Baekhyun has done enough amazing things with EXO to warrant a steady stream of write-ups on this blog, even if his solo music has rarely connected with me. I hate coming into a song knowing that I probably won’t like it, though I’m always open (and hoping) to having my mind changed. R&B is a … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
EXO’s Baekhyun possesses one of my favorite voices in K-pop, but our musical tastes don’t usually seem to align. His solo work has favored the kind of slow, vibey sound that too often feels like background music to me, even as those vocals pull me back in fits and spurts. New single Elevator is no … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. The K-pop industry loves to harness … Continue reading
Kai’s been teasing the release of his new album with several songs, both of which took dance elements and subdued them to a leisurely pace. All the while, I’ve had to make peace with the fact that Kai clearly wants something different from his solo work than I’d expect. Title track Wait On Me continues … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
EXO’s Kai pre-released Adult Swim earlier this month, wasting extraordinary potential on a dull, spoken-word chorus. His actual comeback is still around the corner, but before that he’s surprised us with another new track. Walls Don’t Talk picks up the pace a bit and feels slightly more developed than its predecessor, but still delivers a … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
With Kai serving his mandatory military enlistment, it’s been just over two years since I’ve gotten to write about one of his solo singles. But now that he’s back, he’s wasted no time getting into the studio. A new mini album is on the way with pre-release Adult Swim tiding us over in the meantime. … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
There’s been a fair amount of controversy around the promotion of Xiumin’s Whee!, as SM Entertainment seem to be up to their old tricks of blocking artists who have left the agency. Xiumin remains a part of EXO, but he’s embarked on his own solo career under new management. Whee! is his first work under … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2024 Overall Thoughts While the first half of 2024 was quite strong, these past few … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
During this lull in new K-pop releases, I decided to go back and watch 2012’s MBC Gayo Daejun – the end-of-year extravaganza that ushered in 2013. Not only was it a euphoric time capsule of excellent music and stunning performances, but it brought to mind many thoughts after twelve years of K-pop fandom. Here were … Continue reading
After returning from the military, Baekhyun (mostly) parted ways with SM Entertainment and set up his own label INB100. He’s not the first SM artist to do so, and likely won’t be the last. With this newfound freedom, he’s made his long awaited comeback with the synth grooves of Pineapple Slice. Looking at this song … Continue reading
EXO’s Chanyeol made his comeback last week, but he’s already back again with follow-up single… Back Again. While Black Out took a subdued rock approach, Back Again dives into a more boisterous 90’s sound. It’s a much more interesting song, pulling together several distinct segments. Back Again almost feels like a mash-up. The rapped verses … Continue reading
Originally debuting as a main rapper in EXO, Chanyeol has gone on to release several solo singles in a variety of genres. He may not be a powerhouse vocalist within the group, but his tone has an easily identifiable charm suited to rock and indie music. Black Out comes from his first official solo album … Continue reading
