At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2022 Overall Thoughts So… we’re almost halfway through 2022 and…. hmmm. Compared to the songs … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2021 Overall Thoughts We may still have December before us, but according to the norms … Continue reading
I’m sure many Bias List readers are like, “Johnny what?!?”, but I’ve decided to branch out this year and offer my thoughts on one of J-pop’s biggest agencies. I mostly want to do this because I think they’ve had a great year worth writing about. As usual, the thoughts are my own and aren’t privy … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2021 Overall Thoughts When it comes to new music, I often mention the “expectations game.” … Continue reading
Hey! Say! JUMP have been on an experimental kick since 2019, and I’ve enjoyed watching them grow into their more mature, adventurous style. Of course, “experimental” won’t be for everyone and some musical choices have been stronger than others. New single Gunjo Runaway (群青ランナウェイ) is definitely an odd one, filled to the brim with chaotic, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2021 Overall Thoughts 2021’s momentum stalled a bit this month. But, it wasn’t for a … Continue reading
Johnny’s Entertainment has been oddly quiet this spring, and its few releases have felt pretty underwhelming. I’m shocked that we haven’t yet gotten a full album announcement from Snow Man, and we’re just now learning what Kis-My-Ft2 will be up to for their big tenth anniversary. Thankfully, there are a couple of single releases to … Continue reading
I’m back with more J-pop b-sides and singles that never received a full Bias List review. This round-up covers material from October 2020 to January 2021, and I hope you find some treasures to add to your playlist! SixTONES – S.I.X / Special Order SixTONES released their first full-length album earlier this month, and it’s … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2020 Overall Thoughts It always feels like a bit of a comedown posting one of … Continue reading
I’ve compiled a “Best of J-pop” list every year since The Bias List started, but it always came from a very narrow point of view. In 2020, one of my personal resolutions was to follow the J-pop industry more broadly and (hopefully) expand my palette in the process. So while those past lists definitely included some epic … Continue reading
I’ve compiled a “Best of J-pop” list every year since The Bias List started, but it always came from a very narrow point of view. In 2020, one of my personal resolutions was to follow the J-pop industry more broadly and (hopefully) expand my palette in the process. So while those past lists definitely included some epic … Continue reading
The rollout for Hey! Say! JUMP’s new album has been kind of fun. A few months ago, they secretly uploaded a couple of music videos on youtube under mysterious pen names. Without revealing their faces, these “new” groups established a bit of buzz, though anyone remotely familiar with Jump’s vocals instantly knew it was them. … Continue reading
It’s been awhile! As I’ve started covering more J-pop singles on the blog, there haven’t been as many tracks to feature in a J-pop round-up. But, one of the purposes of this feature is to unearth buried treasures. The seven songs below are a mix of singles and b-sides that have caught my attention over … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2020 Overall Thoughts For the first time in months, I feel pretty good about where … Continue reading
Over the course of the past few months, Hey! Say! JUMP have become the most musically interesting Johnny’s group. Having been a fan for a while now, this a surprising – and gratifying – transformation. I mean, these are the guys who go around Japan in ridiculous white jumpsuits solving people’s problems. This is the … Continue reading
You thought Stray Kids’ Side Effects was a wild ride? Well, you were right… and I dearly love that song. But, it’s got competition. I’ve wanted to write about Hey! Say! JUMP’s「I」ever since it was released last October, but couldn’t figure out a way to do it that would actually attract readers! So, I decided … Continue reading
Longtime readers of The Bias List will know how stingy I am when it comes to rating songs nine and above. But, there’s plenty of music that qualifies. In fact, I’ve got a playlist of over 600 of them sitting in my iTunes. The vast majority of these are singles or title tracks, but there … Continue reading
Though I’ve enjoyed Hey! Say! JUMP’s music for years now, I was still surprised by how much I loved last October’s Parade album. It felt like Johnny’s Entertainment at its best – widescreen, ambitious and infectiously joyful. With a roster of vocalists that I will politely call “nasally,” JUMP have never been a group to … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2020 Overall Thoughts What to say about February 2020? As the month went on, it … Continue reading
Despite its title, I’m quite confident that this list does not represent the “best” J-pop tracks of the year. It’s a much more filtered list than my K-pop countdowns, because I just don’t keep up with J-pop as strongly as I’d like to. So, what you’re getting here is twenty great tracks by artists that … Continue reading
The Bias List // K-Pop Reviews & Discussion 