I often hesitate to use the word “underrated,” because it can mean different things to different people. But, when you compare quality of discography to chart and public success, Rainbow have got to be one of K-pop’s most under-appreciated groups. When they disbanded in 2016, many lamented the end of an era. But, few seemed … Continue reading
IN2IT’s Run Away popped up on a random shuffle the other day and I realized that I had honestly forgotten about the song. This might sound like a put down, but as the track played, I found my ears lured to its rock-infused dance beat. I couldn’t quite place who the performer was (which probably … Continue reading
Fresh off their success on Queendom, Mamamoo are back with their second title track of 2019. This has been a fruitful year for them, particularly Hwasa. Her name has been lodged at the top of the K-pop brand reputation lists, and her casual but quirky energy has become synonymous with the group’s appeal. Mamamoo have … Continue reading
Stray Kids’ Astronaut arrives nearly a week after it was originally scheduled, and several weeks after the departure of the group’s main vocal Woojin. I’m honestly surprised that they were able to release it as early as they did, given the inevitable re-recordings and edits needed to accommodate Stray Kids’ new eight-member configuration. Ironically, the … Continue reading
Over the course of their two-year career, Seven O’Clock’s music has been nearly as faceless as their group name. That’s not to say it’s all been bad. Their 2018 mini album was actually quite strong, with double title tracks that both deserved more hype than they received. But, the group suffers from an under-the-radar stature … Continue reading
Since their debut last year, Nature have gone on to develop a quirky, off-kilter sound that sets them apart from other rookie groups. Fans seem to be taking notice, bringing us to the release of their first mini album. Their last comeback I’m So Pretty was an unexpected highlight of the summer, harnessing the power … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m still not overly hyped about Victon’s comeback track, but the … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Gosh, K-pop’s delivered a lot of Run Aways this year, hasn’t … Continue reading
With Tattoo, The Boyz have made an odd move. The song is targeted at the Japanese market, yet 99% of it is performed in the Korean language. I’m not complaining – especially since I think pop music is best when delivered in its native tongue – but this is a mystifying approach, and one I … Continue reading
Rookies 1TEAM have earned fans across the K-pop landscape, but for me they’ve been hampered by their choice of collaborators. All three of their 2019 title tracks have been composed by production team Devine Channel. While there are some songwriters that I naturally jibe with (ahem… Sweetune), I can’t get into most of Devine Channel’s … Continue reading
During what I shall now call “K-pop’s Bummer Summer of 2019,” Dongkiz’s BlockBuster was a welcome respite from the self-serious, downbeat r&b that seemed to clog the season. In hindsight, the song hasn’t held up quite as strongly as I would have thought, but it’s still an enjoyable bit of goofy fun. Then came the … Continue reading
2019 has seen more idol group debuts than any year I can remember, making it difficult for new acts to stand out. BVNDIT have managed to find a burgeoning fan-base despite a sound that isn’t particularly unique. The girls have worked with top-tier songwriters like MosPick and Flow Blow, but their style has remained generically … Continue reading
When E’Dawn left Pentagon and Cube Entertainment, it seemed like a career-killer for both him and his former band. At the time, he was arguably Pentagon’s most well-known member, yet not established enough with the general public to ensure solo success. But soon after, PSY scooped up both him and HyunA as artists under his … Continue reading
If I’m being completely honest, the first few months of PSY’s P Nation have been a dull disappointment. The agency has delivered a string of digital singles, none of which has pushed their artists in new or interesting directions. For all the hype, P Nation feels like business as usual. If anyone is ready to … Continue reading
Unlike K-pop, it’s not unusual for C-pop albums to be promoted by more than one music video. WayV were quite a tease in this regard, dropping their mini album with Moonwalk as the title track last week, only to reveal additional teasers for Love Talk (秘语). They made a smart choice in picking this song, … Continue reading
Most of this year’s releases by Johnny’s Entertainment artists have left me underwhelmed (hence, the lack of new reviews). But lately, the agency is enjoying a sort of renaissance. The new Sexy Zone singles were both stronger than the group has been in a year. The upcoming Kis-My-Ft2 tracks sound super promising. Arashi are finally … Continue reading
B.I.G have been on hiatus for over two years. In that time, a member has enlisted, another member has been added, and the guys struggled through the failed opportunity that was KBS’s The Unit. Although I’m an eternal optimist, I’d long since given up hope that B.I.G would ever return to the idol landscape in … Continue reading
Back when I used to have more interest in UP10TION, I never imagined a future where we would get a Wei (Lee Jinhyuk) solo album. That’s no dig on him, but other members were clearly being positioned for more popularity with the general public. However, I couldn’t have foreseen the immense popularity of Produce 101, … Continue reading
Earlier in the year, fueled by my frustration over Golden Child’s long hiatus, I compiled a list of post-2016 debuts who had been out of the spotlight for the longest time. Poor Victon landed at number four. Nostalgic Night (그리운 밤) acts as their first title track in over seventeen months – a lifetime in … Continue reading
Longtime readers will not be surprised to hear that I’ve had trouble getting into GOT7’s music these past few years. Ever since they started writing more of their own material, their sound changed in a way that just wasn’t for me. However, their May mini album offered hope. I wasn’t overly enamored by the title … Continue reading
