I featured Superstar on my J-pop round-up a few days ago, but I know only a sliver of readers regularly check that out and the song has since become a staple on my playlist so I thought I’d give it a longer write-up. PG are a co-ed, very young group from Avex that first hit … Continue reading
Song covers can be tricky. Do too little to change the original and the whole exercise might feel pointless. Do too much and it’s bound to polarize opinion. TRF’s 90s hit Boy Meets Girl has already been covered dozens of times, partly because it’s an Avex standard alongside other oft-covered classics like Get Wild and … Continue reading
I find it difficult to be a consistent fan of groups formed through the Produce/Planet series of survival shows. No matter how much I might like the members, the music often functions as an expanded version of the series’ concept missions. Groups don’t develop a signature sound, meaning one month they may release the best … Continue reading
Ryugujo are a young group at a crossroads. They’ve been a favorite of mine since forming on the excellent Year 0, Class 0 series and went on to develop a unique and compelling discography. Through it all, mentor and producer Avu-chan oversaw everything. But after the shock announcement that Avu-chan would be stepping down as … Continue reading
There are a handful of ultra-popular Japanese artists whose music I’ve just never connected with. Up until Hachikō, Fujii Kaze was one of those artists. I’ve enjoyed a song here and there, but never to the point where I stopped in my tracks to realize how awesome he could be as an artist. Hachikō is … Continue reading
It’s been tricky being a Kis-My-Ft2 fan lately. I’ve long held them up as my favorite J-pop group and recently ran down their entire discography when it finally made its way to streaming (check the posts out here and here!), but I haven’t cared for any of their material in the past couple years. And … Continue reading
Mixed-gender group Genic have been one of my favorite J-pop acts for the past few years, and last year’s N_G album only cemented that. Unfortunately, since then I haven’t connected with any of their singles in the same way, making me worried for their upcoming album If. However, the splashy It’s Showtime gets us right … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TVXQ just released their best song … Continue reading
It’s a weird time to be a Kis-My-Ft2 fan. The group’s latest album (their first in four years) was easily their worst — a project I listened to once and never returned to. Yet after leaving the group, Hiromitsu Kitayama has unveiled a musical breadth and creativity only hinted at during his time with Kisumai. … Continue reading
NCT Wish debuted earlier this year as NCT’s final fixed unit. Straddling the line between Japanese and Korean promotions, they appear to be following NCT Dream’s bright sound template rather than the angular experimentation of units like 127. February’s funky Wish was a decent start, but new single Songbird feels like their true arrival. I’ve … Continue reading
When compared to the length of Queen Bee’s history as a band, I’m quite a latecomer to their fandom. Super Memorial (超メモリアル) celebrates fifteen years of music, but it feels as if they’re just getting started. The band released my favorite song of last year and vocalist Avu-chan produces my favorite group of the moment … Continue reading
I wrote a track-by-track review of Ryugujo’s new EP a few days after it was released, and I’ve only gone on to appreciate it more since then. It feels like Ryugujo’s music takes a quantum leap forward every time they release something new. This will be a hard feat to keep up, but it’s been … Continue reading
A J-pop act’s single isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. I want to spotlight some of these buried treasures and give them the props they deserve. I don’t usually post “buried treasures” for J-pop, most often because they’re not … Continue reading
![Buried Treasure: TXT x SawanoHiroyuki[nZk] – LEvel](https://thebiaslist.com/wp-content/uploads/2024/01/txt-x-sawanohiroyukinzk-level.jpg?w=290&h=290&crop=1 "Buried Treasure: TXT x SawanoHiroyuki[nZk] – LEvel")
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Readers, this is why I’m always … Continue reading
Just yesterday, Kis-My-Ft2 released the video for their upcoming single Heartbreaker. And now, we have the solo debut from former member Hiromitsu Kitayama, who left the group earlier this year to join Hideaki Takizawa’s TOBE company. Needless to say, it’s been an unsettled year for us fans! While nothing about Heartbreaker bowled me over, RANSHIN … Continue reading
Whether with protégés Ryugujo or her own band Queen Bee, I’ve fallen in love with Avu-chan’s songwriting. It’s fierce and cathartic — the perfect vehicle for a vocal that’s often combative and raw. Queen Bee’s music runs the genre gamut, but straight-ahead rock is a particularly satisfying match for the band’s charm. The excellent Violence … Continue reading
Ryugujo (龍宮城) are one of a handful of newer J-pop acts with permanent occupancy on my playlist. Year 0, Class 0, the survival series that formed them, remains my favorite TV show of the year and their partnership with Queen Bee’s Avu-chan makes them an exciting new voice in music. 2 MUCH leads their first … Continue reading
Apologies for the click-bait title. I don’t often use them, but I really wanted to share this track and I wasn’t sure how to do it. I don’t write “Buried Treasures” for J-pop, nor do I feature a countdown dedicated to Japanese b-sides. So, I thought I’d attempt to catch everyone’s interest before writing about … Continue reading
Naniwa Danshi released their second album Popmall this week, and it’s being promoted by two contrasting songs. These tracks represent the duality of the group’s music, and can be best described by this well-known meme: The ebullient Poppin’ Hoppin’ Lovin’ is fun but kind of exhausting. I’m much more drawn to LAI-LA-LA, which feels like … Continue reading
Debuting in 2019, Exile Tribe’s Battle Of Tokyo is one of the coolest projects developed by any entertainment company. It brings together the agency’s Jr.Exile groups under fictional guises in a futuristic battle royale. It’s a multimedia project, including videos, books and — of course — music. This week, the third chapter in the series … Continue reading
