With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I always expect Taeyeon albums to be 100% ballads, and I’m … Continue reading
It’s been over two years since Taeyeon’s last full-length album, and in that time her discography has grown in drips and drabs — a holiday album here, a Japanese mini album there. Judging from her concerts, she’s been sitting on a lot of her new material for awhile, making the release of Purpose highly anticipated. … Continue reading
I’ve always considered Into The New World (다시 만난 세계) as the unofficial dawn of K-pop’s second generation. Yes, there were plenty of second-gen stalwarts who debuted earlier (TVXQ, Wonder Girls, Bigbang, Super Junior, etc), but World just feels like the turning of a page. Back in 2007, K-pop had a much stronger Japanese influence … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Hyoyeon’s transformation into an EDM DJ initially felt like a gimmick, but last year’s addictive Punk Right Now proved that she was willing to have fun with the genre. With Badster, she delves deeper into the scene, offering a convincing dose of psytrance that throws much of its focus on crafting a high tempo instrumental. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
How to review a song like Summer Night (여름밤)? I deliberately steer away from this kind of subdued acoustic-pop because there’s just not much to write about it. Yes, this is a song. Yes, it has some vocals and a melody and even some instruments. And yet, I come away from Yoona’s new single feeling … Continue reading
Taeyeon made her solo Japanese debut last year with the pretty — but extremely safe — Stay. That song jettisoned the funky backbone of Korean single Something New for straightforward, feel-good balladry. Judging from new single Voice, this middle-of-the-road pop style seems to be her go-to J-pop sound. There’s nothing wrong with a little adult … Continue reading
It’s been a long wait for new material from Taeyeon, and even longer since she’s actively promoted in Korea. With the release of digital single Four Seasons (사계), it doesn’t seem as if that promotional lull will end any time soon, but it’s nice to hear her voice again. The song arrives just over two … Continue reading
I rarely get a chance to talk about K-pop’s music videos, even though they are without a doubt one of the industry’s most important facets. A dynamite video can really make a song stand out, and the following ten clips brought memorable visuals and storylines to the year’s K-pop offerings. + Make sure to check … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2018 Overall Thoughts November is always packed with comebacks, but rarely have we seen one … Continue reading
Earlier this year, I spent much of my review of Hyoyeon’s first DJ HYO track bemoaning its lack of structural risk-taking. It slavishly followed the standard EDM, beat-drop archetype. And the thing is… new single Punk Right Now kind of does the same thing. Yet, the song takes this formula and makes it memorable with hard-hitting, percussive … Continue reading
Though Girls’ Generation don’t often promote as a full group anymore, SM Entertainment has leveraged their success for a variety of solos and sub-units. This has mostly consisted of albums by leader Taeyeon, but now it’s time for Yuri to take a shot at solo stardom. Apart from her work with the group, she’s found … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2018 Overall Thoughts September’s usually a pretty slow month, with the Chuseok holiday holding back … Continue reading
When last year’s contract negotiations ended with three of its members leaving SM Entertainment to pursue other endeavors, the future of Girls’ Generation seemed to be in flux. The group could have easily seen their tenth anniversary as a natural ending point and went their separate ways. But lucky for us, Girls’ Generation is back … Continue reading
In just a few short years, Taeyeon has gone from being the leader of Girls’ Generation to one of SM Entertainment’s most bankable solo stars. And with the recent arrival of her Japanese debut, she’s released just enough singles for a top ten list. Now, my favorite Taeyeon song of all time happens to be an … Continue reading
