I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
Compared to 2021, this year definitely felt weaker when it comes to albums. Mini albums faired better than full-lengths, but apart from a few mega-standouts, most K-pop releases took a piecemeal approach to their music — too often stuffing tracklists with a horde of different producers rather than settling on one unique vision. Like usual, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general K-pop fan-base. If you’re curious … Continue reading
One of this K-pop generation’s biggest mysteries is how Oh My Girl went from being a leading girl group to an act that barely gets promoted anymore. WM Entertainment has really dropped the ball with this one, and that fumble has extended to their musical choices. This spring’s Real Love was a breezy little bop, … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2022 Overall Thoughts First off, I want to recognize Korea’s national period of mourning and … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I was a super casual fan … Continue reading
We’ve seen quite a few post-IZ*ONE solo debuts over the past two years, and by-and-large they’ve been successful. In fact, former bandmate Kwon Eunbi also has a comeback today! Lee Chaeyeon’s visual teasers promised a Halloween-friendly concept, complete with religious iconography sure to raise the eyebrows of some listeners. But despite all this daring styling, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2022 Overall Thoughts Too often this year, my monthly round-ups have been… kind of a … Continue reading
With the release of their new special album, ONF have rewritten the rules for how boy groups handle military enlistment. I’m no expert, but I thought idol groups weren’t able to release music during enlistment because of laws related to wages and income. However, WM Entertainment had the foresight to record and prepare this material … Continue reading
Yesterday, I struck a disappointed note when rounding up this year’s strongest singles, and this albums list is going to be quite similar. 2022 has delivered some decent albums so far, but nothing close to a My Name/City Of ONF, Don’t Call Me/Atlantis, YES, Summer Queen, Gatcha or The Chaos Chapter: Freeze. In fact, I’m … Continue reading
So… here’s the thing. This mid-year singles list is usually reserved for songs that are all-but certain to end up in my top ten at the end of the year. If judging by the quality of past years, the songs below would most likely fall in the teens or twenties, meaning we’re either going to … Continue reading
The lines between music and advertisement have always been blurred in K-pop, making the industry’s CF track worth watching out for. In fact, I think last week’s Gatorade jingle was actually stronger than most official comebacks! The Pepsi/Starship collaboration continues with Blue & Black, bringing together Hyojung and Arin from Oh My Girl, Wonyoung and … Continue reading
One of the quirks of The Bias List is my hesitancy to give 10/10 scores right off the bat. I just don’t know that you can measure perfection on release day, nor do I think a perfect score is attainable without some time and experience. This approach doesn’t exactly jibe with “OMG SOTY” internet culture, … Continue reading
I’ve listed my “top tens” for many artists, but it’s time to rummage through entire discographies and rank every single from worst to best. This feature will primarily tackle groups who have disbanded or gone on indefinite hiatus. It’s a way for me to re-evaluate my initial thoughts on their singles run. Don’t be surprised … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Oh My Girl’s album is incredibly … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2022 Overall Thoughts I’m eager to write a super effusive, super excited monthly round-up. Unfortunately, … Continue reading
In a girl group landscape filled with bombastic beats and shouty sing-talk, Oh My Girl are a welcome outlier. Their career is filled with quirky highlights, harnessing memorable hooks to craft a sound that moves from ethereal to whimsical and back again. Increased popularity has stolen a bit of this unique identity, but with peers … Continue reading
Building off my “Most Epic Days in K-pop” feature, I thought I’d spotlight some of the most epic weeks in K-pop history. K-pop is usually a Monday through Friday affair (at least in my time zone), with some weeks stuffed to the brim with releases. But, not all include multiple 9+ rated songs. This feature … Continue reading
The Bias List // K-Pop Reviews & Discussion 