There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Sometimes you just have to give … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m gonna be so pissed if … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
WAYF BOYS are one of the new-gen groups I’m increasingly unsure fit within the realm of “K-pop.” Yes, they’re from a Korean agency and yes, their members are Korean/Korean-American, but their music so far has been performed in English and feels targeted to an international audience. As such, the standards with which I approach a … Continue reading
The hazy, wistful image posted above this review (which is also the cover of Jennie’s new digital EP) is emblematic of a certain sound that’s permeated global pop music and has weasled its way into K-pop as well. On this blog, I’ve called it “restrained,” “subdued,” “coffeehouse,” “beige” and a dozen other descriptors. It’s the … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
HITGS debuted as a kiddie group with catchy but cloying material. They’re still quite young, but their work has grown more palatable with time. Today, they’re back with digital single Gulliver, chronicling a crush on a guy with that same name. I wonder how common it is to find a guy named Gulliver in Korea … Continue reading
I’ve joked before that TNX only give us one single per year, but they’ve broken that streak in 2026. Their last comeback was all the way back in January, but they’ve returned with digital single Die Another Day. The song sees them tackling a new sound and image that blends their rock influences with a … Continue reading
Normally, this time of year I’d be publishing a post about my “songs of the summer” for 2026, but the state of K-pop has forced me to write something else instead. Trust me, I didn’t want to! I’ve been writing about K-pop for a decade now and been a devoted fan for years longer than … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Along with The Bias List, SF9 are celebrating their tenth anniversary. This is a big deal, as not all acts reach this milestone. And honoring its significance, the guys have released a full album of new material. In 2026, this is also a big deal! Throughout their career, SF9 have never settled on a distinct … Continue reading
I’ve got a bone to pick with whoever schedules summer releases. I know summer technically extends most of the way through September, but why on earth wouldn’t you drop a song called “Sunburst” at the beginning of the season when listeners can get the most out of it? To be fair, Sunburst has been available … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Even if I haven’t loved every ALL(H)OURS single, I’ve appreciated the group’s energy and willingness to deliver cheesy, over-the-top hooks. Their songs often have a second-gen appeal wrapped up in modern aesthetics. It’s disappointing, then, that pre-release Hop sounds more like an ATEEZ reject. With the repetitive, monotone Bad currently ruling the charts (for some … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Tempest’s Hanbin gained attention as a Vietnamese member of a K-pop group, instantly guaranteeing a level of fame in his homeland. This has become more common in recent years, with acts like AHOF stuffed to the brim with foreign members, each able to bring some level of notoriety back to their own countries. The frequency … Continue reading
The Bias List // K-Pop Reviews & Discussion 