Along with same-day-debuts SixTONES, Snow Man have become a quick success in Japan. I’m always eager to join the party, but I’m still searching for the track that would cement this group in my mind. They’re great performers, known more for their dance than their vocals, and are charming on variety as well. But although … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. U-Know’s first mini album True Colors … Continue reading
Groups within Japan’s Sakamichi series can be hard to keep up with, not because they come back so frequently, but because each release tends to be supported by multiple music videos. Take Nogizaka46’s new single as an example. It’s promoted with no less than four videos, resulting in more “title tracks” than most K-pop acts … Continue reading
I can’t quite get a grasp on Pink Fantasy, and I’m not just talking about their weird “bunny mask” schtick (which is getting creepier and creepier, by the way). Across their small discography, the girls have returned with a number of different concepts, often jarring in their contrast. I think the most successful of these … Continue reading
Thus far, I’ve found Cherry Bullet’s music to be pretty hit or miss. They don’t have a large discography, and their title tracks tend to tackle vastly different sounds, making it feel that FNC Entertainment is trying everything they can in pursuit of a hit. But, this versatility has pushed the group toward K-pop’s retro … Continue reading
Girl group Berry Good are at that fateful crux in their career, seven years after debut. It’s the time when they’ll need to decide whether to keep going as a group or let their contracts lapse. Although they haven’t yet managed to break into the K-pop big leagues, they’ve released their fair share of solid … Continue reading
Chungha’s months-long rollout of singles has nearly reached its conclusion, with an album release just around the corner. Even if the quality of these singles has been mixed at times, I’ve been very impressed with their versatility and Chungha’s development into a well-rounded artist. New single X (걸어온 길에 꽃밭 따윈 없었죠) continues to grow … Continue reading
Despite boasting incredible album sales and hailing from a proven agency, I couldn’t find the reasoning to include CRAVITY in my “top rookies of 2020” list last month. To me, their music thus far has been the definition of “generic boy group.” It’s never been objectively bad, but CRAVITY haven’t yet released anything that sounds … Continue reading
Lately, I’ve noticed a worrying boy group trend. I like to think of it as “the Road to Kingdom effect”. It’s like a K-pop pissing contest, where comeback tracks have become little more than tools to showcase elaborate, badass performances. This shouldn’t be a bad thing, right? But we’re getting to a point where these … Continue reading
It’s a brave new world for fans of Johnny’s Entertainment. Once restricted solely to physical media, the agency has slowly dipped their feet into the digital market, making edited versions of music videos available on youtube and even supplying streaming platforms with the discography of the now-retired Arashi. The company recently announced that it would … Continue reading
I always feel guilty reviewing Epik High comebacks. I know that they’re beloved for their artistry, and there are quite a few Epik High tracks and albums that I love as well. But over the past years, their music just hasn’t been for me. At a certain level – and especially when it comes to … Continue reading
After a debut year highlighted by an addictive deep house sound, AB6IX’s music faced growing pains in 2020. And with the departure of their leader, it felt like the group was at a crossroads. This resulted in a pair of comebacks that were polar opposites of one another, leading me to question exactly what AB6IX … Continue reading
U-Know’s second mini album is themed around the movies, with a series of cinematic teasers leading up to the release of new single Thank U. Known as a passionate performer, he’s the perfect conduit for an ambitious project like this, and his old-school sense of showmanship is always welcome in the K-pop industry. Thank U … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! March … Continue reading
Global K-pop sensation BLACKPINK may not have a huge discography to their name, but as of now they’ve released just enough title tracks to qualify for a Bias List top ten countdown! This is a weird one, because it’s a list split between songs I absolutely love and songs that I… don’t. But in the … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Thus far, AleXa has made her name on high-octane dance tracks, designed primarily to showcase her choreography and concept. It’s somewhat surprising, then, that she’s returned with a stripped-down ballad. Of course, it is the winter season, and January has a history of being very ballad-heavy when it comes to K-pop. I imagine that AleXa’s … Continue reading
Former YG Entertainment trainee Youha debuted last year with Island, which honestly wasn’t anywhere near my radar. But… introduce synthwave production and you’ve officially got my attention! Similar to Yubin’s Perfume (also released today), comeback track Abittipsy (오늘 조금 취해서 그래) brings Youha’s sound right in line with K-pop’s retro synth craze. And, it does … Continue reading
With K-pop’s retro trend continuing to chug along, artists like Yubin stand to benefit most. After all, she’s been tackling city pop before it was popular, with songs like 2018’s Lady. And while she briefly explored her hip-hop side with last year’s Yaya, new single Perfume (향수) brings her back to sharp, icy synth textures. … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When reviewing Victon’s What I Said yesterday, I mentioned how I … Continue reading
