Being a relatively new genre, modern k-pop has few acts that could rightly be considered legends, but I think it’s safe to say that BoA fits the bill. Active for seventeen years now, she’s conquered not only Korea but most of Southeast Asia as well. And now that she’s fresh off her stint as the … Continue reading
After taking a mid-year review of 2017’s songs last week, it’s time for the albums. In a landscape shifting more and more towards the digital single, I’ve been a longtime proponent of the classic pop album. 2017 hasn’t given us all that many, but there have definitely been a few standouts. Here are my favorites … Continue reading
Though he got his start as a member of SMent sub-unit Super Junior M, Henry has become more widely known for his appearances in variety, dramas and as a solo artist. Lately, he’s seemed to take more creative control over his output, delivering a series of digital tracks that have helped to remind listeners that … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. NCT 127’s Cherry Bomb has already grown on me quite … Continue reading
Before the Bias List‘s Top 50 songs countdown in December, it’s time to take a mid-year survey of the k-pop landscape in 2017. Compared to 2016, this year has been somewhat underwhelming. But that doesn’t mean 2017 hasn’t had its share of highlights. Unsurprisingly, my list includes a number of acts that overlap with last … Continue reading
SM Entertainment doesn’t always get the credit it deserves when it comes to being a boundary-pushing agency. They’ve been blending genres and playing with song structure since the very beginning. Hits like H.O.T’s I Yah or TVXQ’s Rising Sun still feel miles away from what we think of as “Top 40” radio fare. But these … Continue reading
At what point does a “joke” song become a “real” song? The last time comedy duo UV hit it big with a high profile collaboration was in 2011 with Itaewan Freedom featuring Park Jinyoung. That song is obviously intended as a parody of sorts, but it’s a dynamite pop track in its own right and … Continue reading
