With K-pop so inactive this year, we haven’t seen many big debuts. I’m not sure DAILY:DIRECTION counts as “big,” either. After all, they’re only the first act to emerge from their agency ODDWAVE. However, many of the members are already known to fans. We’ve got guys from NINE.i, Mirae, Boys II Planet and B:MY BOYZ. … Continue reading
Even as its members begin to enlist, NCT’s enormous universe guarantees there will be plenty of music regardless of how many performers may be on hiatus. As the brand’s youngest group, NCT Dream is still very much active, but even they have joined in on the sub-unit approach with NCT JNJM — a duo consisting … Continue reading
Though they’ve started experimenting with their sound more and more, there’s a certain brand of song that feels like it belongs to IVE. Think I Am, Rebel Heart and even Love Dive. It’s a resounding pop style, almost Eurovision-esque in its bigness. It’s also a sound that brought K-pop Demon Hunters‘ Golden to such great … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
It feels like it’s been ages since I’ve been able to write about a fantastic vocal. It’s not that they don’t exist anymore. It’s just that K-pop songs very rarely spotlight singing these days. Kim Sung Kyu is one of my favorite K-pop vocalists ever. Not only is he incredibly skilled, but no one else … Continue reading
Oh, I love some bad green screen effects! I don’t usually comment on K-pop’s music videos, but the new one for X:IN’s Dazzle Flash is unintentionally hilarious, as the group soars over various landscapes on a futuristic hoverboard of sorts. Honestly, I’d rather see this level of cringe than the latest look-alike video from a … Continue reading
As SM Entertainment’s bid for fifth-gen girl group domination, Hearts2Hearts had a slow start but have charted progressively better with each comeback. New single RUDE! arrives with plenty of hype, not only because of the group’s potential but also because it finally breaks a late-winter hiatus for the industry. So far, my favorite Hearts2Hearts track … Continue reading
K-pop is littered with acts who – for one reason or another – didn’t get the full spotlight they deserved. I’ve spent plenty of time ranking and reviewed the industry’s biggest artists, but these underrated acts should never be forgotten. This feature will take a look at disbanded groups and rank/rate their entire singles run, … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Of all the K-pop agencies, SM Entertainment boasts the largest legacy in the Japanese market. J-pop discographies from BoA, TVXQ, Girls Generation and SHINee match or eclipse their Korean counterparts, as the company invested in Japan early. However, the past few years have seen a more scattershot approach. New releases are infrequent — especially from … Continue reading
While every other act is taking a break for the Lunar New Year, ATEEZ have released the video for follow-up single NASA. I know some listeners loved their title track Adrenaline, but I still find it a punishing listen so I’m eager for something better to wipe the taste out of my mouth. NASA takes … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
Well, the day has finally come. We have our first completely AI-generated music video for a K-pop act. I suppose we should be thankful that the agency isn’t trying to hide this fact — even billing it as an exciting promo tactic. However, the cynic in me believes this technique will become commonplace in the … Continue reading
Korean charts — as with any global music chart, really — tend to be slow to change, with some monster hits sticking around for years. As someone who is always ready to move onto the next best thing, it always surprises me when listeners are intent to play the same song over and over and … Continue reading
K-pop’s 2026 may not have delivered much of note so far, but it has given us a steady drip of new music from the expansive boy group project idntt. This is their third song I’m writing about this year (fourth if you count a “buried treasure” post). I guess having so many members and configurations … Continue reading
Over nine years since her debut with KARD, the group’s youngest Jiwoo makes her solo debut today. This comes after KARD’s popularity has softened in Korea. They’ve transitioned to a more international career and the sound of Home Sweet Home seems to play into that approach. The song opens with a sparse beat, shining full … Continue reading
The Bias List // K-Pop Reviews & Discussion 