The fact that I’ve been able to compile a top ten list for LOONA before their actual debut is a testament to just how ambitious their roll-out has been. Over the course of eighteen months, each member of the group has been unveiled via solo and unit tracks. There are over twenty songs to choose … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Coach & … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2018 Overall Thoughts Well, March certainly didn’t pan out the way I had expected. If … Continue reading
I often complain about trends while in the midst of them, mostly because I prefer k-pop to draw from a wide variety of influences rather than use a copy-and-paste template. But looking back at the industry’s history, trends are an interesting way to summarize a year or era. I thought it would be fun to … Continue reading
I think most of us could agree that — at least so far — 2018 has seen a certain amount of renewed attention given to strong choruses. As the EDM build/drop structure has begun to (slowly) wane in popularity, we’re seeing more melody take its place. Yet, many of my recent song reviews could be … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Joombas Music … Continue reading
We’re just over two months in to this new year, and though February proved to be something of a non-starter, I’m feeling very optimistic about what 2018 is going to bring in terms of k-pop. I feel like I spent much of 2017 (and some of 2016) railing against Westernized trends that seemed to have … Continue reading
