Each year, it feels like K-pop places more and more emphasis on its music videos. And while I’ll always be a fan of the songs first and foremost, there’s no denying the power of a potent visual. Here are my ten favorites of 2020. 2020 YEAR-END MASTERPOST Honorable Mentions: AKMU – Happening CRAXY – Aria … Continue reading
As has been the case with most of the Gayos of the past few years, SBS’s Gayo Daejun was a bit dull tonight. Performing without a live audience has its ups and downs, and the best moments of the show were when the production really embraced the potential of the circumstances it had been dealt. … Continue reading
It’s Christmas Day here in the States, so I’ll be taking a one-day break from the end-of-year countdowns to focus on 2020’s K-pop holiday offerings. Every year, the industry delivers a glut of seasonal material, though there haven’t been that many recent classics. I already reviewed The Boyz’ festive Christmassy earlier this month, but now … Continue reading
A couple weeks after the MAMA Awards showed the potential of an audience-less, pre-recorded stage show, KBS went far less ambitious. Now, it could be argued whether this broadcast should have happened at all given K-pop’s surging Covid cases, but the producers opted to cobble together what they could. I’m curious why this year’s Gayo … Continue reading
The theme of this year’s MAMA Awards was “New-topia,” which sounds a bit chilling in a weird way. But, things were definitely new here. This was unlike any MAMA yet, lacking a live audience. But even though everything was accomplished on soundstages, I think the producers did a great job making this still feel like … Continue reading
After taking a look at the 2020 prospects of SM Entertainment, YG Entertainment and JYP Entertainment, it’s time for the final Big Four agency, Big Hit Labels! As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. The purpose of these … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. BTS’s BE has an air of finality to it, like the … Continue reading
I must admit, I’m shocked at how long BTS’s Dynamite has endured on global charts. I mean, I shouldn’t be surprised. In many ways, the track was a slam dunk before it even materialized – a glossy, trend-friendly pop song with wide appeal. And while I still find it to be more commercial jingle than … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! September … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2020 Overall Thoughts At the beginning of the year, one of my wishes for 2020 … Continue reading
Dynamite is BTS’s first English-language single, and I’m surprised it took them this long. Western pop markets – America, in particular – are notoriously hesitant toward music recorded in any other language, to their immense detriment. True market penetration requires a push past the industry’s gate-keepers, and that’s a struggle. Social media and streaming has … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
Surprising no one, BTS have conquered Japan alongside every other global music market. This has been achieved through a combination of Japanese re-recordings and original material. Oddly, their trio of original J-pop songs (For You, Lights and now Stay Gold) share a sound that’s downright toothless compared to their Korean work. Much of their global … Continue reading
