At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2022 Overall Thoughts In a paradoxical trend, the average song rating on this blog has … Continue reading
As I was looking back at the dramas I’ve watched this year, I realized that many of the ones I stuck with weren’t even from 2021. Overall, my taste continued to veer toward Japanese series. They just feel quirkier (and shorter!). Rather than try to rank dramas that are so different from one another, here’s … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
My Top J-Pop Songs countdown continues in its expanded format! We’ve got fifty of the best (mostly idol) tracks Japan had to offer, with many great choices relegated to the honorable mentions. Because I don’t write about all of these songs the way I do for K-pop, this is always a fun countdown to compile. … Continue reading
I’m sure many Bias List readers are like, “Johnny what?!?”, but I’ve decided to branch out this year and offer my thoughts on one of J-pop’s biggest agencies. I mostly want to do this because I think they’ve had a great year worth writing about. As usual, the thoughts are my own and aren’t privy … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2021 Overall Thoughts When I averaged all my song ratings of October, I was surprised … Continue reading
King & Prince have had a very strong 2021. Beating Hearts was an instant hit for me, while Magic Touch and Namae Oshiete proved to be huge growers. But with On The Moonlit Night, When You Fall In Love (how’s that for a mouthful?), they’ve delivered their best single of the year. Fans of their … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2021 Overall Thoughts Well, July was… interesting. And by “interesting,” I mean unimaginably dull. Other … Continue reading
Over the past few years, several Johnny’s groups have started recording more English-language material. This surprises me given the agency’s lack of access to English-speaking markets. Just like K-pop, I’m not sure I want these acts to be vying for international attention – especially if it means diluted the aspects that make them unique and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2021 Overall Thoughts 2021’s momentum stalled a bit this month. But, it wasn’t for a … Continue reading
It’s amazing how thoroughly this bass-driven funk sound has infiltrated K-pop and J-pop over the past few months. I’m certainly not complaining. It’s always been a favorite style of mine. And though nobody is approaching Prince-level funk workouts, the added injection of rhythm is a welcome turn for these pop-heavy tracks. Funk is nothing new … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2020 Overall Thoughts It always feels like a bit of a comedown posting one of … Continue reading
One of the unexpected upsides of 2020 was the time and opportunity to get back into dramas. In the past, there had been a handful of series I absolutely loved, but I’d always had a hard time getting into new ones. This year, though, I became somewhat of a drama fanatic, catching up on many … Continue reading
I’ve compiled a “Best of J-pop” list every year since The Bias List started, but it always came from a very narrow point of view. In 2020, one of my personal resolutions was to follow the J-pop industry more broadly and (hopefully) expand my palette in the process. So while those past lists definitely included some epic … Continue reading
I’ve compiled a “Best of J-pop” list every year since The Bias List started, but it always came from a very narrow point of view. In 2020, one of my personal resolutions was to follow the J-pop industry more broadly and (hopefully) expand my palette in the process. So while those past lists definitely included … Continue reading
Billed primarily as a winter single, King & Prince’s I Promise is the kind of sentimental pop song you could listen to year-round. After a 2020 filled with diverse sounds, the track brings them right back to the sweet style found on their blockbuster 2018 debut Cinderella Girl. It’s nothing we haven’t heard before, but … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2020 Overall Thoughts Back in late winter, my reviews were often besieged with comments stating … Continue reading
King & Prince’s singles run has pin-balled between extremes, from the fluffy cutesiness of songs like Cinderella Girl and Koi-Wazurai to the edgier Mazy Night and Naughty Girl. This is largely in response to the needs of the drama projects these songs are tied into, but this “grab bag” sense of concepts tends to be … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2020 Overall Thoughts This may not seem like much within the context of 2020’s continual … Continue reading
I have no idea what a “mazy” night is supposed to be, but if that’s the kind of night it takes to get a song like this, I want my whole freaking life to me mazy. Seriously, though, Mazy Night has been a long time coming. Originally scheduled for release at the end of April, … Continue reading
The Bias List // K-Pop Reviews & Discussion 