At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
The idea of a super group in K-pop is very exciting. Anyone remember SuperM? As far as I know, this trio of HYBE acts don’t plan to promote together past this one-off single, but the combination of LE SSERAFIM, ILLIT and Katseye has the potential to maximize a joint slay to the nth degree. However, … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Katseye are not a K-pop group, but of all the global acts backed by K-pop agencies they’re by far the buzziest so I continue to write about their work regardless of my own criteria for this blog. Love or hate their songs, they’re guaranteed to garner a strong reaction. Alongside new single Pinky Up, Katseye … Continue reading
Just like last year, I wanted to share my top twenty most-viewed posts for 2025. I find this list an interesting gauge of which acts are popular or buzzy at the moment (at least among netizens who read reviews). There aren’t many surprises, here. The list is dominated by a couple of the most popular … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Leading up to the release of their second EP, Katseye have delivered contrasting charms. Gnarly and Gabriela led us from the bold to the boring, which makes me wonder if there’s a happy medium somewhere in the middle. New track Gameboy doesn’t aim to answer that wonder, choosing instead to echo popular trends for a … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Here’s a little secret about the ratings on this blog, and it may seem counterintuitive. I rarely venture below a “6” on my overall scale, but any song that hits below this mark has a special place in my heart. In fact, I tend to “like” them more than many of the songs rated in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Of all of K-pop’s forays into non-Korean markets, Katseye have had the biggest push and have the most potential to become stars outside the industry. Though they’ve only released one EP since their debut last summer, they’ve done a fair amount of promotions and seem to have found a natural place within the overall pop … Continue reading
Just like last year, I wanted to share my top twenty most-viewed posts for 2024. I find this list an interesting gauge of who is popular (at least among netizens who read reviews). The most obvious takeaway from this list is the utter dominance of girl groups. Seriously, there’s only one boy group in the … Continue reading
So, I sat down and watched all three days of the MAMA Awards this year. Well… almost all three days (there was definitely some fast-forwarding). After a few years being pretty resigned to the ceremony, I was curious this year because so much of my favorite 2024 music came from artists who were big enough … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
HYBE and Geffen’s American (K-pop adjacent) girl group KATSEYE made a pre-debut last month with the solid but underdeveloped Debut. Less than a month later, they’re back with follow-up Touch, which succumbs to the same issues as its predecessor without developing its own strengths. Like Debut, Touch is a wisp of pop track. At just … Continue reading
KATSEYE, like VCHA before them, present an interesting challenge for this blog. They can’t really be considered “K-pop,” but they were formed on the competition show Dream Academy co-managed by HYBE Corporation. Time will tell if I keep writing about their music, but for now I think it’s important to touch on their debut as … Continue reading
The Bias List // K-Pop Reviews & Discussion 