Though they’ve delivered a standout b-side or one-off colab here and there, I haven’t enjoyed a title track from The Boyz since 2020’s The Stealer. I love the guys and think they’re incredibly talented (especially when it comes to performance), but at a certain point that isn’t enough. If an act consistently lacks the kind … Continue reading
Upon the announcement of its official closure, I joked about owing K-pop’s Universe app a proper obituary. But the more I thought about it, the more I realized that I really do need to document the demise of this longstanding frenemy. During its brief existence, Universe promised creepy AI-generated idol interactions (or so I’m told). … Continue reading
To be honest, you may or may not see recaps for future end-of-year festivals this December. I’d like to write about all three big nights if possible, but over the past few years these events have become so boring and predictable. Basically, acts emerge with some dramatic intro (swords, pyrotechnics, flags, etc) before performing a … Continue reading
The Boyz have had a packed 2022, but only a small fraction of the year was spent promoting a Korean comeback. To tide us over until the next release, they’re back with a special single on the anniversary of their 2017 debut. Yes, we’ve officially entered the month of fan songs and holiday fare. Last … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2022 Overall Thoughts First off, I want to recognize Korea’s national period of mourning and … Continue reading
Looking back over the past two years, The Boyz’ strongest material hasn’t been promoted as title tracks. There have been a number of missed opportunities – songs deserving of a bigger audience. Last Man Standing continues this pattern. As a collaboration with the TI League Of Legends team and DJ/producer Raiden, the track might pass … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
One of the coolest things about the KCON concert is that it stretches across multiple nights. If you get the combo tickets, you’ve got two days of artists to look forward to. By Sunday, things feel familiar. You’ve got your same seat but there’s a different roster waiting to perform. I was a little frustrated … Continue reading
Oh, The Boyz. There isn’t a current K-pop act that frustrates me more. I love this group. They have so much potential and heaps of global popularity. Yet ever since the brilliant The Stealer, they’ve been stuck in the opposite of an “imperial phase.” It feels all-but impossible for them to release a killer title … Continue reading
August 2022 is turning into a repeat of August 2021, with many of the same acts making comebacks. The Boyz are one of these groups, set to release their newest mini album in about a week’s time. Before that, they’ve delivered pre-release track Timeless. It’s a pleasant, fan-servicey mid-tempo that suits the season. I think … Continue reading
“Sweet,” you say? Universe app, you say?? I think it’s time for a recipe: Hooks 7 Production 7 Longevity 8 Bias 7 RATING 7.25 Continue reading
It’s been a dispiriting run of boy group tracks this year. Musical diversity has taken a backseat to cut-and-paste sameness. Same beats. Same attitude. Same bluster. It’s becoming a real challenge to write about these songs in new ways. There’s nothing to analyze or wonder about, and the songs are so stitched together by corporate … Continue reading
I don’t often write about K-pop’s many OST releases, but The Boyz have filmed an entire music video for their new track Echo. The song supports the Solo Leveling webtoon, and encapsulates my general feelings about The Boyz: they’re an immensely talented group with charisma to spare, too often let down by subpar material. This … Continue reading
We’re down to the wire now with K-pop’s final year-end festival. MBC’s show is usually my favorite. It feels the most festive, bridging the gap between New Year’s Eve and New Year’s Day. It also tends to have the most robust artist line-up. Like every festival of the past two years, this one revolved around … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
Whenever groups make a quick comeback (less than three months in The Boyz’ case), I want to assume it’s because they found an incredible track and simply can’t wait to share it with the world. Ah, wouldn’t that be nice? Honestly, The Boyz are in need of a killer comeback. Their sales and popularity may … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Unsurprisingly, The Boyz’ Thrill Ride has … Continue reading
The Boyz have enjoyed explosive growth in popularity over the past few years, buoyed by appearances in shows like Kingdom and Road to Kingdom. Unfortunately, this seems to have slowed the progression of their once-prolific release schedule. The guys’ last comeback happened nearly a year ago, when The Stealer impressed with its dynamic arrangement. New … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2021 Overall Thoughts Well, July was… interesting. And by “interesting,” I mean unimaginably dull. Other … Continue reading
Up to this point, music released through the Universe app has felt extraneous to an artist’s discography, making its restricted music videos less frustrating. Still, I’m surprised by just how much content this platform is churning out. Whoever’s funding this launch seems to have an unlimited budget, releasing glossy videos almost every week. The latest … Continue reading
The Bias List // K-Pop Reviews & Discussion 