Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Debuting a K-pop group is fraught with difficulty even under the best circumstances, but it seems especially ambitious to launch a rookie during a time when promotional opportunities are limited. The industry is rightfully taking a lot of health precautions right now, which means that MY.st’s promos will largely be digital. Still, agencies can’t wait … Continue reading
I fondly remember watching YG’s Who Is Next variety show back in 2013. At the time, I was a supporter of Team B, who would eventually go on to become iKON. But, when Winner debuted in the summer of 2014 I was completely won over. Their first album had a more subdued energy than their … Continue reading
In a double-hitter, two of Wanna One’s most prominent members have released new music this week. Kang Daniel went first yesterday with the slick 2U, and Ong Seong Wu is right behind him with Gravity. So far, Seong Wu’s music has played things down the middle, opting for pleasant, generic fare over more daring material. … Continue reading
Between comebacks, Stray Kids have done a nice job maintaining interest through a series of Mixtape releases. I suppose that’s one of the benefits of self-producing so much of your material. Not all of these tracks have been title track-worthy, and few have felt like actual standouts. But, something is better than nothing, and it’s … Continue reading
After taking an extended break from the K-pop industry, Kang Daniel has returned with the release of his first mini album. Never mind that two-fifths of the EP is a repackage of his November single. It’s good to have him back, and hopefully with a renewed strength in mental health. New title track 2U sees … Continue reading
ONEUS kicked off their K-pop career in stunning fashion, wowing with the dynamic Valkyrie in early 2019. Since then, I’ve felt that their singles run has slowly declined in quality, though the strength of their album tracks remains intact. Even their latest Japanese single was paired with some stunning b-sides. New release A Song Written … Continue reading
After several years of success in Korea, Seventeen made their Japanese debut with 2018’s excellent Call Call Call. Since then, the group has released one J-pop follow-up, which sacrificed Call’s upbeat funk-rock energy for something more in line with their newly “matured” Korean work. New single Fallin’ Flower (舞い落ちる花びら) largely replicates this mood, albeit with … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Only three releases in, and rookie group PurpleBeck have gone from having Kim Jaejoong guest star in their music video to releasing a self-filmed, ultra-low-budget product like VALENTi. This downward curve is not unique to new groups from small agencies, but it’s always a bit depressing. After debuting last year with the quirky Crystal Ball, … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
Despite its initial fanfare, the first season of Produce 101 only resulted in a small handful of long-lasting breakthroughs. Generally, these came in the form of single artists rather than groups. Kim Sejeong is the perfect example. She’s a steady fixture on variety shows, yet her own group Gugudan haven’t had a comeback in over … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. In a normal week, this buried treasure probably would have been … Continue reading
Somehow, despite disliking the bulk of AB6IX’s special solos album 5NALLY, I have now written about all five tracks at length. And every once and awhile, I even had some positive things to say. That’s the kind of twisted dedication you’ll find on The Bias List! But now that we’ve arrived at the fifth and … Continue reading
