Like BTS before them, TXT have taken to promoting more than one song from their albums. This approach allows for several big-budget music videos, and Big Hit seem intent on fusing a sense of fantasy lore to TXT’s already-compelling persona. For Magic Island, the guys have delivered a thirteen-minute short film, utilizing part of the … Continue reading
Fresh off their success on Queendom, Mamamoo are back with their second title track of 2019. This has been a fruitful year for them, particularly Hwasa. Her name has been lodged at the top of the K-pop brand reputation lists, and her casual but quirky energy has become synonymous with the group’s appeal. Mamamoo have … Continue reading
Stray Kids’ Astronaut arrives nearly a week after it was originally scheduled, and several weeks after the departure of the group’s main vocal Woojin. I’m honestly surprised that they were able to release it as early as they did, given the inevitable re-recordings and edits needed to accommodate Stray Kids’ new eight-member configuration. Ironically, the … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Oasis (from Don’t Mess Up My Tempo / Love Shot – 2018) Oasis’s opening line is arresting, emerging with a palpable tenseness as if the melody had finally caught up to you after a long pursuit. From here, trap influences form a … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m still not overly hyped about Victon’s comeback track, but the … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! My Lady (from XOXO / Growl – 2013) Closing out EXO’s first full-length album, My Lady offers a bluesy slab of r&b groove. The tempo is always faster than I expect for a song like this, especially as the two-part chorus picks … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Gosh, K-pop’s delivered a lot of Run Aways this year, hasn’t … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Moonlight (from Overdose – 2014) Drawing on EXO’s smooth vocals, this moody mid-tempo encapsulates a sound that the group has mastered. The harmonic arrangement is incredibly lush and the soundscape is otherworldly. Everything feels drenched in reverb, giving the track a wet, … Continue reading
During what I shall now call “K-pop’s Bummer Summer of 2019,” Dongkiz’s BlockBuster was a welcome respite from the self-serious, downbeat r&b that seemed to clog the season. In hindsight, the song hasn’t held up quite as strongly as I would have thought, but it’s still an enjoyable bit of goofy fun. Then came the … Continue reading
Unlike K-pop, it’s not unusual for C-pop albums to be promoted by more than one music video. WayV were quite a tease in this regard, dropping their mini album with Moonwalk as the title track last week, only to reveal additional teasers for Love Talk (秘语). They made a smart choice in picking this song, … Continue reading
Longtime readers will not be surprised to hear that I’ve had trouble getting into GOT7’s music these past few years. Ever since they started writing more of their own material, their sound changed in a way that just wasn’t for me. However, their May mini album offered hope. I wasn’t overly enamored by the title … Continue reading
Though I’ve already written about (and ranked) the Queendom finale songs, (G)I-DLE have made the smart move to pair their track Lion with an official music video. I think they deserve a full review for their efforts, right? While the song does nothing to dispel the accusations of cultural appropriation that swirl around the group … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Lovin’ You Mo’ (from Countdown – 2018) After a bevy of high-octane electronic dance tracks, EXO’s Countdown dials things back a bit for the groovy, skittering Lovin’ You Mo’. The song opens in understated fashion, reliant on its sneaky bassline to build … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I always expect Taeyeon albums to be 100% ballads, and I’m … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Love, Love, Love (from Overdose – 2014) Writers more clever than I have described Love, Love, Love’s otherworldly beauty — its sharp melding of musical instruments and ideologies from around the world. But, as important as it is to acknowledge its ambition, … Continue reading
So much of K-pop is about style, but some groups put extra effort into establishing their aesthetics and lore. This approach paid off for girl group LOONA, and now their creative director Jaden Jeong has set his sights on OnlyOneOf. I can’t say the group’s music has done much for me so far, but the … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Let Out The Beast (from XOXO / Growl – 2013) Let Out The Beast is the kind of track that screams “dance performance.” Built around a high-energy r&b beat with tense strings and insistent chirps of synth, Beast is as much a … Continue reading
More than any other year so far, 2019 has seen SM Entertainment’s NCT project expand its tentacles toward foreign markets. Chief among these initiatives is WayV, the Chinese branch of the NCT Universe. C-pop has its own musical preferences, but WayV’s discography has acted as a pretty seamless extension of SM’s Korean work. This proved … Continue reading
Never one to miss an opportunity, Monsta X have been releasing a non-stop stream of music over the past several years. Between Korea, Japan and America, they’ve got to be one of the most prolific artists of this generation. Though it’s been over eight months since their last Korean album, the wait hasn’t seemed nearly … Continue reading
It’s been over two years since Taeyeon’s last full-length album, and in that time her discography has grown in drips and drabs — a holiday album here, a Japanese mini album there. Judging from her concerts, she’s been sitting on a lot of her new material for awhile, making the release of Purpose highly anticipated. … Continue reading
