K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
It feels weird writing a standard “song review” post on the same day as posting my top K-pop songs of the year. Kind of a comedown, honestly! That’s not a dig at Jessica or Amber, who have each been part of my favorite K-pop tracks of all time. It’s kind of interesting seeing a collaboration … Continue reading
Though she’s featured in SM Entertainment’s super group Got The Beat and made a successful return with Girls’ Generation last summer, it’s been a long wait for new solo music from Taeyeon. It’s hard to believe INVU was nearly two years ago! Now, she’s back with a new mini album and title track To. X. … Continue reading
When it comes to her solo work, Girls’ Generation’s Hyoyeon has offered a sampler platter of dance genres. With new single Picture, she’s moved into dancehall sounds. This is a good match for her charismatic performance style, and she imbues an otherwise simple track with plenty of character. Picture has a dark, mysterious magnetism. Its … Continue reading
The annual Bias List Legendary Songs Inauguration Ceremony has returned! Yes, I’m a few months late on this, but it’s been a busy year of new releases and I was waiting for an empty day to compose this feature. It’s exceedingly rare for me to award any song a 10-out-of-10 rating on release day. Instead, … Continue reading
January-February 2008 Overall Thoughts I’ve decided to revive a popular weekly feature, but with a twist! In addition to my monthly K-pop round-up, I’ve taken a look at my favorite three singles from each month since 2009 and factored them into my ultimate Bias List scorecard, which can be found here. The problem is, prior … Continue reading
There are still two more countdowns to come (Top 40 pop songs and Top Dramas), but now that the K-pop-specific lists are complete it’s time to add up the categories and find out which comebacks ranked strongest overall. From a pure numbers standpoint, I guess this is the most important list I’ll publish! Just like … Continue reading
I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
Compared to 2021, this year definitely felt weaker when it comes to albums. Mini albums faired better than full-lengths, but apart from a few mega-standouts, most K-pop releases took a piecemeal approach to their music — too often stuffing tracklists with a horde of different producers rather than settling on one unique vision. Like usual, … Continue reading
Kick around this K-pop blogospere for long enough and you’ll eventually get to write about the return of a true legend. Forever 1 celebrates Girls’ Generation’s fifteenth anniversary – a huge milestone for any idol act. I know I’m not alone in counting the group among the most foundational forces that cemented my love for … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
For better or worse, I don’t immediately associate Taeyeon’s solo career with dance tracks. So, when it was announced that new single INVU would have house influences, my ears perked up. A vocalist as powerful as Taeyeon would make a natural fit for a big club banger. But, INVU takes a different approach, painting a … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Ahead of a full album next month, Taeyeon is back with pre-release single Can’t Control Myself. Pre-releases have been a longtime tradition in her solo career, with many of them standing as discography highlights. If Can’t Control Myself is any indication, we’re in for another set of emotional pop tracks. Taeyeon has one of the … Continue reading
Several years after launching their ambitious SuperM project, SM Entertainment has developed a similar strategy for their female artists. From what I can gather, Girls On Top will encompass multiple mix-and-match units. First up is GOT The Beat – a performance unit comprised of BoA, SNSD’s Taeyeon and Hyoyeon, Red Velvet’s Seulgi and Wendy, and … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
The Bias List // K-Pop Reviews & Discussion 