When Winner first debuted in 2014, they seemed poised to become YG Entertainment’s answer to K-pop’s more “grown up” side – not exclusively ballad-centered, but not striving to compete with teenage hip-hop either. A lot has changed since then, and ever since 2017’s mega-hit Really Really it seems like the group has been stuck in … Continue reading
Though the girls have more or less denied it, there’s a chance that Me & You may be EXID’s final Korean title track — at least in the group’s current incarnation. This speculation comes after members Hani and Jeonghwa chose not to renew their contracts with Banana Culture Entertainment. Cross-agency reunions are not unheard of … Continue reading
Years after its debut, my favorite NCT-related track is still Without You. I get that hip-hop is much trendier and globally popular, but I will always be a proponent of big pop melodies and powerful vocalists. This style used to be a stalwart of SM Entertainment, but now that the NCT brand seems to be … Continue reading
Though most Weki Meki singles have ended up growing on me, they tend to have a knockoff quality that makes them feel like lesser versions of other girl group material. Almost two years in, I’ve yet to understand what kind of sound Weki Meki is meant to have. Many describe their title tracks as “messy,” … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. In addition to crafting a very strong singles run, Oh My … Continue reading
RBW’s ambitious double debut of ONEUS and ONEWE has finally come to fruition! ONEWE had to wait a few months longer (and already seem to be getting less promotion), but technically they’ve already “debuted” twice — first as M.A.S 0094 in 2015, and then as MAS in 2017. They say the third time’s the charm, … Continue reading
Taeyeon made her solo Japanese debut last year with the pretty — but extremely safe — Stay. That song jettisoned the funky backbone of Korean single Something New for straightforward, feel-good balladry. Judging from new single Voice, this middle-of-the-road pop style seems to be her go-to J-pop sound. There’s nothing wrong with a little adult … Continue reading
