BLACKPINK members are very busy with their solo releases at the moment. Jennie just dropped a digital EP last week, Jisoo’s back later tonight and Lisa has returned with new single SaWaDiKa. This title is a stylized version of the Thai greeting “sawasdee ka”, but in Lisa’s hands it becomes another opportunity to regale us … Continue reading
As is often the case with Japanese tracks, izna’s Dumb Hot! was released a few weeks before its music video. Sometimes, that offers the chance for a song to ingratiate itself without visuals setting any concrete expectations, but there’s not enough song within Dumb Hot to succeed on its own. To put it bluntly, there … Continue reading
TUNEXX made their debut earlier this year… or so I’m told. Gun to head, I couldn’t tell you a thing about that song or the group in general, but that’s why having this blog is such a useful record. It looks like I did not enjoy their debut single I’m Alive at all, but also … Continue reading
WAYF BOYS are one of the new-gen groups I’m increasingly unsure fit within the realm of “K-pop.” Yes, they’re from a Korean agency and yes, their members are Korean/Korean-American, but their music so far has been performed in English and feels targeted to an international audience. As such, the standards with which I approach a … Continue reading
Even if I haven’t loved every ALL(H)OURS single, I’ve appreciated the group’s energy and willingness to deliver cheesy, over-the-top hooks. Their songs often have a second-gen appeal wrapped up in modern aesthetics. It’s disappointing, then, that pre-release Hop sounds more like an ATEEZ reject. With the repetitive, monotone Bad currently ruling the charts (for some … Continue reading
Whenever I see that girl group X:IN has a new comeback, I know I’m in for something… interesting. In this case “interesting” does not equate to “good,” as they’re one of the lower-ranked groups on this blog. Somehow, their music almost always manages to self-sabotage, showing promise before doing something bizarre to mess it all … Continue reading
Do you ever wonder how a song would sound if it was half asleep? Are you hoping for something so boring that it will actually put you to sleep? Well, idntt has just the song for you with their new “track video” Deep Dream. The hints are right there in the title. You will be … Continue reading
When the tracklist for Picheolin’s “debut” album was released, I was excited to see the name “Hitchhiker” on the credits for its title track. The visionary producer doesn’t seem to work on much material these days and his out-of-the-box thinking is always appreciated. However, with each pre-release track released under this alter-ego schtick, it became … Continue reading
There’s something to be said about promoting your entire album with music videos, but there’s also a reason why some songs are meant to be b-sides and some are chosen as singles. In BABYMONSTER’s case, it’s a matter of personal taste. I didn’t care for title track CHOOM at all, but the summery sounds of … Continue reading
For every exciting sonic statement of intent from Jennie, we seem to get at least two dull tracks that attempt to shoehorn her into current pop trends. The trouble is, “current pop trends” tend to be incredibly beige these days. I recently had a revelation about the pop industry as a whole. Rather than take … Continue reading
It’s the battle of the 8s this week, with 8TURN coming back yesterday and LUN8 waiting in the wings today. I don’t think these two groups have anything in common beyond the number in their name, yet I link them together because both feel completely malleable in sound. If you asked me what a LUN8 … Continue reading
Last week, Seventeen’s Dino delivered his first work as alter-ego Picheolin. A few days ago, the tracklist for his album was revealed and I became most interested in its title track produced by the elusive K-pop genius Hitchhiker. Hopefully that song is more than a simple schtick, because today’s pre-release Micheo Micheo (미쳐 미쳐) feels … Continue reading
OURBIRTHDAY will eventually be a seven member group under JYP subsidiary INNIT Entertainment, but they’re rolling out their members in waves. The first three (Hyejin, Achiraya and Baby — yes, you read that last one right) have made their debut today with pre-release single Hungry (Side A). If this were truly my birthday, I’d be … Continue reading
I’ve resisted writing about JYP Entertainment’s GIRLSET until now because they only have the slightest connection to K-pop and I haven’t cared enough about their music to have much to say. However, it’s a slow day/month/year and the group is set to promote this new song on Korean music shows, so it feels like the … Continue reading
As someone with summers off, “Forever July” sounds like a pretty good proposition to me. However, this July in K-pop hasn’t been particularly exciting so if we’re talking about the music alone I’m ready to move on to greener pastures. Sunmi’s Forever July might as well be called “Forever NewJeans” because it’s the latest in … Continue reading
Unexpectedly, the summer of 2026 is becoming the summer of Kara. Just last week, buzzy group RESCENE released a note-for-note cover of their 2008 hit Pretty Girl and now Young Posse have delivered a song built on a sample of the 2009 blockbuster Mr. While it’s nice to be reminded of K-pop classics, I wish … Continue reading
This isn’t a uniquely K-pop issue, but I keep waiting for a male pop star to pick up the mantle of showmanship previously held by such titans as Michael Jackson and Prince. K-pop used to be a haven for this style of virtuosic pop star with ambitious artists like Taemin, but the new gen seems … Continue reading
AOMG’s hip-hop girl group Keyveatz made their pre-debut back in April, setting the stage for today’s full debut. I couldn’t tell you much about that earlier track beyond that fact that I didn’t enjoy it, and OXY‘s title brings to mind the slang term for the well-known opioid that’s caused a wave of addiction over … Continue reading
It’s been one step forward, two steps back with ATEEZ lately. After a promising 2025, a pair of early-2026 tracks succumbed to some of the group’s most frustrating instincts. That slump continues with new title track Bad, which lives up to its name. I mean, this review almost writes itself, right? Replace the “she’s” in … Continue reading
It’s unusual for a member of a popular K-pop group to cut ties before contracts are up, especially if they stick with the agency to promote as a soloist. From all accounts, Heeseung’s departure from ENHYPEN could be chalked up to creative differences. He wanted to release the music he was into. This begs the … Continue reading
The Bias List // K-Pop Reviews & Discussion 