At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
If you don’t count G-Dragon’s 2024 collaboration with bandmates Taeyang and Daesung, I haven’t written about a new Bigbang track since 2022. This makes BiiiG a pretty big deal, but also a bittersweet one. The band has now been cleaved down to three members, making this feel more like a sub-unit than a long-sought reunion. … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2026 Overall Thoughts While May wasn’t quite as stuffed with highlights as April, it was … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Taeyang’s new album is a mixed bag of styles, with few of them fully-realized in the way his best work has been. The strongest material hearkens back to eras past while infusing its sound with more modern touches. Such is the case with Would You, which feels like a long lost 2000s Taeyang track while … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Even when Bigbang were at their commercial peak, solo efforts by the members were just as important and oftentimes even more popular. In particular, G-Dragon and Taeyang ruled the zeitgeist with their respective hits, and even a decade (or more) later that nostalgia comes rushing back as soon as I hear their voices. Taeyang has … Continue reading
There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
After many, many years, T.O.P finally released his full debut solo album last week. Listening through, it’s the kind of work I admire even if I don’t personally enjoy. He’s always had an idiosyncratic approach to hip-hop that I believe works better in small doses as part of a larger group. However, fans of his … Continue reading
T.O.P made his solo debut all the way back in 2010 as part of a dual project with fellow Bigbang member G-Dragon. Since then, he’s hardly released any solo music and eventually wound up leaving the group altogether to focus on acting. Given this, it’s a bit surprising that — sixteen years later — he’s … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In addition to his career as a singer, Daesung has continued to be a reliable variety star — especially with his own YouTube series. This takes advantage of his jovial side, which wasn’t always allowed to flourish as part of his group’s more serious hip-hop work. After a serious comeback of his own earlier this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2025 Overall Thoughts Oof. What a month. K-pop in 2025 hasn’t been overwhelmingly awesome so … Continue reading
Over the past few months, G-Dragon’s variety series Good Day has aired globally on Disney+ alongside its Korean terrestrial broadcast. I watched the first episode, but as much as I enjoy G-Dragon as an artist I find his current iteration quite uncomfortable as a TV personality. But even from one episode, I got the gist … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Bigbang’s Daseung has been plugging away at his solo career during the past few years, but his most notable turn came as a guest artist on G-Dragon’s chart-topping Home Sweet Home. The thirst for a Bigbang comeback is real, even if it means seeing the group as a trio. While we wait for that possibility, … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
The King of K-pop has graced us with two new music videos on the day he returns with his first solo album since 2017. We’ve already heard the funky Power and nostalgic Home Sweet Home, and today’s stark Drama offered another nuance in his artistic palette. For the Anderson .Paak-featuring Too Bad, it seems all … Continue reading
The Bias List // K-Pop Reviews & Discussion 