s been eight years since CNBLUE made their debut. After so long, it’s got to be hard to keep new material fresh. I imagine that rock groups find it particularly difficult, as the k-pop world affords them a smaller selection of concepts compared to their more performance-based peers. And as much as I have enjoyed CNBLUE’s … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2017 Overall Thoughts If I could describe February with only one word, it would be “consistent.” … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. When SF9 secured the path to their eventual debut on … Continue reading
