Hitchhiker has long been one of my favorite SM Entertainment producers, collaborating with acts like Shinee and Super Junior to brilliant effect. His experimental solo work is a little harder to enjoy on a pure pop level, relying heavier on trippy, repetitive riffs and percussive loops than any sense of melody. Last year’s $10 felt … Continue reading
Only two weeks in and SM Entertainment‘s “season two” of Station has given us its first non-traditional release. As a kick-off to what promises to be a performance-focused project highlighting some of the agency’s strongest dancers, the hypnotic Dream In A Dream (몽중몽) is almost entirely instrumental. The song acts as a launching pad for … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2017 Overall Thoughts If I could describe February with only one word, it would be “consistent.” … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. NCT Dream have only recorded three songs so far, but … Continue reading
This is a generalization, but it’s safe to say that SM Entertainment is more notable for hiring outside composers and producers than relying on their artists to self-produce material. Because of this, their idols essentially function as delivery methods for the huge stockpile of songs the agency is sitting on. This isn’t to take away … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2017 Overall Thoughts 2017 started with one of the strongest (and most packed) first weeks that we’ve … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Despite not being entirely in line with what I would … Continue reading
