At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2022 Overall Thoughts Well, September was certainly a contrast to August! With hindsight, August was … Continue reading
I wonder if an intern at JYP Entertainment has been reading my reviews and predicting their content before releasing new music. Naming a new banger-clanger ITZY track “Blah Blah Blah” is just giving me too much to work with! Look, this is an ITZY song through and through. It’s fair to say I’ve made my … Continue reading
King & Prince have been super active this year: a double a-side, an album, a single and another double a-side on the way in November. But as flush with material as we’ve been, I still think they had a stronger 2021 overall – at least musically. The recently released TraceTrace seeks to expand the sound … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But along with most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
Most of the recent news surrounding LOONA has been about its poor members falling ill or becoming injured on their world tour. At this point, the tour feels more like a survival game than a series of concerts! I hope the girls get the rest they deserve and have been able to enjoy their travels … Continue reading
It’s been a solid year for singles/albums from Johnny’s & Associates. As far as ratings go, I feel like I’ve given a ton of high-8’s but only a couple 9+ raves. Sexy Zone have been the recipients of two of those 9’s. Their Highlight album is aptly-named, giving us the excellent single Forever Gold and … Continue reading
Halfway through their solo Underground Idol series, OnlyOneOf have reunited as a full group for their first original Japanese single. I imagine Zurui Onna as an interlude. Or, maybe it’s just another excuse for the guys to dance around with their shirts off. Whatever the case, it’s an inauspicious move into a market that should … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2022 Overall Thoughts Too often this year, my monthly round-ups have been… kind of a … Continue reading
After nearly two years of singles, Hey! Say! JUMP are back with a new studio album. Filmusic is a varied collection of songs themed around movie genres. Its most successful moments come when the group tries on a hard rap/rock style, though the self-referential Get Out Of My House is also a treat (especially if … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But along with most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! Though I’m … Continue reading
Compared to earlier eras, it’s been a dry few years for new music from Kis-My-Ft2. Their latest singles have trended toward balladry – often themes to romance-focused dramas. That’s all well and good (frankly, I’ll take whatever they want to give us), but I’ve been hoping for more upbeat material. After all, age and experience … Continue reading
It just occurred to me that it’s been nearly four (!) years since TVXQ had a proper Korean comeback. Yes, they’ve been active as soloists and have released multiple albums in Japan during this time, but that’s still a long gap for a veteran act with an enormous, enduring fanbase. For now, those of us … Continue reading
At this point on the idol side of the J-pop industry, an entire ecosystem of new groups have emerged, spawned from audition series and heavily indebted to K-pop tropes. K-pop and J-pop have often existed in conversation, with the former borrowing from the latter during many points across the past twenty years. But, K-pop’s ability … Continue reading
Much like Omega X’s Stand Up from earlier this summer, WEi’s new single Maldives reinvents the group as summertime beach boys. I’m not sure why it takes a Japanese release to dabble in this fun, upbeat sound, but I’m glad to hear the guys let down their guard and deliver something fresh and bubbly. Maldives … Continue reading
Late last week, Johnny’s groups SixTONES and Snow Man both surprise-released new music videos on YouTube, fueling rumors they may reunite for another duel-group single. It turns out that Snow Man’s Juicy heralds the release of a new studio album. We’ll need to wait to see where SixTONES’ Party People ends up. Both of these … Continue reading
INI are occupying a very strange place in my own personal fandom. I love the members. I love watching their variety. But apart from this year’s fantastic We Are, their actual music has been pretty disposable so far. I’m not sure if this is a sustainable path, though judging by their out-of-the-gate success in Japan … Continue reading
With retro synth emerging as a dominating trend of the past few years, it’s been interesting to see which groups fit it naturally and which feel shoe-horned in. Exile Tribe’s Fantastics have totally suited the sound – so much that I hardly want them to stray from it! 2020’s High Fever ended up becoming a … Continue reading
It’s been fascinating to watch Johnny’s & Associates navigate the digital world and decide how they want to engage with it. Older fans can remember a not-too-distant time when official YouTube uploads were the stuff of wild dreams. We still get plenty of (frustrating) short music video edits, but more and more the agency is … Continue reading
MNET has their multi-national K-pop formula down to a science. Bring together members from various countries and you have natural inroads for promotion in lucrative markets like Japan. Funnel your acts into agency-sponsored events like KCON and you’ve got a built-in venue with thousands of eager listeners. All K-pop is business, but it’s hard not … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
The Bias List // K-Pop Reviews & Discussion 