One of my biggest K-pop new year’s wishes was that boy groups would ditch the moodiness and go brighter, so I was delighted when it was announced that Big Hit’s new group TXT would debut with an upbeat, youthful concept. Based on agency clout alone, the guys were destined for massive out-of-the-gate success — the … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. One of my favorite genres of all time is dance rock. … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Sometimes buried treasures come from the most unexpected of places (I … Continue reading
Songs like Wake Up are easy to dismiss. They’re too catchy. They’re not self-serious enough. They have no redeeming artistic value. These are the kinds of criticisms that define what are considered “guilty pleasures” by many, and this outlook has been drilled subconsciously into my thinking as well. And yet, when I imagine the kind of … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Astro have taken a slightly more mature turn on their new … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Before I even knew what pop music was, I was obsessed … Continue reading
2018 was a whirlwind year for Pentagon, presenting great achievements and unexpected tailspins. Their career trajectory in Korea seems impossible to predict, but they’ve come roaring back with their first original Japanese single. And Cosmo is a doozy. The song is completely confounding on first listen, and sounds nothing like any music the group has recorded … Continue reading
