1. Hard // 2. Juice // 3. 10X // 4. Satellite // 5. Identity // 6. The Feeling // 7. Like It // 8. Sweet Misery // 9. Insomnia // 10. Gravity JUICE Apparently, this is the song SM fought for as the album’s title track. And if we’re purely deciding between Juice and Hard … Continue reading
SHINee’s The Feeling has blossomed into an early summer highlight, buoyed by the group’s heavenly vocal blend and the song’s driving energy. I’m very thankful for its existence, and will be positioning it as the official title track in the blissful (deluded?) alternate reality I’ve constructed around SHINee’s new album. Unfortunately, the album’s actual title … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Before SHINee make their long-awaited return at the end of the month, they have a gift for fans in the form of pre-release single The Feeling. This song was previously revealed as part of the group’s recent fanmeet and marks the first time we’re hearing all four members on a new Korean track since the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2023 Overall Thoughts I’ve been complaining about K-pop a lot this year, but April was … Continue reading
In this feature, I zoom into some of K-pop’s most legendary weeks — short periods of time that delivered multiple classics. K-pop is usually a Monday through Friday affair (at least in my time zone), with some weeks stuffed to the brim with releases. But, not all include multiple 9+ rated songs. Here, I’ll through … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2023 Overall Thoughts So… when does the good stuff start? Seriously, we had yet another … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
After nearly a year since his last mini album, SHINee’s Onew is back with the release of his first full-length effort. He’s the latest SHINee member to deliver new music before the group’s promised spring comeback. Thus far, his solo sound has incorporated a soft, adult contemporary sheen that fits his beautiful vocal color. It … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2023 Overall Thoughts I hate to say it, but my interest in K-pop is kind … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Key improved an already-solid album with … Continue reading
It’s been a long ninety days since a K-pop song – title track or otherwise – scored a “9” or higher on this blog. That’s a new Bias List record, if you’re wondering! I’ve often joked that 2023 hasn’t actually started yet, but now we can put that critique to rest. Leave it to SHINee’s … Continue reading
September-October 2008 Overall Thoughts In addition to my monthly K-pop round-up, I’ve taken a look at my favorite three singles from each month since 2009 and factored them into my ultimate Bias List scorecard, which can be found here. The problem is, prior to 2009 it becomes harder to find reliable sources for K-pop release … Continue reading
July-August 2008 Overall Thoughts In addition to my monthly K-pop round-up, I’ve taken a look at my favorite three singles from each month since 2009 and factored them into my ultimate Bias List scorecard, which can be found here. The problem is, prior to 2009 it becomes harder to find reliable sources for K-pop release … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
May-June 2008 Overall Thoughts In addition to my monthly K-pop round-up, I’ve taken a look at my favorite three singles from each month since 2009 and factored them into my ultimate Bias List scorecard, which can be found here. The problem is, prior to 2009 it becomes harder to find reliable sources for K-pop release … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
I spend the whole year plucking “buried treasures” from K-pop’s vast slate of albums, and now it’s time for those b-sides to have their own countdown! As usual, some of 2022’s strongest music was never promoted with a glossy video or music show blitz. Over the next two days, I’ll be counting down my forty … Continue reading
Compared to 2021, this year definitely felt weaker when it comes to albums. Mini albums faired better than full-lengths, but apart from a few mega-standouts, most K-pop releases took a piecemeal approach to their music — too often stuffing tracklists with a horde of different producers rather than settling on one unique vision. Like usual, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The Bias List // K-Pop Reviews & Discussion 