Queendom has become one of K-pop’s most pleasant surprises this year. Its conceit — five girl groups (and one soloist) competing for performance-based dominance — was shockingly good-natured in reality, allowing each act to showcase their charms without the kind of needless drama these series usually thrive on. In fact, I’d be just as happy … Continue reading
Ever since breaking out with the self-penned Rooftop earlier this year, N.Flying have taken more creative control of their music. This has been something of a mixed bag. Their follow-up single, Spring Memories, was an oddly subdued choice and failed to set the charts alight in the same way as its predecessor. With new release … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Because they debuted at such a young age, FTIsland have been able to consistently release music for twelve years without a military enlistment-forced hiatus. This is almost unheard of when it comes to male K-pop groups, and it’s positioned the guys as one of the industry’s staples. Zapping is their first album without leader Jonghoon, … Continue reading
With another year of KCON behind me, I’m feeling recharged. This is something I needed after a lackluster K-pop summer. Though KCON seemed a bit cursed at the beginning (both ONEUS and Chungha had to cancel, following Everglow who pulled out weeks earlier), it turned out to be a great year. It’s my fifth KCON … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
With over 2,600 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
It’s that time of year again. The sun comes out, the temperature climbs, and K-pop goes tropical! Well, it wasn’t always this way. A few years ago, summer didn’t instantly mean tropical pop music, and I hope we’re working our way out of this persistent trend. But tropical or not, many of my top K-pop … Continue reading
SF9 have always struck me as the quintessential, generic boy group. Talented, yes, but without a defining style or concept that would make them memorable. Their singles tend to feel like the kind of grab bag fare doled out on survival shows like Produce 101. You get the sense that any K-pop group could tackle … Continue reading
After debuting in January, Cherry Bullet have made a quick return with new single Really Really (네가 참 좋아). Q&A became something of a sleeper hit, establishing a bright, rhythmic sound for the group. But, the real test comes now, as the girls try to secure their success with a track that betters their previous … Continue reading
Idol rock group N.Flying scored a major coup earlier this year, as their digital single Rooftop made an unexpected climb up the charts. As you might expect, I follow the K-pop industry very closely. Yet, this sudden ascent surprised the hell out of me. Even after adding a Produce 101 alum to their roster, the … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
While it’s certainly not the only factor in making a successful idol group, I’ve always thought that a distinct sound and concept is important. As solid as SF9’s singles run has been, I struggle with the haphazard nature of their discography. On one hand, they should be applauded for attempting a diverse spectrum of styles. … Continue reading
This is one of those features I’ve been wanting to tackle for years now. In many ways, the singles of 2012 set the standard I measure all future and past K-pop against. Song for song, it was the pinnacle of so much that I love about Korean music. It was a year of gargantuan choruses, … Continue reading
The year of debuts rolls on with the first new girl group of 2019. Cherry Bullet hails from FNC Entertainment, home to AOA. Perhaps inspired by their seniors, the girls have been teasing a video game concept similar to last year’s Bingle Bangle. And true to form, Q&A feels like Bingle Bangle with more bite. … Continue reading
N.Flying have had a rough go of it over the past month, with bassist Kwangjin leaving the group among accusations of inappropriate online conduct. This came just days before the group was scheduled to release the second track in their year-long Fly High project. Fly High seems to mirror the ambitious (and successful) 2017 promotions … Continue reading
I rarely get a chance to talk about K-pop’s music videos, even though they are without a doubt one of the industry’s most important facets. A dynamite video can really make a song stand out, and the following ten clips brought memorable visuals and storylines to the year’s K-pop offerings. + Make sure to check … Continue reading
