In a year already flush with debuts, it’s going to be hard for smaller agency acts to stand out. In Purplebeck’s case, at least their name is easy to google! I’m not sure what a ‘purplebeck’ is, but I’ve long since given up trying to understand K-pop monikers. They all become part of the common … Continue reading
Chungha has enjoyed sustained success since her post-IOI solo debut in 2017. With each and every single, I’m surprised by just how long her music stays on the charts. But, there’s definitely been a hole in the K-pop market for a female soloist — an heir to BoA’s throne, if you will. With the early … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Red Velvet’s Zimzalabim has proven to be one of the year’s … Continue reading
With K-pop becoming more global by the year, it makes sense that we’re seeing more acts specifically target Western audiences. BTS have gone about this the right way, refusing to sacrifice their sound (or language) simply to fit in. Too many K-pop artist have tried to crack the American market with sub-par, English-language material. Few … Continue reading
Groups of N.Tic’s stature are often overlooked. Without access to the K-pop industry’s best songs, best producers or best anything, it can be hard to deliver a knockout track. Yet, N.Tic offered a solid one-two punch over the course of their debut year, thanks largely to up-and-coming production team Code 9. The exhilarating Do You … Continue reading
Stray Kids are a difficult group to decipher, and I’m starting to think they like it that way. March’s Miroh was a watershed moment for them, and remains one of 2019’s finest singles. By bolstering their hard-hitting hip-hop sound with equally impactful EDM influence, the song seemed to spark a newfound ambition in the group’s … Continue reading
Red Velvet’s 2018 hit Really Bad Boy proved to be one of their most polarizing yet. Given this, it would’ve made sense to return to a more straightforward release this summer. And when it was announced that new single Zimzalabim (짐살라빔) would be co-composed by Red Flavor producers Caesar & Loui, it seemed that we … Continue reading
