At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
After a string of knockout synth pop singles, from20 has reinvented himself as a hyper-sexualized cartoon character. Last year’s Eye Candy and Social established this persona and new single Big Boy takes it even further. These songs remind me of a certain style of early-2000s pop/hip-hop — deliberately silly but also attempting a sort of … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2025 Overall Thoughts We’ve hit the rare (?) double-header in K-pop with two back-to-back underwhelming … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Over the years, from20 has leaned into a sort of “colorful himbo” character and it’s good, campy fun. His spring single Eye Candy replicated early-2000s hip-hop more convincingly that the vast majority of current Y2K-inspired tracks and that’s because it didn’t forget to be silly. A cartoonish streak ran through much of millennial pop music … Continue reading
I’ve been attending KCON LA since 2015, so with pandemic-closures in 2020 and 2021 that makes this year my eighth time at the event. Over the years, I’ve watched it change and grow in both good and bad ways, and those changes were certainly on display this year. It was going to be difficult (impossible?) … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2025 Overall Thoughts Oof. What a month. K-pop in 2025 hasn’t been overwhelmingly awesome so … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
As a longtime fan, it’s been thrilling watching from20 and Hello Gloom’s Way Better transform from idea to boutique agency, swiftly collecting new artists like Pokémon. Their roster now holds five individual acts and today we have a new single from the one who started it all: from20. From20’s music has been remarkably consistent so … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2024 Overall Thoughts Oh gosh, what a month for South Korea. December started with martial … Continue reading
Now that I’ve taken a look at the new acts that dominated 2024, it’s time to focus on their established counterparts. Though my favorite group of the year was a rookie, most of my favorite music came from artists who debuted in years prior. As usual, the criteria is built around these three factors: Quality … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
In both their solo endeavors and their team work, from20 and Hello Gloom have bounded from strength to strength this year. Their Way Better agency is aptly named, as it’s become the go-to place for high quality Korean dance music. The two traverse genres but tie everything together with an inviting energy and an ear … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2024 Overall Thoughts After a stellar June, July was always going to have a hard … Continue reading
This year’s KCON was bigger and better than ever, stretched out over three days and dozens of stages. It’s my eighth year attending so I feel like a veteran at this point, but each year’s a bit different. 2023 was a stressful experience in several ways so I wasn’t sure what to expect in 2024. … Continue reading
from20 and Hello Gloom have become unlikely conduits for fantastic, EDM-influenced pop. Both have released their fair share of highlights, with March’s explosive Mamacita standing as one of this year’s most addictive singles. The two work closely together under their self-established WAYBETTER label and now they’ve finally come together on a single. Your Love acts … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2024 Overall Thoughts Due to its positioning in the dead of winter and the cancelling … Continue reading
Over the past few years, from20 has released a series of synth bangers that firmly established him as one of my favorite artists working in K-pop. With new single Demon, he makes a slight shift into funk pop, retaining his slick sound and catchy hooks. This sound isn’t quite as thrilling to me, mainly because … Continue reading
Now that I’ve taken a look at the new acts that colored 2023, it’s time to focus on their established counterparts. For me, most K-pop years are defined more by their rookies than older artists, and 2023 was no different. As usual, the criteria is built around these three facets: Quality of work Quantity of … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The Bias List // K-Pop Reviews & Discussion 