Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though not as strong or consistent as either of their 2019 … Continue reading
I really don’t know what’s going on in Big Hit Entertainment’s head this year. As the agency rapidly expands, their 2020 musical choices have left me cold. BTS’s ON arrived at a challenging time, just as the pandemic was starting to take hold of the world. But even so, it feels like the most polarizing … Continue reading
If I’m being honest, I’ve never been blown away by a Victon title track. They strike me as the kind of group that can excel at a variety of concepts, but if I were asked to think of their iconic song or image, I’d come up short. This jack-of-all-trades approach isn’t unique within the idol … Continue reading
On top of everything else, I’m a voracious consumer of idol variety shows. I love nothing more than a great idol variety concept. As K-pop has grown more popular internationally, most idol variety has moved online. Usually the “episodes” are bite-sized – designed with this meme-happy generation in mind. The longer, TV-based series that still … Continue reading
Lay has a storied past on this site, scoring a few of my more colorful reviews. To be honest, I have a soft spot for his music – even if I dislike most of it. More often than not, his songs feel committed to taking the worst possible turns whenever the opportunity presents itself. I … Continue reading
Twice built incredible momentum throughout 2019. I mean, they were already the biggest K-pop girl group on the planet, but they managed to successfully mature their sound and evolve in unexpected ways. Both of last year’s albums were super solid, and ushered in a new era for the girls. That goodwill makes new single More … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2020 Overall Thoughts Well… I’m officially worried. We’re almost halfway through the year, and at … Continue reading
As Woollim Entertainment’s roster has grown, I’ve longed for more inter-agency collaborations. A holiday song, a special mixed-group unit – something that would showcase all of this ta)lent in one place. It took a global pandemic for that to finally happen, as the agency has unveiled their healing song Relay (이어달리기). The track encompasses over … Continue reading
Chungha’s been hinting at a full album release in the near future, and she’s taking a promotional approach more widely seen in Western acts by unveiling several singles before the official comeback. This is a shame, as I really think that April’s Stay Tonight deserved the full title track treatment. Unfortunately, I can’t say the … Continue reading
This feature is usually reserved for more established groups, but Golcha don’t yet have enough title tracks to warrant a Top Ten Singles countdown, and there’s no way I’m letting Road To Kingdom’s grave injustice go by without spotlighting my current bias group today. If you’re new to Golden Child, consider this a crash course, … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! For once, I’m actually thankful for internet rumors. Knowing two weeks ago about how tonight’s elimination would play out allowed me to watch this episode without going absolutely catatonic. Instead, I’ve been fuming for weeks. I came into tonight’s episode angry, just hoping that … Continue reading
Solo releases can be a great way to uncover artists’ hidden charms – talents or styles they weren’t necessarily able to portray as part of their group. When it comes to Mamamoo, the quartet is packed with three power vocalists, leaving little room for Moonbyul to do anything beyond rapping. So, it’s not too surprising … Continue reading
Yeah, yeah, I know. This article’s title is problematic in all sorts of ways. But, hear me out. Obviously, Lady Gaga isn’t a K-pop idol, nor does her career follow the traditional K-pop process. But, I would argue that her ascendance influenced the idol industry to a great degree. Back in the mid-2000’s, pop music … Continue reading
Are you all sick of my bellyaching yet? This site has a storied history of rants against the K-pop industry – the very same industry that I profess to love. And yes, you can love something and be critical of it at the same time. In fact, I’d argue that the two often go hand … Continue reading
Once a titan of the K-ballad scene, Roy Kim got caught up in the wide-reaching Burning Sun scandal. And though investigations eventually cleared his name, the damage had already been done. The K-pop industry prizes image above all else, and once that’s been tarnished it’s hard for an artist to claw their way back. Linger … Continue reading
Stray Kids’ TOP has been rattling around for awhile now, but I wanted to wait until the music video was out before offering my thoughts. Though released in several different languages, TOP is essentially the group’s debut J-pop single – at least when it comes to original material. And as with most J-pop singles, it’s … Continue reading
I’ve spent pretty much all of ONEWE’s debut year complaining about their music’s lack of energy. I’d followed the group since before their re-branding, and it always seemed like they were playing fun, upbeat pop-rock at their busking shows. Yet, 2019-20 gave us the subdued trilogy of Reminisce About All, Regulus and Q. Two of … Continue reading
After a two-week delay, Monsta X has returned with their eighth (!) mini album. At this point, there’s not a lot to say about their title tracks. Apart from the occasional shift in sound, they’ve tended to follow the same general formula. If you like the Monsta X brand, you’re probably going to like Fantasia. … Continue reading
Rookie group DKB fit right within 2020 expectations by debuting with a noisy hip-hop track. But as forgettable as I found it to be, Sorry Mama did manage to incorporate a killer female vocal ad-lib that gave it a tiny bit of character. Unfortunately, that sliver of identity has been quashed by follow-up Still (오늘도 … Continue reading
Today is truly the day of male solo releases, with no less than three big-name tracks dropping. And of those three, Park Jihoon easily takes the win. I’m not sure I would’ve expected this. I’ve enjoyed his two title tracks, while finding their respective albums quite boring. But, for Wing he’s injected his music with … Continue reading
