At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
I wasn’t sure whether to write about this song or not since it’s barely promoted and the animated (AI slop) video doesn’t really fit my requirements for review. However, I’m very fond of CSR and their discography and it’s a slow day/week in K-pop. The group debuted in 2022 with a whopper of a mini … Continue reading
Ah, Dignity. I’ve reviewed a song of theirs once a year since 2024. The overall arc of their ratings has not been favorable, though they still boast one of the most unexpectedly great buried treasures to their name. New single Slipshot does little to reignite any spark I might have felt about their debut era. … Continue reading
Seven years after VERIVERY’s debut, a member has finally released a solo album. I’m not surprised it’s Kangmin, given his successful run on last year’s Boys II Planet. If anything, I’m surprised it took Jellyfish Entertainment this long to cobble together some songs for him. And cobble together they did, because Free Falling is undoubtedly … Continue reading
Kim Jaejoong’s iNKODE Entertainment plans to debut two new boy groups this year, which is a very ambitious idea for an agency still finding its footing. First up is KEYVITUP (read that out loud and roll your eyes), who make their official debut next month. Today, they’ve dropped pre-release Best One, whose title is surely … Continue reading
The ever-prolific Xdinary Heroes have another mini album lurking around the corner and are teasing it today with pre-release X room. I really enjoyed October’s ICU and hope that the group’s music will continue in that vein. X room is a very different beast, but its more reserved sound makes for a decent teaser. With … Continue reading
A full group comeback for Mamamoo is on the horizon to celebrate their twelth anniversary, but before that the individual members remain active with solo work. Moonbyul has been quite prolific over the past few years, covering many genres with her music. Her latest Hertz throws these genres into a blender. One thing I’ve appreciated … Continue reading
After debuting with a slightly bratty sound, Baby DONT Cry have made a seemingly permanent transition into glossy pop music. Though their recent pre-release Shapeshifter didn’t do much for me, there’s no denying that its an earworm. The chorus is still stuck in my head. Next up is title track Bittersweet, which adheres to a … Continue reading
While I wait impatiently for TWS to announce the details of their promised April comeback, we’ve got an unexpected treat to tide us over. Three of the group’s members (Dohoon, Jihoon & Kyungmin) have teamed up with American rapper 24kGoldn on a project single for Bugs‘ Essential; Studio. I’m not sure exactly what this is … Continue reading
ITZY are currently enjoying unexpected virality thanks to their 2020 b-side That’s A No No gaining traction on SNS. It’s the perfect time for the girls to be promoting, and if a full group comeback isn’t in the works a solo debut is the next best thing. Following the group’s leader Yeji, youngest member Yuna … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Though KAT-TUN were not the first J-pop act I ever listened to, I credit them for fully making me a J-pop fan. They have released some of the best music I’ve ever heard and I’m delighted that that music is now finally available for everyone to stream worldwide. If you’ve been feeling down about 2026’s … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
It’s BTS week, which means new releases apart from that album have been pretty infrequent. However, another world-conquering K-pop group has a treat of their own. Stray Kids’ Hyunjin released solo track Lover on his birthday alongside a lo-fi music video. For an act with as much cachet as they have, most of Stray Kids’ … Continue reading
For many K-pop fans, the past few years have been leading up to this moment. After a long hiatus, BTS have made their much-anticipated return with album Arirang and title track Swim. I can certainly relate to the excitement of a beloved artist returning after a long time away, and if I catapult my mind … Continue reading
P1Harmony are getting in on the ‘follow-up music video’ game, releasing a video for album track L.O.Y.L. less than a week after title track Unique. I was not a fan of that song and its braggadocious spirit, but other listeners seemed to think that the album as a whole was stronger. At the very least, … Continue reading
New boy group AmbiO have released a few digital singles already, but today marks their official debut. The title of their first album promises ambition and they’ve opted for the kind of bright boy group sound that usually goes down well for me. However, title track Showtime is sadly lacking in one important way. The … Continue reading
The Bias List // K-Pop Reviews & Discussion 