As Beast closed out their career with the melancholic drama of last summer’s spectacular Ribbon, the newly renamed Highlight opens theirs with a much more upbeat offering. The guys have been self-composing their material for awhile now, but leaving their former agency has given them license to try on some new sounds. This is a pretty … Continue reading
Of all the comebacks and dramas that are likely to happen in k-pop this year, Beast‘s transformation into Highlight might just be the most interesting. Acts have left their agencies before, but I can’t think of another group of Beast’s caliber that have had to change their entire brand because of a switch in management. … Continue reading
The end of the year countdowns are here! We’re starting things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. Unlike last year, j-pop releases will be placed in their own countdown, … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. SHINSADONG TIGER … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
As their latest Japanese release (and first as a five-piece), Beast have given us two singles under the concept “day and night.” I was pretty underwhelmed by the day, but it turns out that the night is where things really heat up. Though I enjoyed their latest Korean album (and loved the title track), it … Continue reading
Beast has been all over the place this year. We had the misguided hip-hop of March’s Guess Who, the gorgeous midtempo drama of Ribbon, and now Freaking Cute, which takes a much lighter pop approach. The group gave us a handful of brilliant Japanese tracks last year, but I fear that the creative juice has been used … Continue reading
