Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
I’ve listened to Seventeen’s newest mini album exactly one time through. Unfortunately, their music is drifting further from what I first fell in love with back in 2015. This is natural for any artist, and it’s amazing how they continue to (mostly) self-produce so many years after debut. Title track Super has been enjoyable in … Continue reading
Much of the news surrounding Seventeen’s FML mini album has highlighted its incredible sales. They’re breaking records left and right, standing as one of the industry’s most well-loved acts. I wouldn’t call myself a mega-fan the way I was back in 2015-17, but you can’t argue with quality. Their success has been built upon consistently … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2023 Overall Thoughts I hate to say it, but my interest in K-pop is kind … Continue reading
Seventeen BSS made their sub-unit debut all the way back in early 2018 with a fun, goofy pop-rock track. At that point, Seventeen were still on the rise – coming off fantastic singles Don’t Wanna Cry and Clap and about to make their Japanese debut with the also-incredible Call Call Call. Five years later and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2022 Overall Thoughts December is historically a very slow month in K-pop, but every once … Continue reading
With a group as large as Seventeen, there’s ample opportunity for solo projects. No member has released an entire album yet, but many of the guys have delivered solo singles – whether in the form of a proper comeback or a digital mixtape. Despite taking the role of rapper on Seventeen’s group tracks, Vernon’s Black … Continue reading
This feature has gradually shifted from a December to a November tradition, leaving more space for next month’s sprawling end-of-year countdowns. Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2022 went. Following SM Entertainment, YG Entertainment‘s and JYP Entertainment‘s evaluations, it’s time for … Continue reading
Seventeen’s Japanese discography has been a mixed bag, opening with the incredible Call Call Call in 2018 and never quite matching that energy. Many of their J-pop songs trend toward the lyrical, opting for dreamy soundscapes and subdued tempos. New single Dream may be their most reserved track yet. I’d go as far as calling … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
For a group with so many members, Seventeen have done a nice job getting their individual voices into the spotlight. Many of the guys have already made solo debuts, though few of these have been paired with the relentless promo typically tied to K-pop comebacks. The seemingly free-spirited nature of these releases makes them feel … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
I enjoyed Seventeen’s Hot more than most seemed to, but the song didn’t have much longevity. In fact, it’s been years since a Seventeen title track has stuck around long on my playlist. It seems that, ever since Pledis Entertainment merged with HYBE, Seventeen’s sound has lost some idiosyncratic edge. Repackage track _World is a … Continue reading
Recently, Seventeen have established an unsteady alliance with vocal processing. It’s hard to determine whether this is HYBE’s influence or simply a progression in the members’ musical taste, but it has markedly changed the group’s sound. Judging by their past few efforts, it’s almost hard to believe this is the same group that gave us … Continue reading
The Bias List launched at the beginning of 2016, making that year’s song countdown the first I published in any meaningful way. I’ve since gone back to look at 2015, 2013 and 2012 (hmmm… I guess I need to fill the holes that are left…). Now that it’s been almost six years, I thought it … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Seventeen’s newest album maintains the strength … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2022 Overall Thoughts So… we’re almost halfway through 2022 and…. hmmm. Compared to the songs … Continue reading
Seventeen’s fourth full album was preceded by their first English-language single Darl+ing, released last month. That song felt very much like a placeholder, as many pre-releases tend to be. Now that anticipation has been built, it’s time for the main course. With Hot, the guys are back with a harder-edged hip-hop track (what else is … Continue reading
It seems every big K-pop group must have their English-language single these days — or at minimum a song directly targeted toward international markets. This is an exciting development for many, but it comes with its own challenges. I don’t begrudge K-pop artists’ global success. I just hope they find it on their own terms … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
The Bias List // K-Pop Reviews & Discussion 