In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Though I’ve found their Japanese work hit or miss, I appreciate that ATEEZ have stuck with their core production team regardless of which music market they’re targeting. Whatever I may think of their discography on a song-by-song level, it’s very consistent. Limitless switches things up by changing composers, though members Hongjoong and Mingi retain writing … Continue reading
Upon the announcement of its official closure, I joked about owing K-pop’s Universe app a proper obituary. But the more I thought about it, the more I realized that I really do need to document the demise of this longstanding frenemy. During its brief existence, Universe promised creepy AI-generated idol interactions (or so I’m told). … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2022 Overall Thoughts December is historically a very slow month in K-pop, but every once … Continue reading
With 2020’s Answer, ATEEZ established a precedent for releasing excellent material under the guise of an “epilogue” (or in today’s case, a “spin-off”). This December has been severely lacking in notable K-pop comebacks, so I’m excited to have a big-name track like this pushing us into the new year. With that said, my passion for … Continue reading
Before I count down my top 50 J-pop songs of the year, I thought I’d blast you with a bunch of honorable mentions. J-pop can be notoriously difficult to find if you’re not already an active fan, and I figured readers who share my particular taste in music might appreciate having some extra recommendations. These … Continue reading
I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
ATEEZ may have only made one Korean comeback this year, but they’ve been more prolific in Japan. Following May’s release of b-side-turned-single Rocky, they’re back with Paradigm. This song leads re-recorded Japanese versions of tracks from their recent The World Ep.1: Movement mini album. I’d be remiss not to mention the huge missed opportunity in … Continue reading
After a three year hiatus, KCON LA returned in 2022 for its ten-year anniversary. The annual K-pop pilgrimage is back, and although none of my absolute favorite, tier one acts were attending, I couldn’t resist making the journey for the sixth time. As usual, I can’t “review” KCON because the experience is multifaceted and – … Continue reading
It’s been a long time since I published a “top ten” post, but who better to reignite the feature than one of this era’s most dominant forces? Debuting in late 2018, ATEEZ have clawed their way to K-pop’s A-list on the back of edgy, exciting music. As always, this list is comprised solely of title/promoted … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. If I’m posting a “buried treasure” … Continue reading
So far, ATEEZ’s work has been divided into series. Their debut-era Treasure series remains unrivaled in scope and quality. Follow-up Zero felt less narratively (and musically) cohesive, though it had its standouts. But, that’s all in the past. We find ourselves at the start of a new chapter with The World Ep.1. For years now, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2022 Overall Thoughts So… we’re almost halfway through 2022 and…. hmmm. Compared to the songs … Continue reading
No, this isn’t a version of ATEEZ’s Rocky performed in their boxers. This is a re-recorded Japanese take on the track that serves as the group’s latest J-pop single. As such, most of this review is simply a cut-and-paste of my “buried treasure” write-up from last year. However, I’m bumping up the bias rating just … Continue reading
The Universe app really needs to stop releasing these random tracks so I can stop with my tradition of off-kilter reviews. It’s getting harder to come up with new ideas! In short, I appreciate how Don’t Stop pairs ATEEZ with their usual collaborators. It makes it feel less like a cash-in and more like an … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2021 Overall Thoughts After spending the past few weeks counting down everything under the sun … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
ATEEZ have been very intentional when it comes to their album series. Treasure had a beginning, middle and end, and Fever has followed the same approach. Kicking off in mid-2020, this project has sprawled across seventeen months. Now, we’ve reached its “epilogue” – an odds-and-ends release that wraps up the era. We heard pre-release title … Continue reading
The Bias List // K-Pop Reviews & Discussion 