Even when Bigbang were at their commercial peak, solo efforts by the members were just as important and oftentimes even more popular. In particular, G-Dragon and Taeyang ruled the zeitgeist with their respective hits, and even a decade (or more) later that nostalgia comes rushing back as soon as I hear their voices. Taeyang has … Continue reading
JYP Entertainment has been on a roll this year and as the agency released great song after great song I made a silent prayer that one of those great songs would make it to ITZY. I’ve always liked this group, but my interest in their music has waxed and waned as they struggled to find … Continue reading
A new era begins today as ZEROBASEONE make their first comeback as a newly-reconfigured five-member group. We’ve seen this approach before with Kep1er, but this situation has an extra layer of interest because the remainder of the (former) group will be re-debuting as AND2BLE in a week’s time, setting up showdown of sorts. With this … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. YOUNITE came out of nowhere with … Continue reading
Along with what feels like half the K-pop industry, Fifty Fifty are making their comeback on June 1st. Before that, they’ve cobbled together a special video for pre-release Starstruck. This video also functions as a teaser for their upcoming drama After-School Exorcism Club. Since debut and re-formation, Fifty Fifty’s style has run the gamut but … Continue reading
SeeYa were a vocal-focused trio active from 2006 to 2011. They were a big part of the K-pop landscape at the time, but not an act I’ve ever featured here since their promotional time ended before the blog began. However, the ladies have reunited for their twentieth anniversary, unveiling a new full album and title … Continue reading
The Boys II Planet series continues to spawn new acts and today we have the debut of duo FLARE U. This team consists of Chuei Li Yu and Kang Woo Jin, both under FNC Entertainment. It’ll be interesting to see if this becomes a longtime configuration or if the agency will eventually try to fold … Continue reading
Whether he’s with the group or not, Park Jinyoung’s always going to have that “GOT7” tag next to his name so that we don’t mistake him for JYP founder Park Jinyoung. I know it’s a common name, but I still think it’s amazing that there were two of them in the same agency! This Park … Continue reading
Weeks after labelmates DXMON made a surprise return, H Music Entertainment’s “get our artists out of the dungeon” series continues with a new song from girl group WOOAH. The group rebranded in 2024 but haven’t released anything since then. The rock-tinged WXW (Wish With W) tries its best to get things back on track. I … Continue reading
A&R teams are the unsung powerhouses of K-pop and in my mind Woollim Entertainment had the best, most consistent ear for picking great songs. That’s one of the reasons it’s been so depressing to watch the agency fold into obscurity. I’m still not certain they’re equipped to make a full comeback, but today we’ve got … Continue reading
Since their debut in 2022, YOUNITE has been one of those groups with little consistency across their discography. I’ll love a song, then I’ll hate a song, then I’ll love a song again. But when they hit the mark, their music can be fantastic. Fortunately, we’re in one of those eras today with new single … Continue reading
Amidst the hottest artists of the moment making comebacks today, we have a K-pop veteran in the mix. Rain hasn’t released new material in awhile, but his name still carries weight within the industry. He’s even been able to rack up a viral hit every now and then, though it’s been some years since his … Continue reading
Fresh out of the military, NCT’s Taeyong is gearing up for the release of his new album next week. He’s one to offer many different pre and post releases, filming content for a number of tracks. Storm gets a “classy performance video” today, meaning it gets a truncated review on this blog as well. I’m … Continue reading
Rookie group LNGSHOT have been making a name for themselves this year, with many anticipating their first comeback. There’s a certain sliver of the K-pop landscape that seems to reject classic idol tropes in favor of acts who feel a bit more rough around the edges. This usually means adopting hip-hop posturing as a show … Continue reading
I was pretty harsh on Cortis’s debut-era music, but the truth is most of those songs have grown on me. I wouldn’t go out of my way to listen to them, but I understand the overall appeal. And with last month’s REDRED, the group tiptoed into a sound that could prove quite unique and compelling, … Continue reading
Some songs are instant hits while others take time to fully reveal their charms. Neither approach is better than the other as long as a song enjoys longevity, but the latter category is more difficult to write about on this blog. For whatever reason, almost all of NMIXX’s songs have been slow-burn successes rather than … Continue reading
There was a time when a collaboration between artists like aespa and G-Dragon would have seemed almost unthinkable. SM and YG were the biggest rivals in K-pop, after all. However, G-Dragon’s not part of YG anymore and SM is a shell of what it used to be now that so much more competition floods the … Continue reading
After three years, BOYNEXTDOOR are finally set to release their first full album next month. This usually means extra promotions including a pre-release or follow-up. Without much teasing at all, the group has dropped ddok ddok ddok (똑똑똑) as a taste of what’s to come. Fans will know the significance of this title given the … Continue reading
JYP boy group NEXZ are on the ascendance, and it feels good to write that. Though I enjoyed watching the group form on season two of Nizi Project, it took until last year’s Beat-Boxer for the music to fully win me over. That feeling extended to last month’s excellent title track Mmchk (one of the … Continue reading
Debuting boy group YUHZ come to us from survival series B:MY BOYZ. Like many new series-spawned groups, their contract is slightly longer (five years), which hopefully gives their agency motivation to promote them with longevity in mind. A song like Rush Rush could be considered low-hanging fruit for me. Even at its worst, a bright, … Continue reading
The Bias List // K-Pop Reviews & Discussion 