K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Upon the announcement of its official closure, I joked about owing K-pop’s Universe app a proper obituary. But the more I thought about it, the more I realized that I really do need to document the demise of this longstanding frenemy. During its brief existence, Universe promised creepy AI-generated idol interactions (or so I’m told). … Continue reading
Okay, I tried something new this time. Rather than watch the entire hours-long festival in one go, I just skipped to the performances on YouTube (which is probably what most sane people do!). This improved the overall experience by removing some of the bloat these year-end shows are well-known for. I’ve always appreciated the bigger … Continue reading
(G)I-DLE’s Tomboy has become an enduring 2022 hit, and I just don’t get the hype. But, the same could be said about the group as a whole. I try to be as objective as I can on a blog called “The Bias List,” but there are some acts that test that objectivity. (G)I-DLE aren’t for … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2022 Overall Thoughts In a paradoxical trend, the average song rating on this blog has … Continue reading
K-pop hasn’t always had precedent for girl group members going solo – especially while their group is still actively promoting. But, Cube Entertainment has done a nice job establishing the individual talents of (G)I-DLE. In fact, I prefer some of their solo efforts to their group work. Next on the docket is main vocal Miyeon, … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
With K-pop’s “girl crush” sound and concept omnipresent over the past few years, it’s become abundantly clear which groups can pull it off and which feel less authentic. I wouldn’t call (G)I-DLE’s debut era “girl crush,” but their edgier energy certainly helped lay the groundwork. They’ve made their name on self-produced shots of calculated attitude. … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Over the years, I haven’t been particularly kind to Ravi’s solo music. I settled on an “if you don’t have anything nice to say, don’t say anything at all” approach, choosing not to write about every song he releases. But, I’m always up for a pleasant surprise and still preview his work in case something … Continue reading
In perhaps the most unsurprising K-pop news of 2021, (G)I-DLE’s Jeon Soyeon has released her first solo album. I mean, she technically debuted as a soloist in 2017 before re-debuting as (G)I-DLE’s leader — a group practically built around her popularity. She’s one of the most prominent voices in K-pop today, with the ability to … Continue reading
What a difference a year makes! This time in 2020, I struggled to cobble together a mid-year list worth celebrating. I ended up finding five songs, though one wasn’t technically a single. This year, I’ve got a whopping fourteen tracks! That’s quite a turnaround, and a testament to 2021’s strength. Because of this, I’ve scrapped … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2021 Overall Thoughts 2021’s momentum stalled a bit this month. But, it wasn’t for a … Continue reading
Before a new K-pop album is released, I habitually read its track descriptions (when they’re available). This can be dangerous, as my imagination can falsely extrapolate a single word into the most epic song ever recorded. But more often than not, these descriptions just use the same few trendy descriptors. So when Yuqi’s Bonnie & … Continue reading
Though she doesn’t receive as much attention as some of (G)I-DLE’s other members, Yuqi has one of the group’s most compelling voices. And now, she has the opportunity to spotlight that talent with the release of her digital single Giant. Recorded in both English and Chinese versions, the song offers a shot of rock-infused inspiration. … Continue reading
Over the years, I’ve ranted about the state of K-pop boy groups more than a few times. But, I’ve rarely given the same focused critique to the industry’s girl groups. 2021 has been a strong year for the boys so far. At the same time, I haven’t been as impressed with many of its girl … Continue reading
(G)I-DLE’s Last Dance is the latest single to be released via the Universe app, a frustrating approach where a song’s full music video is only viewable within the app itself. Despite gathering some big-name talent for these tie-ins, I still have no clue what the Universe app actually is, and have little desire in researching … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2021 Overall Thoughts It’s the start of a new year, and new possibilities when it … Continue reading
Whatever I may think about (G)I-DLE’s music, I can always appreciate their ambition. They commit to their concepts, and leader Soyeon’s composition skills ensure that their title tracks feel consistently them regardless of the genre. Unfortunately, more often than not their songs just don’t connect with me. Oftentimes, I find their work to be heavy … Continue reading
The Bias List // K-Pop Reviews & Discussion 