There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Tempest’s Hanbin gained attention as a Vietnamese member of a K-pop group, instantly guaranteeing a level of fame in his homeland. This has become more common in recent years, with acts like AHOF stuffed to the brim with foreign members, each able to bring some level of notoriety back to their own countries. The frequency … Continue reading
Each song promoted from Dino’s alter-ego Picheolin album received a moderate to low rating on this blog, but it turns out he just released all the worst songs because I actually enjoy the rest of the project. Everyone needs to hear the awesome 80s/90s stadium rock pastiche For Jeong And Love, for starters! Then, nestled … Continue reading
I love when a group surprises me, and last year NEXZ made it onto my personal bias list with the brilliant Beat-Boxer. This year, their even-better Mmchk solidified that status and had me looking forward to anything the guys released next. New single Saucin’ was premiered last week at KCON LA and draws heavy inspiration … Continue reading
Since their post-Boys II Planet debut, ALPHA DRIVE ONE have sold a ton of records and been promoted everywhere MNET can manage. So, why don’t I feel the same surge of interest I usually get from this franchise? For one, the music hasn’t been great (or even good, most of the time). But more than … Continue reading
HYBE has churned out new idol groups with increasing regularly over the past few years, but the newly-debuted TUIDE are the first act from subsidiary ABD, designed to solely manage girl groups. This is a welcome development, as the corporation has had a difficult time giving their girl groups anything but gimmicky slop lately. Maybe … Continue reading
When describing the concept for NCT 127’s big comeback Blingy at KCON the other week, member Jaehyun offered this fascinating word salad: “It’s uh… it’s a blingy album… ’cause we’re on a journey to find something blingy, but we figure out it’s all in our minds… with our fans too.” Okay, then! This confirms to … Continue reading
CORTIS occupy an interesting position in K-pop this year. On one hand, their massive hit REDRED has blossomed into one of the year’s biggest and best earworms. However, every other song has sucked and their overall influence has drained the life out of so many of their peers’ discographies. With each new song they release, … Continue reading
i-dle are at a tricky fork in their career where their music no longer becomes an instant chart sensation yet they retain a large enough fan base to keep their career chugging along. At this point, artists can either cater directly to that fanbase or continue trying to score a more mainstream hit even if … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
ENHYPEN are at an inflection point in their career, having lost member Heeseung earlier in the year as he opted for a solo career. The Sin: Bliss is their first album after this restructuring and is led by title track Bloody Paradise. To be honest, I haven’t been excited about ENHYPEN’s music in years, but … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Whenever I see that girl group X:IN has a new comeback, I know I’m in for something… interesting. In this case “interesting” does not equate to “good,” as they’re one of the lower-ranked groups on this blog. Somehow, their music almost always manages to self-sabotage, showing promise before doing something bizarre to mess it all … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
Kim Jaejoong has been more active as an agency head than a performer this year, debuting two new boy groups under his iNKODE Entertainment. But every once and awhile, it’s important to return to the spotlight and remind everyone what a great singer he is. His bravura performance is on full display on the anthemic … Continue reading
Though Oh My Girl remain stubbornly inactive as a group, its members occasionally release material. Mimi is the group’s rapper and has dabbled in OST tracks before, but Bish Bash Bosh is her official solo debut. The song’s retro electro-hip-hop sound offers an interesting playground for her. When K-pop goes hip-hop (which is like… always), … Continue reading
The Bias List // K-Pop Reviews & Discussion 