It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new mini album, Aura! Check back each day of the week as I make my way through the five new songs. 1. Aura (Intro) // 2. Replay // 3. Knocking On My Door // 4. 3! 6! 5! // 5. Purpose // … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new mini album, Aura! Check back each day of the week as I make my way through the five new songs. 1. Aura (Intro) // 2. Replay // 3. Knocking On My Door // 4. 3! 6! 5! // 5. Purpose // … Continue reading
With retro synth emerging as a dominating trend of the past few years, it’s been interesting to see which groups fit it naturally and which feel shoe-horned in. Exile Tribe’s Fantastics have totally suited the sound – so much that I hardly want them to stray from it! 2020’s High Fever ended up becoming a … Continue reading
One of the most frustrating things about this era of K-pop is that — with all its sonic and producer shifts — there aren’t many groups I can count on to consistently release music I’ll love. It can feel like a total grab bag, and after Golden Child’s regrettable Japanese discography earlier this year I … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m still processing the fact that, … Continue reading
Kick around this K-pop blogospere for long enough and you’ll eventually get to write about the return of a true legend. Forever 1 celebrates Girls’ Generation’s fifteenth anniversary – a huge milestone for any idol act. I know I’m not alone in counting the group among the most foundational forces that cemented my love for … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. If I’m posting a “buried treasure” … Continue reading
Around 2015-2016, K-pop saw a boom of what most would call wistful, “cutesy” girl groups. On its face, this description feels a bit reductive, but the music itself was universally strong. Lovelyz, April, Laboum… early GFriend! These groups delivered a headrush of candy-coated pop hooks that emphasized vocal ability and sweeping, soaring melody. It’s a … Continue reading
One of the nicest things about summer break is having the time to catch up on music from markets I love but don’t always follow with as much discipline as K-pop. Ado’s New Genesis (新時代) may have been released last month, but I’d be remiss not to write about it regardless of how many days … Continue reading
After last summer’s delightful Hello Hello, Snow Man have returned with their newest summer single Orange Kiss (オレンジkiss), which also serves as the theme to leader Iwamoto’s new movie. I haven’t been shy about my admiration for Snow Man’s music. Their personality and charm enhances every song, but the music is no slouch on its … Continue reading
I saw a headline somewhere that referred to Naniwa Danshi as “glitter idols,” and that’s probably the best moniker you could use to describe them. Johnny’s has opted to give them a classic idol concept, complete with over-the-top costuming that’s popped right out of a manga. It’s not remotely trendy, but that’s the point. A … Continue reading
After eight months without a comeback, SF9 have returned as SF6. Such is the reality for K-pop’s boy groups, who must juggle military enlistments as their career matures. But, that’s beside the point because the guys have finally stepped out of their moody, sensual style and embraced sunny summertime pop! They’ve delivered an entire album … Continue reading
Only a fraction of K-pop groups last beyond their initial seven-year contract, but Super Junior are still going strong after seventeen (!) years. I’d wager that’s longer than the age of many K-pop fans, and it’s a legacy that should be respected. The group is currently in a phase where they just release what they … Continue reading
King & Prince have proven themselves a versatile group, but not in a way that feels unfocused or slapdash. Instead, they’ve been able to dip into several genre pools and develop each as their career has grown. We’ve got the fizzy pop tracks (Cinderella Girl, Koi Furu Tsukiyo ni Kimi Omou), the sleek dance pop … Continue reading
Wonho continues to be one of K-pop’s most consistent soloists, taking the reigns of his career by co-composing his work. This gives his music a sense of authenticity, but not the kind of “sit in the corner of a coffee shop with your guitar” authenticity that often colors our idea of a singer-songwriter. You can … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Sexy Zone boast a wide gap between the cringiness of their group name (you’ll grow to love it!) and the quality of their output. Run is easily my favorite song so far this decade, but it’s only one of many strong singles. The guys are especially adept at retro concepts, and their new album The … Continue reading
Astro were one of my first musical obsessions after creating this blog. Their debut year delivered pop classic after pop classic, only to culminate in the brilliantly bright, brilliantly melodic Dream Part One album in 2017. Can you believe there was a time when both they and GFriend were reliably releasing Iggy/Youngbae-produced bangers? I miss … Continue reading
In honor of Kis-My-Ft2’s complete videography being uploaded to YouTube (in edited form, of course…), I can’t resist writing about each single. To put this in context for Bias List readers, Kis-My-Ft2 (or Kisumai, as they’re often known) are my J-pop version of Infinite. That’s how much I love them and their discography. Yet, I … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TXT have already broken sales records … Continue reading
The Bias List // K-Pop Reviews & Discussion 