At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. FRANTS Years … Continue reading
DAY6 had an incredibly prolific 2017, releasing two songs a month that were then compiled into a pair of full-length albums. However, this demanding schedule seemed to be taking its toll by the end of the year. Their music began to lose some of its edge, transforming into a ballad-heavy brand of OST-friendly rock. The … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
No matter the issues I’ve had with the second half of DAY6‘s Every DAY6 project, I’ve got to hand it to the guys for seeing it through to the end. Not every group can manage to release new singles every month of the year, complete with professionally shot music videos. It was an ambitious project … Continue reading
About two months ago, I gave up hope that the Every DAY6 Project would continue to be a year-long release of title track-worthy material. What started as an ambitious opportunity for the guys to display a variety of promoted songs has gradually turned into a complete-the-album b-side roll out. That would be fine, but DAY6’s … Continue reading
The beauty behind the kind of sustained release schedule DAY6 has utilized this year is that it gives an artist the opportunity to display a wide variety of sounds without the risk and money that goes into a full-fledged, long-anticipated comeback. But over the past few months, I fear that DAY6 are started to fall … Continue reading
