SixTONES have been taking advantage of their popularity with a veritable marathon of releases. A single in November, a full album in January and another single coming up next month. Johnny’s Entertainment does this occasionally with its acts, and it’s always a nice way to build momentum. New single ST arrives on the heels of … Continue reading
Whether related to the pandemic or not, SM Entertainment’s reach into the Japanese market seemed to stall in 2020. I’ve always considered them one of the few K-pop agencies that really put an effort into their J-pop discography, with incredible catalogs from Girls’ Generation, TVXQ, SHINee and EXO. Last year’s release slate was relegated to … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2020 Overall Thoughts It always feels like a bit of a comedown posting one of … Continue reading
I’ve compiled a “Best of J-pop” list every year since The Bias List started, but it always came from a very narrow point of view. In 2020, one of my personal resolutions was to follow the J-pop industry more broadly and (hopefully) expand my palette in the process. So while those past lists definitely included some epic … Continue reading
I’ve compiled a “Best of J-pop” list every year since The Bias List started, but it always came from a very narrow point of view. In 2020, one of my personal resolutions was to follow the J-pop industry more broadly and (hopefully) expand my palette in the process. So while those past lists definitely included some epic … Continue reading
I’ve compiled a “Best of J-pop” list every year since The Bias List started, but it always came from a very narrow point of view. In 2020, one of my personal resolutions was to follow the J-pop industry more broadly and (hopefully) expand my palette in the process. So while those past lists definitely included … Continue reading
Billed primarily as a winter single, King & Prince’s I Promise is the kind of sentimental pop song you could listen to year-round. After a 2020 filled with diverse sounds, the track brings them right back to the sweet style found on their blockbuster 2018 debut Cinderella Girl. It’s nothing we haven’t heard before, but … Continue reading
Nearly a year after withdrawing from girl group Keyakizaka46, former center Yurina Hirate surprised fans with a performance of her debut solo single on annual music broadcast FNS Kayosai. It was a show-stopping moment, befitting a song as bold and exciting as Reason For Dance (ダンスの理由). With her hard-hitting performance style and androgynous style, the … Continue reading
The rollout for Hey! Say! JUMP’s new album has been kind of fun. A few months ago, they secretly uploaded a couple of music videos on youtube under mysterious pen names. Without revealing their faces, these “new” groups established a bit of buzz, though anyone remotely familiar with Jump’s vocals instantly knew it was them. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2020 Overall Thoughts November was absolutely packed with releases, and though only one title track … Continue reading
For reasons I’m still not entirely clear on, J-pop idol group Keyakizaka46 has renamed and rebranded itself as Sakurazaka46. Apart from some member changes earlier in the year, the reboot hasn’t really affected their general sound. Ahead of their first single release in early December, the girls are blitzing fans with multiple music videos. They’re … Continue reading
With eighties synth sounds currently in vogue, Bullet Train feel like the perfect J-pop match for the sound. Given their exuberant – often goofy – dance style, they’re uniquely positioned to capitalize on the cheesier side of the era. And all it takes is one look at the delightful outfits in the music video for … Continue reading
Some melodies are so instant and insistent that you come away from the very first listen with the hook rattling around in your head. This is often referred to as an “earworm,” and Japanese group BuZZ’s Sun and Love is the mother of all earworms. These guys have been around for a few years, but … Continue reading
It’s not always appropriate or fair to compare different artists to one another, but you’ll have to indulge me on this. For the past few months, you’ve suffered through me ranting about how I wish SM Entertainment would lean further into the ambition of the NCT project, giving them a big, bombastic showstopper rather than … Continue reading
Shortly after their formative survival series concluded, JYP’s NiziU soared to the top of Japanese charts. They’ve been a fixture there for months, which only goes to show how powerful certain agencies are. I mean, the girls hadn’t even made their official debut until now! As with most survival series-spawned groups, it didn’t matter if … Continue reading
LDH Japan has suddenly begun to blitz the internet with new music videos from its Exile Tribe acts, which is pretty exciting. Unfortunately, many of these have been in support of ballads that were digitally released months ago. But then we have Rising Soul – a new single by the agency’s popular Sandaime J Soul … Continue reading
SixTONES have taken the J-pop world by storm this year, and much of that is due to their ability to subvert expectations. Yes, they still brandish the elaborate costuming that’s become a hallmark of Johnny’s Entertainment acts, but their music has pushed toward a more international direction. I’m of two minds about this. I love … Continue reading
Arashi are putting a bow on their twenty-one year recording career, with what is assumed to be their final studio album This Is Arashi. It’s an odd hodgepodge of songs, including some of the group’s recent English work and even a Christmas track. So rather than feel like a cohesive project, the album plays more … Continue reading
Just two-and-a-half weeks since their comeback in Korea, Twice have delivered their next Japanese single. This is truly the K-pop group who doesn’t sleep. Rather than draw from the retro style of October’s I Can’t Stop Me, Better feels more like a sequel to last year’s Fake & True and Feel Special. It continues Twice’s … Continue reading
Less than a year after debut, Japan’s Produce 101-spawned JO1 is releasing their first full album. Of course, the Japanese market works differently than K-pop, usually cobbling together a run of already-released singles and b-sides into an album. But, this still seems like a quick accomplishment for the rookie group. After the generic Infinity, August’s … Continue reading
