There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There’s a certain kind of song I don’t write much about on this blog. These are usually ballads from established solo acts. Try as I might, I just can’t muster up much to say about most ballads. This isn’t to say someone like Yesung isn’t worthy of critique and praise, but with so many releases … Continue reading
As of this moment, X:IN have the “honor” of being the lowest ranked act in my “Ultimate Artist Ranking feature” on this blog. That standing should be celebrated in its own way. It takes a certain commitment to beat everyone else out for the lowest rung. Today, the group has extended their reign with the … Continue reading
A week after pre-releasing their track Puzzle Piece, KickFlip have returned with their fifth mini album. Like all their albums, the group took part in song composition, working with established producers and artists. In the case of title track Kick Off The Wall, they paired with the guys from LDN Noise and American rapper iann … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Over the past few years, CRAVITY … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It always bugs me when a … Continue reading
Just like NewJeans before them, CORTIS have spawned their own K-pop progeny. This irreverent, “we don’t give a f*ck,” vocal effects heavy alt-hip-hop has become a popular touchstone and I don’t expect it to slow down any time soon. The most obvious competitor at this moment is WAYF Boys, who do a very similar thing … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Thus far, TIOT’s career has been somewhat inscrutible. Rather than develop and expand upon a signature sound, they’ve waffled greatly between extremes. One moment they’re shouty bad boys, the next they’re sentimental balladeers. New single Five Hours In Pieces (다섯시간의 조각들) leans toward the latter with added rock heft. Somewhere along the way, this driving … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2026 Overall Thoughts I don’t usually have great expectations for September in K-pop. It tends … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Mixtapes are all the rage for K-pop acts looking to build street cred. The thing is, “street cred” doesn’t really exist in K-pop and mixtapes function essentially the same way any other release would. Girl group Keyveatz debuted earlier this year with an abrasive hip-hop sound and double down on that with their mixtape A1 … Continue reading
With their new album, Close Your Eyes have taken the unlikely move of fusing jazz with K-pop. It’s not that this has never been done before, but it’s certainly outside of current trends. So far, this approach resulted in the very strong Open Your Eyes, which really leaned into the concept. Title track Drop That! … Continue reading
It’s been great fun to watch CRAVITY grow into their sound. While their first few years were very hit and miss, they’ve recently found a way to mature their output without falling into the traps and tropes that often come with “maturation” in K-pop. To put it bluntly, their music ain’t boring. This statement is … Continue reading
