After a couple of years spent ignoring music from the west, I’ve started to listen to more American and European pop in 2021. You can thank standout releases by big acts like Dua Lipa and The Weeknd for that. Granted, my Western pop consumption is still ridiculously small when compared to K-Pop and J-Pop, but … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2021 Overall Thoughts Well, July was… interesting. And by “interesting,” I mean unimaginably dull. Other … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
In a month lacking K-pop releases, the Universe app is offering some of July’s few big-name “comebacks.” That’s a pretty sad state of affairs, especially since the full music videos aren’t even made available outside the app. Regardless, it’s always nice to hear from Monsta X – even more so on the heels of their … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
In a barren July, it seems that a glorified Pepsi ad will have to suffice when it comes to big-name K-pop comebacks. This Pepsi x Starship collaboration project has been going on for years now, resulting in eight singles. Most of these have been collaborations between two or more artists, but Summer Taste ups the … Continue reading
Tomorrow kicks off my Top 50 2015 countdown with songs 50 to 41! Before that, I’ve got ten honorable mentions that barely missed out on making the main countdown. There are some fantastic tracks within this bunch. 2015 was a very strong year for K-pop, making this countdown pretty cutthroat. To give you some context, … Continue reading
What a difference a year makes! This time in 2020, I struggled to cobble together a mid-year list worth celebrating. I ended up finding five songs, though one wasn’t technically a single. This year, I’ve got a whopping fourteen tracks! That’s quite a turnaround, and a testament to 2021’s strength. Because of this, I’ve scrapped … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2021 Overall Thoughts So far, the rule of 2021 seems to be “expect the unexpected.” … Continue reading
I think it’s obvious that I love a good statistic. In addition to my core rating system, I’ve got my top three songs of each month, my yearly countdowns and more data breakdowns than anyone could ask for. None of these are perfect ways to categorize or quantify something as subjective as music, but they … Continue reading
Over the past couple of years, Monsta X have settled into a nice little niche, releasing exactly the type of songs you’d expect of them. Of course, one person’s niche is another’s rut, and it’s been a while since I’ve been excited about a Monsta X title track. But with Gambler, the guys have taken … Continue reading
Monsta X have been building up to the release of their latest Japanese album, and recently unveiled its title track Flavors of Love. The song catches them in a lighter-than-normal moment, abandoning heavy production and stomping percussion for a laidback groove that shines focus on their vocals. This is a gratifying turn. The group has … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2021 Overall Thoughts 2021 is off to a roaring start, and February really kicked into … Continue reading
After a week devoid of new releases, attention turns to Japan as Monsta X drop their music video for new J-pop single Wanted. Like their Korean career, the group’s Japanese output has been quite prolific. And, their characteristic sound has translated to the new market without many changes. Wanted continues that brand and acts as … Continue reading
Of the three year-end song festivals, I’ve always considered MBC’s to be the most intimate-feeling, as well as the one with the most diverse line-up. Plus, it’s got the added celebratory nature of New Year’s Eve. In 2020, none of these strengths could really be capitalized upon. It’s hard to create that intimate feeling without … Continue reading
Monsta X have returned with their fourth full Korean album Fatal Love (though their minis often have enough tracks to count as “full” under other agencies’ qualifications). And, the album feels like a bit of a progression for the group, leaning closer in sound to their English-language work. Whether that’s a positive thing or not … Continue reading
Former Monsta X member Wonho fell victim to K-pop’s quick-to-judge outrage machine, exiting the group in dramatic fashion last October. Since then, he’s gone on to foster a solo career. After months of waiting, pre-release Losing You is the first taste of what a future Wonho discography might sound like. With that in mind, it’s … Continue reading
After a two-week delay, Monsta X has returned with their eighth (!) mini album. At this point, there’s not a lot to say about their title tracks. Apart from the occasional shift in sound, they’ve tended to follow the same general formula. If you like the Monsta X brand, you’re probably going to like Fantasia. … Continue reading
Even in the middle of a global pandemic, Monsta X are reliably churning out new music. Their trilingual career is turning out to be one of modern K-pop’s most prolific. Seriously, hats off to their work ethic. Though to be fair, I’ll bet Wishing On The Same Sky was recorded some time ago. After all, … Continue reading
Honestly, I came into tonight’s festival feeling pretty pessimistic. KBS’s Gayo was largely forgettable, and tonight’s line-up was missing some of my favorite acts. But, MBC ended up balking expectations and being the most enjoyable of the three gayos overall. When I think about it, this isn’t too surprising. I’ve always loved MBC’s more intimate … Continue reading
