There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. This will be a weird “buried … Continue reading
All of a sudden, it feels like a certain type of EDM has taken over K-pop — or at the very least taken over HYBE Corporation. This isn’t an unwelcome development in my eyes (anything to kick up the industry’s tempo a bit!), but we haven’t yet arrived at the anthemic, melodic, euphoric early-2010s EDM … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Since their debut, VVS have yet to score a song rating above the sixes on this blog, which puts them in rarified air. To make matters worse, I constantly get them confused with VVUP, who have fared a little better ratings-wise. In general, any act that puts dollar signs in their song titles is unlikely … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
SNSD’s Hyoyeon continues her run as a DJ/solo artist with new single MOVEURBODY. This song has been available for about a month now, but a music video premiered today so I thought I’d give it a little write-up. After all, HYO has been responsible for some bangers in the past. Throughout her solo career, HYO … Continue reading
The Bias List is currently churning out new “A Career in Song Ratings” posts, where I rank established artists’ singles runs against each other. When I eventually get to B1A4, they’ll be one of the few groups I split into two entities. For me, there’s such a difference between the five-member version of B1A4 and … Continue reading
Over five years since STAYC’s debut, High Up Entertainment has debuted a new girl group. UNCHILD have one of those K-pop names that sounds ridiculous at first but will likely become common parlance as the group establishes themselves. However, it’s not a name built to last. Can you imagine a bunch of forty or fifty … Continue reading
Close Your Eyes had a banner 2025, though I didn’t connect with their most recent album as strongly as their first two. This is despite their movement into a more dance-oriented style, which would usually appeal to me. I guess I prefer when a group takes time to establish a signature sound before experimenting with … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Super Junior’s Donghae has released his first full album today, preceded by the lukewarm Good Day (which I thought sounded like a commercial jingle). However, the album’s highlight medley sounded more promising and the clip of title track HAErise (해 떴네) definitely caught my ears for its dancefloor-ready sound. When the unit Super Junior-D&E first … Continue reading
Late last year, Boys Planet spin-off group EVNNE became permanent, though this came at the expense of two members. Now a five-piece, they’ve reoriented their sound to fit the trends of the day. If new single Backtalk (뱉어) is any indication, their A&R team has noted the success of Cortis’s rage hip-hop and decided to … Continue reading
The Bias List // K-Pop Reviews & Discussion 