This feature has gradually shifted from a December to a November tradition, leaving more space for next month’s sprawling end-of-year countdowns. Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2022 went. Following SM Entertainment‘s analysis earlier this week, it’s time to dive … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wasn’t originally going to feature … Continue reading
My initial thoughts on BLACKPINK’s Pink Venom included words like “predictable,” “catchphrasey” and “severely underwhelming.” Those thoughts still stand, but I can’t deny how catchy that big, dumb hook has become. Pink Venom isn’t particularly “good,” but its ridiculousness is fun in an awkward way. And as a pre-release, expectations must be set accordingly. BLACKPINK … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
It feels momentous every time I write the elusive words “BLACKPINK are back.” They return so infrequently. The last time we had an honest-to-goodness comeback, we were still mired in year one of the Covid pandemic. We didn’t even have a vaccine yet! Lovesick Girls was a great return to form for the group, hearkening … Continue reading
Oh, BLACKPINK. What are we going to do with you? You’re K-pop’s eternal influencers, but you only grace us with new music every once in a blue moon. With more direct competitors emerging each year, I’m amazed how loyal fans have remained given such little return on their investment. We’ve been promised a BLACKPINK comeback … Continue reading
It’s not quite December yet, but I’m going to kick off this annual feature a little early this year! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2021 went. Next up is YG Entertainment. As usual, the thoughts are my own and … Continue reading
Rather than return with a full group comeback, BLACKPINK’s 2021 has seen the group deliver long-promised solo songs. This spring marked the release of Rosé’s first solo, and now Lisa has dropped her self-referential LALISA. YG Entertainment has a long history of idol rappers going solo, with acts like G-Dragon, CL and Mino paving a … Continue reading
Congratulations to Sistar’s Loving U! This was a slightly tighter race than I’d anticipated, but the song scored an easy victory with 64.7% of the vote. Next up, we have a duel between two tracks with quite opposite charms. It’s BLACKPINK‘s 2017 hit As If It’s Your Last versus Golden Child’s Let Me, which came … Continue reading
Over the years, I’ve ranted about the state of K-pop boy groups more than a few times. But, I’ve rarely given the same focused critique to the industry’s girl groups. 2021 has been a strong year for the boys so far. At the same time, I haven’t been as impressed with many of its girl … Continue reading
When Rosé’s On The Ground was released, I noticed that quite a few fans seemed to prefer its b-side Gone. So of course, I immediately checked it out. But more than anything, the song just reaffirmed my disinterest in this style of pop. I can’t say I’ve listened to On The Ground much since its … Continue reading
Back in the fall of 2018, BLACKPINK’s Jennie released her debut solo track, aptly titled… Solo. Unless I’m remembering things incorrectly, this was meant to be the first in a series of releases from the group’s individual members. Over two years later, the project finally resumes with the debut of Rosé’s On The Ground. A … Continue reading
Global K-pop sensation BLACKPINK may not have a huge discography to their name, but as of now they’ve released just enough title tracks to qualify for a Bias List top ten countdown! This is a weird one, because it’s a list split between songs I absolutely love and songs that I… don’t. But in the … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs … Continue reading
After taking a look at SM Entertainment‘s 2020 progress, it’s now time for YG Entertainment to take the spotlight. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. The purpose of these articles is to determine how well K-pop … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2020 Overall Thoughts After a fantastic September, October was another strong month. And, it was … Continue reading
Over the past few years, BLACKPINK singles have devolved into a clear formula. Now, formulas aren’t inherently bad, but when you’re only releasing a handful of tracks and they all start to sound the same, it doesn’t make for a very interesting discography. However, after four years of inconsistent promotions, the girls finally have a … Continue reading
We’ve entered the second phase of a string of comebacks supporting BLACKPINK’s upcoming album. This is not an unprecedented approach for YG Entertainment. Nearly all of the agency’s acts have been involved in a months-long blitz of singles at some point in their career. But, it’s particularly refreshing to see BLACKPINK get this spotlight, and … Continue reading
We’ve reached the point in BLACKPINK’s career where we’re literally applauding them for releasing anything. It’s certainly not fans’ fault. They’ve been starved for new content for years now, making just the idea of a BLACKPINK song more exciting than an actual BLACKPINK song. This scarce promotion might serve to build hype and the allure … Continue reading
Yeah, yeah, I know. This article’s title is problematic in all sorts of ways. But, hear me out. Obviously, Lady Gaga isn’t a K-pop idol, nor does her career follow the traditional K-pop process. But, I would argue that her ascendance influenced the idol industry to a great degree. Back in the mid-2000’s, pop music … Continue reading
The Bias List // K-Pop Reviews & Discussion 