Before there was Gugudan, there were Sejeong, Mina and Nayoung, who made a splash during the first evaluation of Produce 101 season one. Their performance unleashed vocal firepower, but their work in Gugudan has mostly failed to show this off. However, that’s what sub-units are for. On one hand, the fact that Gugudan has spawned … Continue reading
During the years of 2013 and 2014, VIXX delivered a string of hits that, taken together, represent one of modern k-pop’s strongest imperial phases. This isn’t to say that their post-2014 material is bad (Dynamite and Chained Up would certainly argue to the contrary), but over the past two years their sound has taken a … Continue reading
Looking back on my past reviews of Gugudan’s discography, I’ve been a little hard on the group. I’ve never actively disliked one of their songs, but every time they make a comeback I feel like they’re failing to live up to their potential. The “series of theatrical acts” conceit that fuels their music is wonderfully … Continue reading
Boy group VIXX has settled into a comfortable stability, having cultivated a sizable fan base that seems pretty committed to supporting them. But there’s still room to go higher, as last month’s viral MBC Gayo performance proved. Just because a group has established themselves doesn’t mean they should stop challenging new things. Part of that … Continue reading
MBC’s Gayo Daejejun had the best theme of the three end-of-year specials, and as usual it had the most stacked line-up. But I can’t help but feel like it lacked the kind of watercooler moments that make these specials so thrilling. The idea of pairing idol groups with fans resulted in some really endearing performances. … Continue reading
K-pop is a highly visual medium, and although my song reviews try not to focus on the accompanying music videos, I certainly have my opinions! Here are my top ten visual moments of 2017, along with quite a few incredible honorable mentions. + Make sure to check out the rest of the year-end countdowns here! … Continue reading
Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Big Hit … Continue reading
