At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2019 Overall Thoughts So… I don’t actually have a “top three songs” of September. I … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Not only have Twice steadily been refining their sound in 2019, … Continue reading
Twice have had a transformative 2019 so far, embracing a more refined sound while maintaining their immense popularity. Fancy has slowly become my most-played title track from the group, eclipsing their iconic 2016 work. Time will tell if new single Feel Special will overtake that spot, but the song makes a great first impression. By … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2019 Overall Thoughts Well… June happened. The K-pop gods giveth and they taketh away, and … Continue reading
Paired with the more uncharacteristic Breakthrough, Happy Happy is one half of a double-sided blitz from Twice’s upcoming Japanese promotions. The two songs come together to represent contrasting moods for both hot summer days and steamy summer nights. As you might have guessed from its title, Happy Happy is dedicated to fun-in-the-sun excitement, and falls … Continue reading
With a title like Breakthrough, you better have the goods to deliver. Thus far, Twice’s Japanese material has ranged from fair to frenetically frustrating. Last year’s BDZ hinted at some musical progress, but their immense popularity doesn’t exactly spawn motivation to change. More than a breakthrough, the group needs to take a sledgehammer to their … Continue reading
