There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
The official start of summer may still be a few days away, but we’ve already entered the summer season of K-pop music. At its best, this means bright, buoyant fare that conjures images of beach days and sunny nights. My number one wish is that this summer somehow brings back the K-pop producers synonymous with … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
As with too many of their new-gen peers’ discographies, it’s hard to predict how a new RIIZE single might sound. In the past, there have been K-pop groups I knew I could count on to deliver the goods each and every time, and this was usually because they worked with a tight team of producers … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Dropping one letter (and parentheses) from your group name shouldn’t be too big of a deal, but since rebranding as i-dle, the former (G)I-DLE has seen their chart powers diminish. It’s too early to tell if last year’s results were a fluke or not, but it makes their upcoming album feel like an important fork … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Long ago, the K-pop elders foretold a prophecy: “Behold! Regardless of their sound or image, every fifth generation boy group shall get their swag on for one tuneless, out-of-character chant-fest.” As an amendment to their proclamation, the wise elders added: “Fear not, lovers of bright, melodic concepts. This hip-hoppery shall only be a pre-release.” RIIZE, … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m not sure you can call … Continue reading
The idea of a super group in K-pop is very exciting. Anyone remember SuperM? As far as I know, this trio of HYBE acts don’t plan to promote together past this one-off single, but the combination of LE SSERAFIM, ILLIT and Katseye has the potential to maximize a joint slay to the nth degree. However, … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Girl group Navillera debuted early this year with the rough-around-the-edges No Limit that built itself upon way too many current K-pop tropes. With follow-up Friday Night, they’ve returned with a bad song dressed up in an upbeat, summery style I tend to enjoy. This results in a very weird listen. First off, it’s been awhile … Continue reading
I last wrote about GOT7’s Jay B in late 2024. He was fresh off military service and releasing his first full album. Since then, he’s been touring and signed with new agency 528Hz. Today’s Layback offers a new sound for his title tracks, though this style of R&B has found a place on his and … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
It’s been four years since GFriend’s Yerin debuted as a soloist. Since then, she’s delivered exactly one comeback per year, so we might expect Shooting Star (조각별) to be her sole musical statement of 2026. With large gaps between albums, we might also expect her to make bigger musical statements. Alas, Shooting Star is pleasant … Continue reading
EPEX’s discography has been a real mixed bag so far. They’ve released a few solid tracks (2024 was a solid year for them), but more often their music has either been too generic or actively off-putting. New single Echo fits squarely within the first category. It’s a song that could have come from just about … Continue reading
The Bias List // K-Pop Reviews & Discussion 