After a debut year stuffed with upbeat funk pop comebacks, Dongkiz explored edgier sounds in 2020. Neither concept has brought them much attention, but I think a youthful, exuberant style best illustrates their charms. New single Universe calls back to their 2019 era, albeit with much more generic trappings. Unfortunately, you can feel the budget … Continue reading
After SHINee’s Don’t Call Me album was released in February, I broke it down track by track. And now that we have a repackage on our hands, it’s time to add those new tracks to the in-depth album review! 1. Atlantis // 2. CØDE // 3. Don’t Call Me // 4. Area // 5. Heart … Continue reading
CIX’s Cinema has been a slow burn hit for me. I liked it when it first came out, but the song has had unexpected staying power on my playlist. So, I was excited to see the guys continue this lighter sound for their next Japanese release. All For You is an upbeat burst of brass-kissed … Continue reading
Just days after Seventeen’s Hoshi delivered his solo track Spider, bandmate The8 has dropped his own digital single. I guess my wish for more Seventeen solo projects is coming true! Apart from being familiar with his role in the group, most of my knowledge about The8 stems from Chinese collaboration show Chao Yin Zhan Ji. … Continue reading
Mamamoo have not only proven themselves a force to be reckoned with, but each member has gone on to enjoy solo success in a variety of fields. Wheein seems perfectly poised for this endeavor, with a strong voice that can tackle a wide spectrum of genres. New single Water Color sees her paired with a … Continue reading
After SHINee’s Don’t Call Me album was released in February, I broke it down track by track. And now that we have a repackage on our hands, it’s time to add those new tracks to the in-depth album review! 1. Atlantis // 2. CØDE // 3. Don’t Call Me // 4. Area // 5. Heart … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. The overriding opinion on STAYC’s ASAP … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m not super thrilled with the … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. OnlyOneOf’s libidO just gets better with … Continue reading
As SM Entertainment’s Avengers-like super group, SuperM have been deployed as K-pop ambassadors, scooping up CFs in a variety of spaces. Occasionally, this results in new music. 2019’s Let’s Go Everywhere was a fun advert for Korean Air, while the newly released We Do soundtracks a partnership with Prudential Corporation Asia. Songs like this threaten … Continue reading
Whenever I see a new girl group track with an onomatopoeia title, I get nervous. If I could change one thing about current girl group trends, it would be to replace all the chirpy dum diddy la la la bum bums with melodies that show off the performers’ vocal skills. It’s not that this assembly … Continue reading
Kim Jaehwan has a voice that can elevate any pop song. Too often, these voices are relegated to ballad after ballad after ballad. But, I love nothing more than hearing a powerful vocalist collide with an equally powerful dance or rock track. It’s one of the factors that made me such a huge fan of … Continue reading
Whenever Exile drops a new single, it feels like we’ve reached the final boss level. With more focus on the various Jr. Exile groups, their releases are less frequent than in years past. But, Exile is still the pillar of the whole enterprise, pulling in performers from various units to create a powerhouse squad. To … Continue reading
It’s hard to believe D-CRUNCH has been around since mid-2018. With exactly one mini album released each year, the group’s long hiatuses make it difficult for their music to stick in memory. Each time they make a comeback, it’s like a long-lost friend returning to say hi. Often, their title tracks feel like they could … Continue reading
After a 2020 spent in rehabilitation after an awful accident during rehearsals for 2019’s SBS Gayo Daejun, Red Velvet’s Wendy makes a triumphant return with her first solo mini album. I feel like SM releases a ballad-heavy album every year around this time, and they rarely elicit anything more than a sigh from this particular … Continue reading
I fell in love with Astro’s music over the course of their debut year. In fact, I picked them as my favorite rookies of 2016 – above even the much-hyped NCT. However, I’ve barely recognized Astro in their past two comebacks. It wasn’t just that their concepts had become “darker.” The music itself felt increasingly … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. WJSN have released yet another strong … Continue reading
Given their vast array of members and talents, I’m surprising we haven’t seen many solo projects from Seventeen. The group is approaching its sixth debut anniversary, which seems like the perfect excuse to further explore this possibility. Perhaps the release of Hoshi’s mixtape Spider will be the fuel for that fire. Before getting into the … Continue reading
3YE have released a variety of different title tracks, and each has drawn upon edgier sounds than many girl groups tackle. I think the trio are at their best when given an insistent electro groove, such as last year’s Queen. New single Stalker replicates this charm in bits and pieces, and is at its strongest … Continue reading
It feels like ages since WJSN made a comeback. I’ve missed their music, and consider them one of this generation’s most consistently great girl groups. Apart from a few notable offshoots, the girls have cultivated an identifiable sound and twisted it just enough to remain fresh. New single Unnatural twists that style a bit more … Continue reading
