There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
BTS have been drip-feeding music videos from their comeback album Arirang, releasing the most recent ones as Spotify premium exclusives. This limits their audience to paying Spotify listeners (which I am not), but they’ve also uploaded the new mv for Normal on YouTube, thus earning them a write-up here. I can’t say I’m excited for … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
I’ve resisted writing about JYP Entertainment’s GIRLSET until now because they only have the slightest connection to K-pop and I haven’t cared enough about their music to have much to say. However, it’s a slow day/month/year and the group is set to promote this new song on Korean music shows, so it feels like the … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Over the next few weeks, there are a number of female acts scheduled for comebacks who have reliably delivered summer bangers in the past. This raised my hopes for a big summer hit this year, but judging by teasers and full releases I’m striking out so far. BBGirls (formerly Brave Girls) owned summer of 2021 … Continue reading
It’s been awhile since I’ve watched any of INI’s content, but Ozaki Takumi was always a favorite member of mine. His good-hearted nature and willingness to be the butt of a joke made him come across as amiable and relatable. With that persona in mind, I never would have imagined he had something like Sonzai … Continue reading
NXON is a new supergroup made up of the acts APEX and AWIN, which makes me feel a little crazy because I’m not familiar with either of those groups. However, when I hear something I enjoy (which happens too infrequently these days!) I want to share. The guys have released both Japanese and Korean versions … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Lee Minhyuk’s “Huta” moniker is used for his solo work, which differs in sound from his work with BTOB. Not much of this music has done anything for me so far, but he’s a dynamic performer deserving of strong material. Summer is the perfect time for new material from him, especially given his strong connection … Continue reading
Not content to simply release solo music in a predictable way, Seventeen’s Dino has debuted as fictional alter-ego Picheolin. This character is the CEO of a music company specializing in retro sounds and we have an entire mini album and multiple singles to look forward to from him during the coming weeks. Joke or not, … Continue reading
As someone with summers off, “Forever July” sounds like a pretty good proposition to me. However, this July in K-pop hasn’t been particularly exciting so if we’re talking about the music alone I’m ready to move on to greener pastures. Sunmi’s Forever July might as well be called “Forever NewJeans” because it’s the latest in … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Over the past few months, H Music Entertainment has attempted to revitalize interest in its groups WOOAH and DXMON through a series of digital releases, but rather than put all their might behind one great comeback they’re farting out these low-budget, amateurish tracks that won’t successfully accomplish their goals. I’m naturally biased toward summer-themed K-pop, … Continue reading
Over the years, Super Junior has had a lot of sub-units and solos. Like… a LOT. 83z is their seventh official sub-unit, bringing together members Leeteuk and Heechul. From what I can gather, the two share a passion for nostalgic pop culture and the classic, upbeat OST sound of debut single Promise (너를 위한 약속) … Continue reading
The Bias List // K-Pop Reviews & Discussion 