A few weeks ago, TWS collaborated with American rapper 24kgoldn for the first release in the “essential; studio” series of promotional tracks. As TWS songs always do, the hooks grew on me the more I listened to it. Next up is agency seniors Seventeen — or more accurately, DK and Seungkwan, who debuted as a … Continue reading
As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
While I wait impatiently for TWS to announce the details of their promised April comeback, we’ve got an unexpected treat to tide us over. Three of the group’s members (Dohoon, Jihoon & Kyungmin) have teamed up with American rapper 24kGoldn on a project single for Bugs‘ Essential; Studio. I’m not sure exactly what this is … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Seventeen’s Hoshi may be away from the industry serving his mandatory military enlistment, but that doesn’t stop music from being released. New single Baby, Honey (아기자기) surprise drops on a Saturday, which is quite unusual for K-pop. Maybe more plugged-in Hoshi fans than I can explain if there’s specific significance to the date March 14th. … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
As members are entering the military one by one, Seventeen has smartly reconfigured its promotions into units. This isn’t unique for the group. Their structure is designed as three teams combining into one larger group and they often feature unit and solo tracks on their albums. Vocal led ballads are also common for the group, … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
It’s the last year-end festival of 2025! MBC’s Gayo Daejejeon is synonymous with the new year, as it also acts as a new year’s eve celebration (except for last year when it was postponed). As I always say, this adds a welcome sense of ceremony to the proceedings and makes it a special I look … Continue reading
I don’t write as many full J-pop reviews as I used to, mostly because I haven’t been as enamored with the industry as I was before, but I continue to spotlight new releases each and every Sunday. This countdown is a culmination of that feature, rounding up my fifty favorite singles (or promoted b-sides) of … Continue reading
Last year, Music Bank’s Global Festival was interwoven into KBS’s year-end festival. This year, they’ve chosen to broadcast it separately but I thought I’d cover it anyway because (like last year) parts of it were stronger than many of the proper year-end stages. This year’s theme was “The Golden Path” and the show was held … Continue reading
Before I move on to my J-pop and global pop countdowns over the next few days, I like to sum up the K-pop lists that have filled the past few weeks. The title of this post should technically be called “The Best Overall K-pop Comebacks & Debuts of 2025,” since not every album on this … Continue reading
It’s time once again for someone who knows next to nothing about dance to rank his favorite dances of the year. As usual, I tend to prefer quirky, iconic moves to technically difficult material. The thing is, the vast majority of idol choreo has become so polished that it’s hard to choose which routines are … Continue reading
For a moment, I debated whether or not to go forward with this particular countdown this year. Yes, K-pop music videos are generally great, but to be honest I just don’t watch them as intently as I used to. I’m much more familiar with the music than the visuals, which threatens to turn this list … Continue reading
After KBS’s festival-that-didn’t-really-feel-like-a-festival last week, it’s time for the celebration to truly begin with SBS’s Gayo Daejeon. This is the show that airs every Christmas and usually features a ton of festive stages. It’s also held in a big venue with tons of artists in attendance, so it makes for a nice seasonal gift for … Continue reading
The Bias List // K-Pop Reviews & Discussion 