At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Starship Entertainment’s new boy group AEN debuts as a hybrid K-pop/J-pop group, releasing versions of each song on their album in both languages. As someone who prefers having a “definitive version” of a song, I’m not usually a fan of tracks recorded in multiple languages, but I understand the commercial strategy behind it. At any … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
It’s difficult to know whether to write about a performance video, but the pre-debut of a new group from a major agency feels worth a few words. AEN is Starship Entertainment’s latest boy group, debuting less than a year after IDID. They’re co-managed by a Japanese agency with the idea of actively promoting in both … Continue reading
The Bias List // K-Pop Reviews & Discussion 