Several years after launching their ambitious SuperM project, SM Entertainment has developed a similar strategy for their female artists. From what I can gather, Girls On Top will encompass multiple mix-and-match units. First up is GOT The Beat – a performance unit comprised of BoA, SNSD’s Taeyeon and Hyoyeon, Red Velvet’s Seulgi and Wendy, and … Continue reading
We’re down to the wire now with K-pop’s final year-end festival. MBC’s show is usually my favorite. It feels the most festive, bridging the gap between New Year’s Eve and New Year’s Day. It also tends to have the most robust artist line-up. Like every festival of the past two years, this one revolved around … Continue reading
You simply can’t have a great K-pop comeback without eye-catching choreography. With each passing year, it’s become more vital to the industry. Dance routines are excellent for a variety of reasons, ranging from intricate “how did they do that?!?” moments to simple point moves that become trendy touchstones. This list covers both of these extremes … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
Even decades after formation, some things haven’t changed about SM Entertainment. They’re still clever vultures, digging through old pop detritus and repainting it to craft shiny new baubles. A recent example is aespa’s Next Level (pulled from an old Fast & Furious soundtrack), but SM has been doing this since the 90’s. SES’s 1998 hit … Continue reading
After ranking my favorite rookies of 2021, I turn my attention to K-pop’s more established artists. This year, the criteria is the same as ever: Quality of work Quantity of work Influence of work on the industry As usual, the first criteria far outweighs the next two, and is entirely subjective. This is not a … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
It’s not quite December yet, but I’m going to kick off this annual feature a little early this year! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2021 went. First up is SM Entertainment. As usual, the thoughts are my own and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2021 Overall Thoughts When I averaged all my song ratings of October, I was surprised … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. However you may feel about aespa’s … Continue reading
As a day-one admirer of aespa’s Next Level, I’ve loved watching the song work its way into public consciousness and become one of 2021’s most iconic K-pop tracks. SM Entertainment is clearly angling for an edgier sound for the group, perhaps in an attempt to replicate BLACKPINK’s global success. But so far, their tracks have … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2021 Overall Thoughts 2021’s momentum stalled a bit this month. But, it wasn’t for a … Continue reading
Say you’re one of the biggest music agencies in the world and you’re looking to launch your next big girl group. What do you do? Saddle them with a Christmas song (in February!)? Toss them an old b-side from the soundtrack of a Fast & Furious spin-off? Both sound like awful ideas, yet this is … Continue reading
Whether intentional or not, SM Entertainment has established a template for debuting their newer girl groups. Open with a big, colorful dance track and follow up with a cover of a late-90’s/early 00’s Yoo Young-Jin produced song. This combination worked wonders for Red Velvet, but both Happiness and Be Natural were dynamite songs. I liked … Continue reading
After a glut of high-profile rookies in 2019, this year felt more subdued. There were still tons of new acts, and many of them made it onto my “Top 50 Songs” countdown. But, most hailed from smaller agencies with less promotional power. Making a rookies list is a combination of looking back and looking forward. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2020 Overall Thoughts November was absolutely packed with releases, and though only one title track … Continue reading
It’s that time of year again! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2020 went. First up is SM Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like … Continue reading
It’s been over six years since SM Entertainment last debuted a new girl group, making aespa’s arrival long overdue. I feel like there have been rumors about a new girl group for at least four years now, with many picturing a large, SNSD-like configuration. Instead, aespa is a tight, four-person act, just as Red Velvet … Continue reading
The Bias List // K-Pop Reviews & Discussion 