There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Anderson .Paak has become a go-to global collaborator for K-pop acts. In recent years, he’s paired with G-Dragon and BTS’s RM. Now, he’s joined forces with NCT’s Taeyong, who makes his return from military hiatus with new solo single Rock Solid. Given that 2026 is NCT’s tenth anniversary, I expect we’ll see many more special … Continue reading
Yves’s solo career has been marked by collorations with buzzy global artists. When last we saw her on this blog, she paired with PinkPantheress — an artist with outsized influence on the current state of K-pop’s girl groups. For new single Nail, she’s teamed up with American singer Lolo Zouaï. The song doesn’t stray too … Continue reading
Xdinary Heroes have distinguished themselves from other idol bands through their willingness to move past sentiment into whimsical theatricality. Early efforts in this vein weren’t quite to my taste, but they’ve found a satisfying middleground lately. New title track Voyager offers a slightly different sound for the group, bolstering their anthemic songwriting with celestial synth … Continue reading
I’m a person who loves data and loves classifying things. That has been a big part of this blog since its inception. Because of this, I’d like to test out a new feature that displays BIAS LIST data in a different way. There are a number of groups who have debuted in the past decade … Continue reading
It’s not often that a K-pop track demands attention from its title alone, but I certainly did a double take when I spotted the name of Wheein’s new single The Symphony Of Fxxkboys. Not only is it a bold statement for a relatively conservative industry, but its unexpected combination of words instantly makes you wonder … Continue reading
Throughout their career, HITGS’s music has often hinged upon deliberately cheesy and chintzy sounds. Their early work felt as if it was composed for a kid’s show, but last year’s Happy teased a more mature (and satisfying) transformation. New single Cherry Blossom continues that transformation, but in a disappointingly drowsy way. These soft songs about … Continue reading
Be Boys made their debut last year with the well-intentioned, but somewhat clumsy, I’m So Sorry But I Love You. Though I didn’t love that song, I appreciated their bright, upbeat energy and certainly have room in my library for more music of this style. New single Slam Dunk continues the youthful verve but pulls … Continue reading
It’s been too long since we last heard from ifeye, especially given their status as rookies needing to get their name out there. Their summer single R U OK? was a slow-burn hit for me, growing more addictive as the season went on and building expectations for what they might return with on future comebacks. … Continue reading
Well… look who’s back! I (along with everyone else) assumed DXMON had faded into the K-pop ether. They haven’t released new material since 2024 and for a group of their stature that’s usually a tacit disbandment or at the very least an “indefinite hiatus.” However, today they’ve surprise released new single SSS (She’s Sweet & … Continue reading
A few weeks ago, TWS collaborated with American rapper 24kgoldn for the first release in the “essential; studio” series of promotional tracks. As TWS songs always do, the hooks grew on me the more I listened to it. Next up is agency seniors Seventeen — or more accurately, DK and Seungkwan, who debuted as a … Continue reading
Along with his work in One Pact, Jay Chang has had a side career as a soloist. This makes sense given his talents as a vocalist. Not many idols can effectively drive an entire song on their own, but his voice has the polish and weight to make any material compelling. He’s already tried his … Continue reading
The Bias List // K-Pop Reviews & Discussion 