At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2020 Overall Thoughts I don’t know about you all, but my mind wasn’t exactly on … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When thinking about picking a buried treasure for NCT 127’s newest … Continue reading
Despite unlimited potential for new sub-units, NCT’s Korean promotion has largely boiled down to releases from either 127 or Dream. Both have secured plenty of fans under the NCT umbrella, showing a remarkable level of diversity when it comes to genre and style. Still, when I think of NCT 127, I immediately picture experimental soundscapes, … Continue reading
The end-of-year festivals officially kicked off this Christmas, with SBS’s Gayo Daejun once again opening the three-night festivities inside the immense Gocheok Sky Dome. Unfortunately, this year’s proceedings were marred before they even started, with Red Velvet’s Wendy suffering a horrible accident during rehearsals. I’m sure that idols were (understandably) concerned about the safety of … Continue reading
This particular countdown tends to be polarizing. How do you judge a “best artist,” after all? To be clear, this isn’t an objective list. It’s not based on facts and figures. Nor is it a straight-up bias list, though bias definitely plays a big part. My criteria for this category is simple, and encompasses three … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
It’s that time of year again! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2019 went. First up is SM Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like … Continue reading
Now that I’ve looked at the year’s best singles, it’s time to spotlight the standout albums of 2019’s first six months. It’s been a relatively solid year for albums so far, though not as strong as 2018 at this same point. As usual, minis have been more plentiful than full albums — especially when it … Continue reading
So far, 2019 has been an odd year for K-pop. If I were to sum it up, these first six months have pinballed between “thrilling” and “frustrating.” Taken as a whole, I think 2019 easily usurps 2018 at this same point. But, many of my favorite songs were released in close proximity to one another … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2019 Overall Thoughts After an underwhelming April, the month of May began to right the … Continue reading
One of the things that first drew me to K-pop was SM Entertainment’s SMP style. Characterized by its hybrid, genre-bashing nature, this musical philosophy was fueled by bombastic instrumentation and outrageous vocal arrangements. There wasn’t anything else like it at the time, and there still isn’t. As K-pop continues to blow up internationally, SM has … Continue reading
Years after its debut, my favorite NCT-related track is still Without You. I get that hip-hop is much trendier and globally popular, but I will always be a proponent of big pop melodies and powerful vocalists. This style used to be a stalwart of SM Entertainment, but now that the NCT brand seems to be … Continue reading
This time last year, NCT had already delivered an exciting yearbook project that saw the release of no less than four singles (with more to come). In comparison, 2019 has been downright barren. In fact, SM Entertainment’s 2019 schedule has been exceedingly light, relegating to a pair of SHINee-related solos and a few other ballads. … Continue reading
2018 was a fantastic year when it came to album tracks. In fact, many of them were stronger (and more interesting) than their title track counterparts. This makes for a very competitive top 40 list, as well as a host of honorable mentions. Honestly, I could’ve tripled the amount of honorable mentions and still had … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2018 Overall Thoughts November is always packed with comebacks, but rarely have we seen one … Continue reading
In what has become an annual tradition, it’s time to take a look at K-pop’s biggest agencies and offer my 2018 verdict. First up is SM Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. The purpose of … Continue reading
When it comes to NCT 127 title tracks, I’ve learned never to let my first impression color my final thoughts. I’m almost always underwhelmed the first time through, and that’s probably because I’m not a huge fan of the modern, minimalist hip-hop that has become the group’s focus. Most of their title tracks have taken … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2018 Overall Thoughts October was like one of those Halloween horror movies with a twist … Continue reading
