It might not be the k-pop hub that is L.A., but living in the Pacific Northwest, we get our fair share of concerts in neighboring Vancouver. Even so, when I saw that G-Dragon had extended his world tour to Seattle, it seemed like a minor miracle. I can’t remember a time when a big-name k-pop … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2017 Overall Thoughts Of the 18 months I’ve been running this site, June was the strangest … Continue reading
After taking a mid-year review of 2017’s songs last week, it’s time for the albums. In a landscape shifting more and more towards the digital single, I’ve been a longtime proponent of the classic pop album. 2017 hasn’t given us all that many, but there have definitely been a few standouts. Here are my favorites … Continue reading
Before the Bias List‘s Top 50 songs countdown in December, it’s time to take a mid-year survey of the k-pop landscape in 2017. Compared to 2016, this year has been somewhat underwhelming. But that doesn’t mean 2017 hasn’t had its share of highlights. Unsurprisingly, my list includes a number of acts that overlap with last … Continue reading
Amidst everything going on with his band-mate T.O.P, G-Dragon made the right decision in releasing the emotive Untitled, 2014 as the first single from his new mini album. But this being G-Dragon, we knew we’d be getting at least one hip-hop hype track before the album campaign was over. The eye-catchingly titled Bullshit is the … Continue reading
It’s such a thrill to write about a solo G-Dragon track. Though Bigbang has been active over the past few years, we haven’t heard from G-Dragon on his own since 2013’s brilliant Coup d’Etat album. But on a personal level, he was one of my first ambassadors to k-pop as a whole. I can’t think … Continue reading
Released in September of 2013, Coup d’Etat built on the touchstones of G-Dragon‘s 2009 debut album and his 2012 One Of A Kind mini. At this point, his immense star power had been cemented, allowing for high-profile collaborations that brought a more international flavor to his work. Within this framework, Coup d’Etat is one of k-pop’s … Continue reading
