For the first time in years, I didn’t cover last month’s MAMA Awards on this blog. Honestly, they were just too boring to write about. But, I did enjoy the Wanna One reunion — even if it was just a medley of their familiar hits. If anything, the members’ post-Wanna One careers have only exemplified … Continue reading
Though Nature aren’t yet well-known to the general public, they’ve amassed a solid discography that hasn’t been afraid to experiment with new sounds. We haven’t heard from them since June of 2020 – a lifetime when it comes to K-pop groups. But, they’re finally back with the boisterous Rica Rica. I’m not entirely sure what … Continue reading
Global music trends are currently in my favor, as sounds shift in directions I tend to enjoy. As always, K-pop is catching up to deliver a wealth of rhythmic, retro-themed tracks. By any measure, I should be jumping up and down and proclaiming this a golden age for the industry. Yet when it comes to … Continue reading
Under-the-radar group Luminous nabbed a spot on my top 2021 rookies list thanks to the strength of debut single Run. Many boy groups use hip-hop as a base for their sound, but Run harnessed the groovier aspects of the genre to craft a song that felt nostalgic yet fresh. Sadly, new single All Eyes Down … Continue reading
Mamamoo’s Moonbyul has been teasing her newest album for weeks, and pre-released the fun throwback track G999 last month. That song hinted at new directions for her music, and Lunatic further fulfills that promise. But while G999 benefited from a laidback groove and focused arrangement, Lunatic feels all over the place. Judging by its title, … Continue reading
I didn’t love BamBam’s solo debut, but his recent duet with Red Velvet’s Seulgi offered a different avenue for his talent. It turns out moody sounds fit him quite well, and that approach continues on new single Slow Mo. The track retains plenty of hip-hop influences, but they’re in service to a gentle, atmospheric melody. … Continue reading
The era of post-GFriend projects is upon us, with Viviz’s debut next month and Yuju’s solo album today. I’m still in shock that the group is no more, but it will be interesting to hear the music they come up with. If Play (놀이) is any indication, Yuju is set to lean into her skills … Continue reading
This should be a good week for Mamamoo fans, as two of its members are releasing solo albums. First up is Wheein, working under her new agency The L1ve. So far, her solo material has trended toward more subdued sounds, though last year’s Water Color found a satisfying groove. New single Make Me Happy (오묘해) … Continue reading
I hadn’t given ENHYPEN’s music much love until last year’s Dimension: Dilemma album, which finally began to carve out a musical niche that didn’t just rehash other HYBE groups. This was most apparent on the album’s rock-influenced tracks like Attention, Please. Given that song’s success, I’m happy to see the guys continue to explore an … Continue reading
BZ-Boys (otherwise known as Blue Zone Boys) have been kicking around since 2019. They debuted under Chrome Entertainment — an agency most famous for quirky girl group Crayon Pop. Unfortunately, lengthy hiatuses have blunted most of their momentum and their material has tended to lean on the generic side. New single Find You (널 찾으러 … Continue reading
Despite counting many fantastic idols among its roster, Omega X’s title tracks haven’t yet connected with me. They’re firmly entrenched in the “noise music” trend favored by many modern boy groups, where “going hard” takes precedence over most other elements. I understand the appeal, but I tend to prefer songs that merge their intensity with … Continue reading
A few days ago, ONEWE covered Infinite’s The Chaser and (obviously) scored huge brownie points from me. It also reminded me how much I enjoy the band when they really rock out. Too often, their title tracks settle on a more morose energy. On the plus side, this offers the chance to spotlight the group’s … Continue reading
UP10TION’s music has a way of sneaking up on me. I’ve never considered them a favorite group, yet their songs have placed inside my year-end top ten on two separate occasions. Last year’s dynamic Spin Off nearly made that three. However, I find their output to be very inconsistent. Like so many K-pop groups, they’re … Continue reading
P1Harmony have already proven themselves compelling rookies, but they’ve been undercut by a serious lack of promotion. FNC missed a big opportunity limiting them to a single comeback in 2021. Hopefully 2022 will offer a more steady stream of music, because their hip-hop sound has a ton of potential. Last year’s Scared pointed toward a … Continue reading
Several years after launching their ambitious SuperM project, SM Entertainment has developed a similar strategy for their female artists. From what I can gather, Girls On Top will encompass multiple mix-and-match units. First up is GOT The Beat – a performance unit comprised of BoA, SNSD’s Taeyeon and Hyoyeon, Red Velvet’s Seulgi and Wendy, and … Continue reading
It’s a K-pop tale as old as 2016: group forms through (usually controversial) survival show, group sells a boatload of albums in preorders, group releases a song that fans complain about but stream anyway. Of course, there are exceptions, but it feels like these cobbled-together, made-for-TV acts take awhile to find their bearings. The newly-debuted … Continue reading
Okay, I’ve had my fun (?) with these Universe releases and their half-mvs. Universe has actually gotten better at uploading the full videos to YouTube (whether we want them or not!), but it’s hard to get excited about a K-pop product that feels like a total afterthought. With that in mind, I’m going to let … Continue reading
“Brother” groups ONEUS and ONEWE have a history of collaborations, from a pre-debut single to a fun variety show. They also share real (twin) brothers. I’ve long hoped for another collaboration – perhaps a full album? In my mind, they need to unite their specific skills and release a full-on idol dance track backed by … Continue reading
When it comes to my listening habits, the holidays are the only time I really make room for jazzy, coffeeshop-esque music. Coziness is a valuable asset throughout December, and some of my favorite winter songs adopt this style. Billlie’s Snowy Night won’t be climbing to the very top of that list, but it’ll definitely be … Continue reading
ATEEZ have been very intentional when it comes to their album series. Treasure had a beginning, middle and end, and Fever has followed the same approach. Kicking off in mid-2020, this project has sprawled across seventeen months. Now, we’ve reached its “epilogue” – an odds-and-ends release that wraps up the era. We heard pre-release title … Continue reading
The Bias List // K-Pop Reviews & Discussion 