A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Not too long ago (2021, to … Continue reading
SHINee’s Key has a history of becoming a K-pop savior on this blog, breaking long streaks of “7” and “8” rated songs with music that pushes bolder and further. That certainly occurred in early 2023 with his single Killer, but his follow-ups have been less adventurous. Both Good & Great and Pleasure Shop found him … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
SHINEE’s Onew continues his prolific solo run with his third full album today. This was preceded by pre-release Confidence, a song that was musically impressive but failed to pull me in on a gut level. Title track Animals is a more straightforward synthpop affair, reminiscent of some sounds you might find on a SHINee album. … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Since going their separate ways for solo promotions, no SHINee member has been as musically prolific as Onew. This isn’t what I would have expected based on past history, but he’s been churning out material with great consistency. Next up is summer single Confidence, pre-released ahead of this third full album next month. As you … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2025 Overall Thoughts The other day, I commented on Twitter/X that K-pop was struggling to … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
SHINee have spent the last week celebrating their anniversary with the streaming of multiple concerts. This all builds up to a new single, written by (and featuring vocals from) their late member Jonghyun. Though Poet | Artist won’t be promoted beyond a music video, it still feels more notable than a typical fan song. After … Continue reading
Sometimes, it’s fun to take a trip back in time and immerse yourself in a specific K-pop year. Similar to my Battle of the B-sides, this feature sees me shuffling a huge playlist of songs from a certain era, picking out six at random and sharing my thoughts about each. All songs are eligible: Title … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Onew pre-released a track last month, previewing his new solo album that drops today. Yay left me a bit unsure, though I appreciate the creative freedom he now has to release the songs and styles he wants. Title track Winner certainly fits within his wheelhouse, merging cathartic balladry with rock elements to forge a track … Continue reading
As usual, SBS’s year-end festival falls on Christmas day. Because of this, the themes have been getting more and more holiday-focused with each passing year. Everyone and their mother performed a “Christmas version” of their songs tonight, but you don’t get to call something a “Christmas version” just because you throw sleigh bells on the … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
Since leaving SM Entertainment for Griffin Entertainment, SHINee’s Onew has been pretty prolific, releasing a mini album, OST and — as of today — digital single Yay (만세). He seems ready to spread his musical wings, crafting a diverse set of songs that reflect his various strengths. Yay traverses several moods within its three minute … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2024 Overall Thoughts Well… how are we all doing? Given the news of the past … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
Today, Minho becomes the final SHINee member to release a full studio album. New material from SHINee is always something to cheer about, but in the past Minho’s work hasn’t often been targeted to my taste. He tends to prefer more downbeat, vibes-driven material. New single Call Back adds a driving beat, but its tone … Continue reading
The Bias List // K-Pop Reviews & Discussion 