Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2021 Overall Thoughts When I averaged all my song ratings of October, I was surprised … Continue reading
LIGHTSUM’s spring debut showed promise, but it’s hard to predict the future of a group based upon a single song. First comebacks are equally important for a rookies, and often give a clearer indication which direction their sound will take. If Vivace is any indication, LIGHTSUM are aiming for the vacancy left by IZ*ONE. When … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
In an unexpected move, veteran group BTOB joined Mnet’s Kingdom competition. While most of their junior competitors opted for the hard-hitting, performance-focused style that’s come to characterize this generation of K-pop, BTOB got by on old-school appeal. Vocals were always put front and center, and their stages often felt like old-fashioned theater pieces. The guys … Continue reading
Military enlistment has always been part of K-pop’s boy group narrative, but in past generations these enlistments often occurred after a group had already reached their commercial peak (or ended their contract). This newer generation tends to have a slower, steadier rise in fan base, meaning that some members enlist just as their group is … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2021 Overall Thoughts Well, July was… interesting. And by “interesting,” I mean unimaginably dull. Other … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
This week, we’re journeying back half a decade to look at K-pop’s best releases of 2015! 2015 was a prime year for K-pop. It saw the return of industry royalty, as Bigbang blitzed the market with no less than seven singles. It acted as the launchpad for many of today’s top acts (Twice, Seventeen, GFriend, … Continue reading
Tomorrow kicks off my Top 50 2015 countdown with songs 50 to 41! Before that, I’ve got ten honorable mentions that barely missed out on making the main countdown. There are some fantastic tracks within this bunch. 2015 was a very strong year for K-pop, making this countdown pretty cutthroat. To give you some context, … Continue reading
In perhaps the most unsurprising K-pop news of 2021, (G)I-DLE’s Jeon Soyeon has released her first solo album. I mean, she technically debuted as a soloist in 2017 before re-debuting as (G)I-DLE’s leader — a group practically built around her popularity. She’s one of the most prominent voices in K-pop today, with the ability to … Continue reading
What a difference a year makes! This time in 2020, I struggled to cobble together a mid-year list worth celebrating. I ended up finding five songs, though one wasn’t technically a single. This year, I’ve got a whopping fourteen tracks! That’s quite a turnaround, and a testament to 2021’s strength. Because of this, I’ve scrapped … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2021 Overall Thoughts So far, the rule of 2021 seems to be “expect the unexpected.” … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
Like so many debuts, Cube Entertainment’s LIGHTSUM includes members already familiar through survival series like Produce 48 and The Unit. But in K-pop’s overcrowded market, it takes more than familiarity to guarantee success. And with agency-mates (G)I-DLE as popular as ever, it’s important that LIGHTSUM’s music doesn’t overlap too much. Despite its uninspiring title, Vanilla … Continue reading
Warning: This recap is not spoiler-free. Proceed at your own risk! Other Recaps: Episode One // Episode Two // Episode Three // Episode Four // Episode Five // Episode Six // Episode Seven // Episode Eight // Episode Nine Friends, I have disturbing news… . . . . . . The final episode of Kingdom … Continue reading
The Bias List // K-Pop Reviews & Discussion 