Though he was already popular, Zico has enjoyed even greater success this year thanks to his viral Any Song. Personally, I find the “TikTok challenge” nature of that track emblematic of everything wrong with pop music at the moment, but I’ll admit that it’s catchy (if annoying). In a somewhat similar situation, K-pop legend Rain … Continue reading
Chungha’s been hinting at a full album release in the near future, and she’s taking a promotional approach more widely seen in Western acts by unveiling several singles before the official comeback. This is a shame, as I really think that April’s Stay Tonight deserved the full title track treatment. Unfortunately, I can’t say the … Continue reading
Rookie group DKB fit right within 2020 expectations by debuting with a noisy hip-hop track. But as forgettable as I found it to be, Sorry Mama did manage to incorporate a killer female vocal ad-lib that gave it a tiny bit of character. Unfortunately, that sliver of identity has been quashed by follow-up Still (오늘도 … Continue reading
Okay, we’re going to switch things up a bit today – just this one time. R&B phenom Crush and Red Velvet’s Joy have released a single together, and like all the high-profile duets this month, it’s climbed straight to the top five of the charts. People clearly love Crush and Joy, I get that. I … Continue reading
Somehow, despite disliking the bulk of AB6IX’s special solos album 5NALLY, I have now written about all five tracks at length. And every once and awhile, I even had some positive things to say. That’s the kind of twisted dedication you’ll find on The Bias List! But now that we’ve arrived at the fifth and … Continue reading
December is the month of holiday releases, under-the-radar comebacks and special singles. It tends to result in a hodgepodge of new music, little of which I end up remembering a year later. Duo JBJ95 impressed me with this summer’s Spark, but unfortunately their Only One joins the pile of forgettable winter tracks. For me, JBJ95’s … Continue reading
After leaving Seven Seasons (home to his group Block B) late last year, Zico has gone on to create his own label, KOZ, for future solo activity as well as recruitment of outside artists. This seems like a good strategy for him, as he’s always had his feet in both the idol and underground hip-hop … Continue reading
When 2019 is over, I have a feeling that the year will have set a record for debut groups. Though my opinion on 2019’s K-pop slate has soured over the past few months, there’s no denying that it’s been incredibly strong for rookies. This glut of new talent sets the bar high and makes it … Continue reading
Back in February, IZ*ONE made their Japanese debut with the stirring Suki to Iwasetai. It remains my highest-rated song by the group, but it turned out to be a total red herring. Since that initial album, IZ*ONE’s J-pop singles have been shockingly unpolished. June’s Buenos Aires merged a poor vocal arrangement with an underdeveloped instrumental. … Continue reading
With YG Entertainment in continual freefall, the company seems unable to release anything but threadbare solo albums from its artists. BLACKPINK’s stuck in a one-per-year promotional schedule, iKON is in limbo after losing its leader, and Treasure 13’s debut has been postponed for who knows how long. In their place, YGX (an agency subsidiary) has … Continue reading
Whether they like it or not, the debut of new boy group Limitless will instantly be overpowered by the presence of Jang Moonbok’s presence in its line-up. Moonbok became a lightning rod for media attention throughout the first few episodes of Produce 101 Season Two, but the novelty quickly faded and he was eliminated mid-way … Continue reading
Over the last few years, mixtapes have become an increasingly bigger focus in the development of idol groups. Most of the time, the rapper position in these groups is limited by the needs of a title track. There’s not a whole lot of opportunity to get personal or specific, which explains the generic, swaggy nature … Continue reading
Oh, Sungwoon fans. You may as well just save yourself the grief and skip this review altogether. I swear, I’ve got nothing against the guy himself. He cut his teeth as a member of underrated idol group Hotshot, and more than proved himself as a vital part of K-pop sensation Wanna One. But his debut … Continue reading
In a preview of what will soon be facing all second generation boy groups, BTOB is rapidly decreasing in number as their members begin their mandatory military enlistment. It’s become common for artists to release a song or album prior to enlisting, and serves as a nice gesture towards their fans. It’s hard to fault what’s … Continue reading
VAV is one of those groups who just keep plugging away. I don’t see their name mentioned much in K-pop circles, nor are they a huge presence on music shows. Yet, they’ve held international tours and make frequent comebacks with glossy, well-produced music videos. Their agency’s Chinese connections probably help when it comes to funding, … Continue reading
Girl group S.I.S debuted over a year ago with the underrated I’ve Got A Feeling, but quickly got sucked into the orbit of KBS’ idol rebooting show The Unit. I’m not sure how a newly debuted group would need “rebooting,” but it doesn’t seem like the show did much for the girls except delay their … Continue reading
It’s been over two years since we’ve heard from T-ara’s Hyomin, and though her last single didn’t set the charts alight, it’s always nice to have a K-pop veteran back in the spotlight. Her solo career is no stranger to courting controversy, making new comeback Mango feel overly tame in comparison. Sure, the music video trades … Continue reading
A collaboration between Zico and IU is like a wet dream for Korean charts. Both artists routinely see their music lodged in the top ten for weeks (sometimes months) on end, seeming to attract a wide variety of fans. So why does the prospect of this pairing leave me cold? More and more, I’ve come … Continue reading
There’s some irony in calling a song “The New Era,” but crafting it to sound like every other song from the last era. I’ve had my issues with GOT7’s Korean discography of late, but their Japanese releases are really just on another level. Sales-wise, they seem to be successful, but I can’t wrap my brain … Continue reading
Between Korea and Japan, barely a month goes by without new music from Twice. This prolific release schedule should be an asset, but all it’s doing is making each song feel interchangeable with the last. And now, we’re approaching the point of over saturation. Underwhelming Korean single What Is Love suffered a bit from this, … Continue reading
