At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2021 Overall Thoughts 2021 is off to a roaring start, and February really kicked into … Continue reading
As part of my “Top 100 K-pop Songs of All-Time” countdown, I took the effort to dive deeply into my top ten picks and break them down moment by moment. But, there are plenty of other songs that deserve this same treatment. So, The Bias List proudly presents an in-depth feature: “Breaking Down the K-pop … Continue reading
Starship Entertainment’s collaboration with Pepsi continues to bear unexpected collaborations. This time, it’s ex-Sistar member Soyou and Produce 48 girl group IZ*ONE (with rapper pH-1 thrown in for good measure). With ZERO:ATTITUDE, they’re given the kind of frothy dance pop befitting a soft drink advertisement. The track is pleasant fun, buoyed by production by popular … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
After a week devoid of new releases, attention turns to Japan as Monsta X drop their music video for new J-pop single Wanted. Like their Korean career, the group’s Japanese output has been quite prolific. And, their characteristic sound has translated to the new market without many changes. Wanted continues that brand and acts as … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2021 Overall Thoughts It’s the start of a new year, and new possibilities when it … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I feel like I’m constantly ragging … Continue reading
Despite boasting incredible album sales and hailing from a proven agency, I couldn’t find the reasoning to include CRAVITY in my “top rookies of 2020” list last month. To me, their music thus far has been the definition of “generic boy group.” It’s never been objectively bad, but CRAVITY haven’t yet released anything that sounds … Continue reading
I was beginning to wonder if Jeong Sewoon would ever return with the follow-up to part one of his album 24. But with a title representative of his (Korean) age, I suppose the second half had to come out before his May birthday. Dividing the album in parts allows for a contrast of sounds, and … Continue reading
Of the three year-end song festivals, I’ve always considered MBC’s to be the most intimate-feeling, as well as the one with the most diverse line-up. Plus, it’s got the added celebratory nature of New Year’s Eve. In 2020, none of these strengths could really be capitalized upon. It’s hard to create that intimate feeling without … Continue reading
I’m the type who likes to listen to every major K-pop album at least once. Maybe that’s a bit obsessive, but it guarantees that no buried treasures slip through my fingers. And although much emphasis is put on title tracks, more and more the best K-pop songs are relegated to b-sides. This countdown encompasses any … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Make sure to … Continue reading
Monsta X have returned with their fourth full Korean album Fatal Love (though their minis often have enough tracks to count as “full” under other agencies’ qualifications). And, the album feels like a bit of a progression for the group, leaning closer in sound to their English-language work. Whether that’s a positive thing or not … Continue reading
Thus far, CRAVITY’s promotional schedule has included duel concepts. Their title tracks opt for a harder-hitting dance pop style, while their follow-ups embrace the lighter side of boy group fare. The latter has offered greater opportunity to deliver solid pop melody, making it my preferred sound for the group. And though I would have enjoyed … Continue reading
After four years of steadily-increasing success, WJSN (Cosmic Girls) have unveiled their first sub-unit. The ridiculously-titled Chocome consists of members Soobin, Luda, Yeoreum and Dayoung, and promises a quirkier concept than the group’s usual space-and-fantasy themed material. As with all sub-units, the quality of Hmph (흥칫뿡) could go either way. Thankfully, the girls fully commit … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Too many modern K-pop albums feel cobbled together by committee. I … Continue reading
Buoyed by several members’ Produce X 101 popularity, CRAVITY debuted earlier this year to much commercial success. Their fan base is already strong. Now, they’ve just got to figure out which direction to take their music. So far, they’ve presented us with two contrasting concepts: the Monsta X-lite Break All The Rules and the flower … Continue reading
