K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Hyoyeon’s solo reinvention as “HYO” (DJ HYO, if you’re nasty) has been an uneven ride so far. She’s delivered a few stellar tracks (Punk Right Now, Badster), while others have relied more of guest collaborators. Second pairs her with buzzy soloist BIBI and opts for a percussive sound targeted at summer. While many of the … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Congratulations to SHINee’s View! With 62.3% of the vote, the song triumphed over Red Flavor and moves onto the semi-final. Even though the result wasn’t as close as I thought it would be, this was still a very tough match. I hate to see Red Flavor go, but I’m delighted for View. Today, it’s the … Continue reading
Despite being best known for her ballads, some of Taeyeon’s most enduring work has spawned from daring musical turns. Songs like Something New and I Got Love harnessed rhythmic energy that helped them standout. New single Weekend brings Taeyeon to the disco, blending dance pop elements with laidback city pop inspirations. The result is appealing, … Continue reading
Congratulations to f(x)’s Hot Summer! It was a tight match yesterday, but the girls edged it out with 52.8% of the vote. That’s three SM victories in a row! Will we have another after this round? Today, it’s the battle of the girls. Literally. Will they have a day… or a whole generation?? It’s Girls’ … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
Over the years, perfectly-scored, 10/10 songs have developed a sort of mythical status on The Bias List. I didn’t intend for this to be the case, but my hesitance to give full marks on release day has resulted in the concept of a “legendary song.” Last year, I inaugurated a handful of songs into this … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! March … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! January … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
As part of my “Top 100 K-pop Songs of All-Time” countdown, I took the effort to dive deeply into my top ten picks and break them down moment by moment. But, there are plenty of other songs that deserve this same treatment. So, The Bias List proudly presents an in-depth feature: “Breaking Down the K-pop … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! March … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! January … Continue reading
Though Taeyeon is still an idol performer by definition, her music has slowly transitioned to sounds I would expect from independent artists. While this has garnered her credibility in many circles, it’s not the type of thing I tend to gravitate to. It’s been over a year since a new Taeyeon release has really sparked … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
