At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2022 Overall Thoughts Too often this year, my monthly round-ups have been… kind of a … Continue reading
In 2020, Lucy emerged as one of K-pop’s most exciting and endearing bands. Last summer’s Gatcha! mini album felt like a crystallization of that potential – an all killer, no filler collection of songs that pushed their sound forward without losing the quirks unique to their musical perspective. Ever since then, I’ve become a bit … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2021 Overall Thoughts After spending the past few weeks counting down everything under the sun … Continue reading
I didn’t plan on making this post, but as I wrapped up the last of my K-pop specific countdowns for this year, I realized it would be fun to compile them together and see which overall comebacks came out on top. After all, a K-pop comeback is more than just the title song. So, I … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
2021 offered quite a few strong albums, enough for both of my categories to include numerous honorable mentions. Full albums were especially great this year — a trend I hope to see continue in 2022. Like usual, my top ten list is cut in half, presenting the top five mini albums and the top five … Continue reading
After ranking my favorite rookies of 2021, I turn my attention to K-pop’s more established artists. This year, the criteria is the same as ever: Quality of work Quantity of work Influence of work on the industry As usual, the first criteria far outweighs the next two, and is entirely subjective. This is not a … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
I’m still reeling over how fantastic Lucy’s June album Gatcha was. Those four songs felt like a crystallization of the group’s potential – diverse and sprawling with great melodies and inventive arrangements. Since then, the guys have received well-deserved attention thanks to a shout-out from Korea’s national archery team. New single Rolling Rolling (떼굴떼굴) could … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2021 Overall Thoughts When it comes to new music, I often mention the “expectations game.” … Continue reading
One advantage of being a self-produced band is that you can release new music whenever you like. Irrelevant Answer (동문서답) is a special surprise single from Lucy, released alongside a lo-fi music video that focuses on the group’s performance. Without the gloss of a full-fledged comeback, the song feels more extraneous than essential. But, more … Continue reading
A review is just a snapshot in time, and sometimes I end up regretting the way I rated a song. There are so many factors that influence the longevity of K-pop. Familiarity, album context, live performances and cultural saturation can all boost or sink a song’s fortune. I run this feature during the mid-point of … Continue reading
Following on the heels of yesterday’s ‘top 2021 singles,’ it’s time to turn our attention to K-pop’s full and mini albums. As with title tracks, 2021 has delivered a strong series of albums so far. My lists are a little longer than normal, but the criteria remains the same. To be considered an “album,” the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2021 Overall Thoughts So far, the rule of 2021 seems to be “expect the unexpected.” … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Two buried treasures in one day? … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though only four songs in length, … Continue reading
Lucy were my biggest personal K-pop discovery last year. I usually prefer K-pop’s more dance-oriented material since it seems most different to the pop music I grew up with, but Lucy are the perfect idol band package. They’ve got incredible vocals, excellent songwriting, an unusual instrument (in this case, a violin), and an endearing ‘never-take-ourselves-too-seriously’ … Continue reading
Over the years, perfectly-scored, 10/10 songs have developed a sort of mythical status on The Bias List. I didn’t intend for this to be the case, but my hesitance to give full marks on release day has resulted in the concept of a “legendary song.” Last year, I inaugurated a handful of songs into this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2021 Overall Thoughts 2021 is off to a roaring start, and February really kicked into … Continue reading
The Bias List // K-Pop Reviews & Discussion 