1. Atmos // 2. Hours // 3. Possibility // 4. Anti Believer // 5. Still Raining // 6. Thousand Miles Away STILL RAINING We’ve now reached the portion of the album where things slow down. SHINee are on my very short list of K-pop groups with great ballads, so a slower song is nothing to … Continue reading
1. Atmos // 2. Hours // 3. Possibility // 4. Anti Believer // 5. Still Raining // 6. Thousand Miles Away ANTI BELIEVER ATMOS‘s first four tracks form an all killer, no filler suite of stylish dance music. Like the album’s teasers promised, it’s a whistlestop tour of genres SHINee have mastered. However, each song … Continue reading
1. Atmos // 2. Hours // 3. Possibility // 4. Anti Believer // 5. Still Raining // 6. Thousand Miles Away POSSIBILITY A song like Possibility, with its uplifting lyrics, could easily come across as cheesy. Yet something about SHINee’s layered vocal adds gravitas that makes the song feel much more transcendent. It’s not my … Continue reading
1. Atmos // 2. Hours // 3. Possibility // 4. Anti Believer // 5. Still Raining // 6. Thousand Miles Away HOURS This mini album was billed as a showcase of SHINee’s signature charm, which is really a gift for fans. If an act has mastered a sound or genre, there’s no reason not to … Continue reading
Plenty of K-pop acts have imperial phases that last a year or two, but very few maintain such a stellar track record as SHINee’s. Apart from the (very) occasional misstep, they’ve been churning out K-pop classics since 2008. Their comebacks are far more infrequent these days, but a new SHINee album is still guaranteed to … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Onew’s prolific streak as a solo artist continues with another mini album. His solo work has largely shifted between ballads and quirky (but subdued) dance tracks. New single Tough Love splits the difference, moving between moments of vocal heft and jagged electronic breakdowns. At the very least, this music is more interesting than what most … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Rather than deliver a fleet of notable idol group comebacks, this month has been the realm of solo releases that don’t require much promotion from pre-empted music shows. The latest on the docket is SHINee’s Minho, who last released solo work just over a year ago. Here, he’s promised us dynamic things with the song … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
When Taemin released his single Veil last week, I was surprised it wasn’t paired with a music or performance video. After all, he’s one of K-pop’s premiere visual artists, with choreography and sheer star presence often elevating the songs themselves. It turns out we just needed to wait a few days before that video materialized. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2025 Overall Thoughts In the immortal words of BABYMONSTER: “Sheesh!” Based on recent history, I’ve … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
The Bias List // K-Pop Reviews & Discussion 