K-pop is well known for latching onto a specific musical trend (usually a year or two late) and refusing to let go until they’ve drained the sound for all its worth. This is fine if we’re dealing with a fun, malleable trend, but becomes increasingly maddening when the trend is narrow and poorly executed. It’s … Continue reading
It’s been well over a year since we last heard from The Wind. Since then, their agency has partnered with a new management company to shift the group’s sound with an eye on global markets. Yes, The Wind are following the path that 99.9% of bright, melodic boy groups eventually succumb to. They’ve ditched their … Continue reading
The best thing I can say about POW’s material so far is that they’re doing their own thing. Their music has been quite trend-averse and hasn’t drawn attention to itself, which is rare in K-pop. To me, they feel like an indie group who just happen to be working within the idol system. New single … Continue reading
Though Hui is most well-known as the leader and main vocalist of Pentagon, he’s also the pen behind some fantastic K-pop tracks from other artists. We have him to thank for Wanna One’s Energetic, for example. Because of this, I’m always interested to hear his solo work. He knows his way around a good pop … Continue reading
KARD have taken the unusual approach of announcing their disbandment alongside their new album, giving fans one last victory lap before the race is over. This co-ed group debuted with much fanfare all the way back in late 2016, riding K-pop’s tropical pop wave to great effect during their first few years. Since then, their … Continue reading
Like FTIsland and CNBlue before them, DAY6 have settled into an elder statesman position as one of K-pop’s leading idol rock bands. The difference is that most members of DAY6 also sing on their tracks, offering the opportunity for multiple solo careers. Young K made his solo debut back in 2021 but hasn’t released an … Continue reading
NouerA haven’t made a comeback since (checks notes… firmly ignores notes) June of 2025, building their sound on dramatic electro arrangements the likes of which we don’t hear much in K-pop anymore. They certainly did not attempt a generic shout-chant hip-hop track produced by Lay “The Sheep” Zhang, for which we can all be grateful. … Continue reading
There’s probably an entire generation of Bias List readers unfamiliar with the fantastic teen-pop/rock group The East Light. I’d urge you to check out their discography immediately, as they had a surprising number of hits to their name. Now, two of its former members have rebranded as Peak & Pitch, releasing one digital single (a … Continue reading
ILLIT’s music has grown more gimmicky with time, often on the hunt for the best TikTok challenge rather than the best songwriting. This is more of an observation than a judgment because there have been plenty of great K-pop groups who built their careers around gimmicks in the past. But every once and awhile, it’s … Continue reading
Over the past few weeks, ARTMS have payed around with expectations. Rather than simply debut a video and song as normal, they first dropped pre-release track Born Stunner via an unexpected Instagram reaction video. This is a great way to build buzz and conversation, but at the end of the day the actual music must … Continue reading
For every exciting sonic statement of intent from Jennie, we seem to get at least two dull tracks that attempt to shoehorn her into current pop trends. The trouble is, “current pop trends” tend to be incredibly beige these days. I recently had a revelation about the pop industry as a whole. Rather than take … Continue reading
Fresh off the aural hell that was Iconic By Mistake, Katseye are continuing their new EP rollout with Animal. Thus far, the group has pinballed between gimmicky ragebait and ultra-generic pop, making their overall identity a mystery. Their sweet spot likely lies somewhere between both extremes, but their producers have struggled to find it. Animals‘s … Continue reading
It’s been awhile since I’ve connected with a new aespa single, but as they move their attention to the Japanese market with Kiss N Tell, there’s an opportunity to switch things up and offer a different sound. This isn’t a complete reinvention, but takes the banging electro influence of songs like Lemonade and merges it … Continue reading
One Pact have been swimming upstream since debut, fighting against an increasingly monolithic agency system that doesn’t afford many chances for acts from small-to-mid companies. Any residual Boys Planet buzz has long since faded and they’re left to fend for themselves. To their credit, they’re a largely self-produced group, making it easier to take matters … Continue reading
Fresh off a funny little foray into country music last year, J.Y. Park has returned to his bread and butter. New single Wet acts as a theme to this year’s Waterbomb Festival and also pulls him back to the dancefloor, recalling vinyl pants of days gone by. Of course, this is an artist now well … Continue reading
It’s the battle of the 8s this week, with 8TURN coming back yesterday and LUN8 waiting in the wings today. I don’t think these two groups have anything in common beyond the number in their name, yet I link them together because both feel completely malleable in sound. If you asked me what a LUN8 … Continue reading
Last week, Seventeen’s Dino delivered his first work as alter-ego Picheolin. A few days ago, the tracklist for his album was revealed and I became most interested in its title track produced by the elusive K-pop genius Hitchhiker. Hopefully that song is more than a simple schtick, because today’s pre-release Micheo Micheo (미쳐 미쳐) feels … Continue reading
Hyolyn has become synonymous with summer, first as a member of Sistar and then as a solo act. She’s leveraged that position once again for a new mid-summer album but isn’t playing into obvious summer tropes. New single ChecK could be played year round as long as you’re in the mood for some more Y2K … Continue reading
OURBIRTHDAY will eventually be a seven member group under JYP subsidiary INNIT Entertainment, but they’re rolling out their members in waves. The first three (Hyejin, Achiraya and Baby — yes, you read that last one right) have made their debut today with pre-release single Hungry (Side A). If this were truly my birthday, I’d be … Continue reading
I featured Superstar on my J-pop round-up a few days ago, but I know only a sliver of readers regularly check that out and the song has since become a staple on my playlist so I thought I’d give it a longer write-up. PG are a co-ed, very young group from Avex that first hit … Continue reading
The Bias List // K-Pop Reviews & Discussion 