Over the past few years, several Johnny’s groups have started recording more English-language material. This surprises me given the agency’s lack of access to English-speaking markets. Just like K-pop, I’m not sure I want these acts to be vying for international attention – especially if it means diluted the aspects that make them unique and … Continue reading
Ryuji Imaichi, from Exile Tribe’s Sandaime J Soul Brothers, has a flourishing solo career that’s largely passed me by. Depending on the song, I either love the unique tone of his voice or find it quite piercing. But when I stumbled upon the futuristic cover of his new mini album Chaos City, I knew I … Continue reading
Well, what do we have here? Honest-to-goodness new music during the month of July?? Will wonders never cease! Actually, our long musical drought will soon come to an end as AKMU ushers in a K-pop deluge with their collaboration album next week. Apparently, all of its songs will be given some form of music video, … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Compared to last year, I’ve been kind of underwhelmed by 2021’s releases from Johnny’s Entertainment so far. One bright spot has been Snow Man, who are quickly becoming one of my favorite acts in the agency. That has more to do with their rag-tag, self-effacing variety appearances than their music, but January’s Grandeur has proven … Continue reading
In a barren July, it seems that a glorified Pepsi ad will have to suffice when it comes to big-name K-pop comebacks. This Pepsi x Starship collaboration project has been going on for years now, resulting in eight singles. Most of these have been collaborations between two or more artists, but Summer Taste ups the … Continue reading
Many K-pop idols end up branching out to Japan, but Rocket Punch feel uniquely suited for that market. Most of their title tracks have a very J-pop sound already, and Juri is a former member of Japanese group AKB48. It’s no surprise that Woollim is pushing them abroad this early, while senior groups Lovelyz and … Continue reading
Though it may not represent their definitive sound, 2019’s Wave is still my favorite ATEEZ single. It’s one of the most uplifting K-pop tracks in recent memory, with a brilliant build that saves all its vocal and instrumental fireworks for one knockout climax. New Japanese single Dreamers feels like a sonic successor, harnessing a tropical … Continue reading
Up to this point, music released through the Universe app has felt extraneous to an artist’s discography, making its restricted music videos less frustrating. Still, I’m surprised by just how much content this platform is churning out. Whoever’s funding this launch seems to have an unlimited budget, releasing glossy videos almost every week. The latest … Continue reading
There’s a fine line between polished, sugary radio pop and cloying commercial jingle, and that difference was perfectly illustrated by BTS’s Dynamite and Butter. The two songs are quite similar in sound, style and execution, yet one feels fresh and fun while the other comes across as trite and overcooked. I’m not sure I could … Continue reading
After Kim Woojin’s abrupt departure from Stray Kids in late 2019, the rumor mill went into action and he became the number one enemy of many an ardent fan. Honestly, I couldn’t care less about the tabloid side of K-pop. If the guy did something wrong (as alleged on twitter), I hope justice will be … Continue reading
Following the group’s disbandment, B.A.P’s Moon Jongup made his solo debut last year with Headache. I didn’t think much of the song on its release day, but it ended up being one of my biggest growers of the year. Loose, funky tracks like this don’t always get the attention they deserve. However, it’s a sound … Continue reading
K-pop’s concept-driven promotion can be a double-edged sword. In fact, I wrote about this very topic last year! In Kingdom’s case, their concept is both their greatest asset and their biggest roadblock. The historical fantasy schtick is what first drew me to their music, but it limits the style of title tracks they can release. … Continue reading
I haven’t written about Girlkind since 2018’s S.O.R.R.Y, though the group has released a couple digital singles since then. They’ve even spawned their own 2019 sub-unit. But, you’d still be forgiven for not knowing who Girlkind are. Their promotions have been limited so far, and the music has been largely forgettable. With Good Vibes Only … Continue reading
Despite being best known for her ballads, some of Taeyeon’s most enduring work has spawned from daring musical turns. Songs like Something New and I Got Love harnessed rhythmic energy that helped them standout. New single Weekend brings Taeyeon to the disco, blending dance pop elements with laidback city pop inspirations. The result is appealing, … Continue reading
DAY6 sub-unit Even Of Day debuted late last summer, releasing a much more interesting mini album than its title track suggested. With Where The Sea Sleeps, I wondering why Young K, Wonpil and Dowoon didn’t distinguish their own music from DAY6’s core sound. That confusion continues with new single Right Through Me (뚫고 지나가요). I … Continue reading
Fresh off their participation in MNET’s Kingdom, SF9 are the first group to make their post-show comeback. Though they didn’t win the competition, the guys showcased their versatility as performers. I was a big fan of their Move stage, and hoped their future music would embrace that fashionable, forward-thinking concept. New single Tear Drop flirts … Continue reading
In perhaps the most unsurprising K-pop news of 2021, (G)I-DLE’s Jeon Soyeon has released her first solo album. I mean, she technically debuted as a soloist in 2017 before re-debuting as (G)I-DLE’s leader — a group practically built around her popularity. She’s one of the most prominent voices in K-pop today, with the ability to … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wasn’t able to find a … Continue reading
