Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though rookie group ONF’s discography may be small, they’ve been on … Continue reading
As we move into July, we’re entering K-Pop’s third quarter of releases for the year. As always, it’s a good time to take stock of what 2018 has offered so far. Back in early spring, I remember feeling pretty pessimistic about this year’s singles, but I’ve actually been able to compile a strong mid-year list. … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2018 Overall Thoughts After two and a half years, it finally happened. June’s cumulative rating … Continue reading
As a massive fan of ONF’s debut mini album, it’s been frustrating to watch their follow-up delayed because of their involvement with YG’s failed survival series MIXNINE. Two of their seven members ended up “winning” a place in the program’s resulting project group, only to have the whole thing cancelled months after the series ended. … Continue reading
If any group was poised to give us a bizarre Orange Caramel-esque sub-unit, Oh My Girl has the resume. They come from an agency known for its quirky concepts, and the girls have already delivered a few themselves. But after the surprising success of January’s majestic Secret Garden, it’s a bit unexpected to make such … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
Over the past few years, B1A4‘s Japanese releases have become a welcome continuation of the sound they’ve established in Korea. The group self-produces almost all of their material, and that extends to music composed for the j-pop market. This has proven to be a treasure trove for fans like me, as it means more title … Continue reading
